SIMON and I both knew Colin from way back in the early days of the EAST VILLAGE GALLERY scene – ca. 1981 or 82, 83 – when they both had start-up store-front galleries, pretty much around the block from each other. both had serious agendas, and serious ‘other agenda’ distractions. put it this way – they both liked to party, in their own way – and being a businessman/gallerist – wasn’t high on the list. Simon’s gallery, the self-named SIMON CERIGO GALLERY – was more visual, as in pictorial – in context, showing early WALTER ROBINSON and even DAN ASHER; while Colin’s was more of a visual but cerebral high-style. COLIN was able to outlast Simon and endure until his untimely death, (in FALL 2003) as he had family resources to fall back on – and he was also a little sharper on the networking. Our most interesting intersection with Colin, apart from Simon’s inclusion in ART CLUB 2000’s ‘1970’ – was our 1995 purchase, from AMERICAN FINE ARTS – of an early MARIKO MORI large-scale photo, called: ‘LOVE HOTEL’ – which we purchased for the grand total of $3,000. We had to sell it, a few years later – when it hit $60,000 at secondary market. of course the very next year, after we put ours to market – her photos were hitting well beyond $120,000-$160.000+. ouch. . and yes it was COLIN de LAND, not JEFFREY DEITCH – who first showed MARIKO MORI in NYC. and yes, ALFREDO MARTINEZ !! and MARIKO MORI were an item – in her early punk days, when she still had bad skin – in NYC, on the Lower Side. and yes, it was at the first DEITCH – MARIKO MORI show – that I first met Alfredo. they had already broken up way before. it was something you just never knew whether to believe or not, but just like most of the tall tales – that Alfredo spins – the most far-fetched !! are usually – the truth !! I know, because – I did ask Mariko Mori once, personally – and she did confirm – though in a one word sentence . . .
COLIN de LAND 1955-2003.
photographed at the last AMERICAN FINE ARTS opening he was able to attend. PHOTO: NANCY SMITH
the show was: SILVIA KOLBOWSKI, ‘Like Looking Away’, SEPTEMBER 12 – OCTOBER 5, 2003.
by this time AMERICAN FINE ARTS/COLIN DE LAND FINE ART was in Chelsea – on 22nd St.
the opening was on Sept 13, 2003 – and by Oct 26, 2003 – there was a memorial for COLIN at COOPER UNION, with the after party at CBGB.
by this time – I was working as an event photographer for WALTER ROBINSON at artnet. I felt really honored that Colin, clearly not at the peak of good health, had picked up his camera to play ‘photo tag’ with me, and that he had let me get the last photo of him – at the very last event he could attend at his namesake gallery. esp as – no one was else was allowed to snap any pix of him. ok. he was wearing a wig, but he still looked pretty good, and playful. but Walter declined to publish it – go figure. way to go, Walter. guess I can just damn well – do it myself, now.
and, yes it was Colin de Land who made trucker hats most chic !!, (and, not ASHTON KUTCHER !!).
DANIEL, or as we all like to call him, DANNY, McDONALD was pretty much running the gallery day-to-day, at that point, and he was watching over Colin like a mother hawk. He obviously, unlike Walter, enjoyed – and grasped the beauty of the ‘camera play’ !!
this was the artist – SILVIA KOLBOWSKI – whose show was to have the legacy of being – the last one Colin could attend.
this was the show’s card.
by that time – Colin was using a standard, text only – format – for every show.
it was kind of a fore-shadow – in style, looking back.
PHOTOS: NANCY SMITH
~COLIN de LAND/THE LAST PIX |
Posted in The Bomb | By Nancy Smith | January 2nd, 2010, 11:49am
NEXT UP – WHAT ELSE IS THE NEW YEAR GOOD FOR – BUT, A LOOK BACK ?
WE’VE GOT SOME ARCHIVAL PIX – FROM the DANNY McDONALD / ART CLUB 2000 – SUMMER 1997 EXHIBIT: ‘1970’ – at COLIN de LAND’S AMERICAN FINE ARTS – WHEN IT HEADLINED THE EDGE – in SOHO !!
artlovers’ roaming contributor, music critic, party crasher and big mouth – SIMON CERIGO – was one of the artists featured in the show . . . which asked: “where were you – in 1970?”.
SIMON CERIGO, with daughter, KATE CERIGO in tow, rides up to the opening, MAY 26, 1997.
Kate was 11. Simon was 45.
Simon’s t-shirt reads: THE ABSOLUTE SOUND – always the cutting edge audiophile & music fan – Simon was a devout follower of high end music electronics – on which to hear that cutting edge music – and ‘THE ABSOLUTE SOUND’ – was the high end audiophile bible of the time.
sitting in the window – looking at the camera – CHARLIE FINCH !! as JOHN WATERS – strolls by !!
ART CLUB 2000, ‘1970’ – COLIN de LAND AMERICAN FINE ARTS. SOHO, NYC. MAY 26 1997.
it was the summer show and ran till SEPT 1, 1997.
KATE on the gallery front steps.
the gallery also had one of those ubiquitous Soho banners.
ART CLUB / 1970 – the sign for the show.
yep, that’s DANIEL aka DANNY McDONALD – in the red T.
the youngest member of ART CLUB 2000, and Simon says: the best looking, CRAIG WADLIN in the theme appropriate paisley shirt Simon on the right. and yeah, Simon does need shades indoors. you know what that means, don’t ya ?
. . . ‘medicated’ out of his skull. what else is new.
DANIEL McDONALD tinkers with the video installation. different interviews ran on the different monitors at the same time. when it worked.
ok, so what ART CLUB 2000 did for this exhibit, ‘1970’ – was they asked several, mostly well known artists, (Simon was the least known), in a taped interview: “Where were you in 1970 ?”
Simon’s answer, that won him a one-way ticket into this insider club ?
“I was in Providence Town, MASS hanging out with JOHN WATERS and DIVINE, the whole group. at a dive bar called PIGGY’S TRUCKSTOP – where I was the DJ. I was 18. I had been at WOODSTOCK – the summer before.”
some of the other artists interviewed: VITO ACCONCI, ISA GENZKEN, LES LEVINE. ALEX KATZ, CAROLEE SCHNEEMAN & HENRY FLYNT. just goes to show ya, how fleeting fame is, and Simon is probably still the most interesting, edgey, and most unknown – not to mention, baddest – of the lot !! and the only one you’ll still see out on the scene – ok. sometimes JOHN WATERS pops up – but he wasn’t interviewed.
CHARLIE FINCH on the couch, Kate next to him.
in the center, that’s a (younger) WALTER ROBINSON. on the right is his ex-wife.
MR. KNOW IT ALL. SIMON CERIGO.
ART CLUB 2000 – ‘1970’. COLIN de LAND AMERICAN FINE ARTS.
MAY 26, 1997.
PHOTOS: NANCY SMITH
‘Untitled’ (Paramount Hotel/Nude). 8 x 10 in. C-print. 1992-93
an early ART CLUB 2000 – self-produced image !!
yes, that’s a bleached blonde DANIEL McDONALD, in the dark socks !! on the extreme left.
the only real break-out artist of the group, would be photographer PATTERSON BECKWITH, in the center, his face just above the back haired Asian beauty.
ART CLUB 2000 – a group of intense (7 members at the max) art students from COOPER UNION – was initiated under the guiding hand and auspices of COLIN de LAND, back in 1992.
the image is from the ART CLUB 2000 – web archive: Between Bridges: ART CLUB 2000
you can also score a little more info on them, here: ART CLUB 2000
(CRAIG WADLIN’S PHOTOGRAPHY website.)
(another ghost of Xmas past) – COLIN de LAND.
ART CLUB 2000 – ‘Untitled (Individuals of Style Portrait, Studio Sample with Colin de land). 11 x 14 in. digital print. unique, 1993.
posted on: Between Bridges: ART CLUB 2000
~ART CLUB 2000 – A LOOK BACK: 1970 !! |
Posted in The Bomb | By Nancy Smith | December 30th, 2009, 11:52am
artwork by HUMA BHABHA – image courtesy/ATM GALLERY
BILL BRADY of ATM – is pleased to announce that gallery artist – HUMA BHABHA – has been included in the selection for the upcoming WHITNEY 2010 BIENNIAL. HUMA BHABHA always serves up both a great visual and contextual statement – of rich complexity and superior originality.
but overall – the selection seems a little on the ‘strange’ art side of things, with a lot of the artists unknown to this scribe.
THE BRUCE HIGH QUALITY FOUNDATION is given a chance to show they deserve their recent p.r. – can they jump to the plate ?
DANNY McDONALD, best known for his work with ART CLUB 2000 – sprung out of the glory days of COLIN DeLAND and AMERICAN FINE ARTS – is a surprise pop-up. good luck, Danny !! ARI MARCOPOULOS rings a bell – and his participation should be both lively and pictorial. the big question mark is – GEORGE CONDO – what the hell – is he doing in the mix – can a slot in the WHITNEY BIENNIAL – be bought ?
watch: a brief statement by the 2010 BIENNIAL curators, FRANCESCO BONAMI & GARY CARRION – MURAYARI !!
it sounds more like an apology than anything else – not a good sign – for the first step – going into a big project – whose rep, in fact the whole brand – has been severely diminished, one could even say, squandered over a past decade – of very lame – outings.
you can see: an interesting take on the Museum itself in this video clip, 2nd option down here !! – and the 2010 animation logo – is swift !! but the naming of the names seem to take a dubious jittery second place vibe. these guys seem more scared – than anything else. you know – like when a pol or CEO gets the chairperson seat – outta default – cause no one else wants to handle the hot potato – of a sinking ship. but maybe, just maybe – their steely low-down – will hit a steely mark ?
~HUMA BHABHA/WHITNEY 2010 BIENNIAL |
Posted in The Bomb | By Nancy Smith | December 30th, 2009, 9:50am
THINGS THAT STAY, THINGS THAT GO
DANNY TINNENY’S SELECTIVE SALVAGE
DEC 11, 2009 – JAN 3, 2010
ELK GALLERY – 426 PRESIDENT ST. – BROOKLYN – NY
HRS: FRI-SAT/1-7PM
JOCKO WEYLAND wrote us a lengthy, but worthy missive on this ‘alternative’ show on the glorious banks of the GOWANUS CANAL !! – the site of a one time on-site/found/rove exhibit under the ELK umbrella.
too bad we couldn’t make the opening – Friday, Dec 11 – supposedly they had bonfires going in 55 gallon oil drums .. and beer. but it was also the biggest rainstorm of the year. so go figure.
anyways, JOCKO writes:
“With Bond Street on one side, the Gowanus Canal on the other, bordered by
Carroll to the south and the cobblestones of President Street to the north,
“The Lot†is a repository of gritty and occasionally sublime readymade
beauty. Â Almost everything there has a functional purpose, though much has
stayed past its prime thanks to the preservationist instincts of Danny
Tinneny, the lot’s owner,  “arranger†and undisputed king. All these objects
help give the lot its unique character and often transcend their utilitarian
origins to enter the realm of the purely sculptural, combining undeniable
formal qualities and socio-historical resonance. Posing questions as to what
is art and what is not without essaying any dogmatic answers, the lot’s
contents blur that supposed boundary with Duchampian aplomb. An accumulation
of weathered, battered, and engrossing remnants of the Gowanus’ industrial
past and its more recent multi-use incarnation, the aesthetically rich
environment has resulted from both chance and judicious reclamation. Whether
it’s a peacefully decaying 1958 Oldsmobile 88, various bollards, a backhoe,
forklifts, a Grove crane, rusted dumpsters, bales of wire, oil drums,
numerous ladders, stacks of wood, sandbags, tires, and shipping containers,
they all are part of a not entirely accidental cement sculpture garden. Â Set
off by the big skies above the canal, ringed by an aluminum barbed-wire
topped fence, the weedy domain with its semi-feral cats hunting amongst the
detritus is evidence of a keen sensitivity to the appeal of what many
consider junk.
The lot has had many lives, first as a car salvage business and now as the
home to the office of a moving company, a woodshop, parking for movie
stylist RVs, and many other activities, including Macro-sea’s summer 2009
dumpster pool project, for which Tinneny was both enlightened landlord and
crucial participant. Now more changes are afoot, and before that
transformation occurs there is an opportunity to take stock of these sundry
inanimate things and see them in a new light. “Things that Stay, Things that
Go†contextualizes these gems that were saved on purpose (and some that
stayed just because) in a garage-turned-gallery and its courtyard. An homage
to the past and present, the inspired ad-hoc arrangement Tinneny has brought
to his workaday surroundings will be reconfigured into an installation
replete with aesthetic and historical allusions and minimalist charm. Tools
and useful implements’ impact on the sculpture of the last 100 years can be
pondered, as can the graphic material that was saved for decorative
purposes, seen through the prism of one man’s unselfconsciously artful
attitude toward debris. A collective wish to fully appreciate the lot’s
magical diversity is at work in this exhibition, from the fire call box to a
chest-high safe, the vintage matador prints, a tarp-covered AMC Javelin, a
toolbox full of 1940s records and  “The Watchman†mannequin, along with the
all the other selectively salvaged treasures. In this display machines,
practical devices and pictorial ephemera generate a nuanced tonal
conversation about volume, shape, and feel, as well as a chance to celebrate
Tinneny’s discriminating eye for the beauty inherent in functionally.
Directions: F train to Carroll Street Stop, walk east (towards the Gowanus)
on Carroll Street, left on Hoyt, then right on President. Go to the end of
the street through the gate into the lot and walk about seventy-five feet
until “Things that Stay, Things that Go†is seen to the right.
Presented with the cooperation and support of the Tinneny family and
Macro-Sea.”
there is an excellent slide show of the exhibit: on the ELK website !!
ALL PHOTOS BY ROB ERICKSON !!
here’s some favs – it was hard to edit them down . . .
inset photo of DANNY TINNENY – by JONATHAN KROLL.
looking good – or what !!?? GOWANUS CANAL !!
while you are on the ELK website – look around – it’s a nice little alternative cruise . . . with some real punch.
FOR SURE, don’t miss the ELK sounds: here !!
on the top right, under ONE ELK SOUND; ANOTHER ELK SOUND.
and the zines and the films and the books !!
note: JOCKO WEYLAND IS A WRITER, PHOTOGRAPHER, and CHRONICLER OF SKATEBOARDING, AMONG OTHER PASTIMES – in AMERICA. when we saw his film – ‘BEIJING SUMMER’ – under the ELK/FILMS archive – there was something about BEIJING, and GOWANUS CANAL – that resonated in our head.
of course – ALFREDO MARTINEZ – !! – former GOWANUS CANAL celebrity resident and current CHINA ARTIST-in-RESIDENCE !!
Jocko Weyland wrote that funny piece on ALFREDO for VICE !!
see: JOCKO WEYLAND on ALFREDO MARTINEZ !! in CHINA !!
for more on JOCKO WEYLAND, check out: RAW CHINA – PHOTOS BY JOCKO WEYLAND !!
and if you have 10 more mins, check out: JOCK WEYLAND on OPEN CITY – THE ELK & THE SKATEBOARDER !!
~HAPPY NEW YEAR: JOCKO WEYLAND & ELK GALLERY !! |
Posted in The Bomb | By Nancy Smith | December 29th, 2009, 1:18pm
so, . . . . here’s CHRISTMAS PRESENT !!
MERRY XMAS FROM NYC – or is it, to NYC !! – from BECCA KACANDA !!
BECCA KACANDA – at the first BROOKLYN COMICS AND GRAPHICS FESTIVAL,
WILLIAMSBURG. NEW YORK CITY. DEC 5, 2009
PHOTO: NANCY SMITH
ARTWORK BY BECCA KACANDA !!
see: more of BECCA’s work and the underground world of comics NYC – on MEATHAUS !!
and yeah, check out: MEATHAUS !! – it’s a great little animated gem of a cutting edge NYC comics website !!
MERRY XMAS !! Y’ALL – XXX, KATE CERIGO !!
~MERRY XMAS NYC – BECCA KACANDA !! & MEATHAUS !! |
Posted in The Bomb | By Nancy Smith | December 25th, 2009, 12:22pm
. . . caught a-n-o-t-h-e-r GHOST !! of Christmas Past – JOSH HARRIS on CNBC – ‘THE BUBBLE DECADE’ – !!
He was featured just before their coverage of: AOL BUYS TIME WARNER !!
and, yeah, he has what ? 10 sound bites and there is is insisting, was it Pseudo, or the whole damn thing – was just . . .”an art project” !! internet seer be damned, I am an artist.
Friday, Dec 24, 2009 – 3 PM !!
see: CNBC ORIGINAL – THE BUBBLE DECADE
see: CNBC – THE BUBBLE DECADE
PHOTOS: NANCY SMITH
~ANOTHER GHOST OF CHRISTMAS PAST: JOSH HARRIS/THE BUBBLE DECADE |
Posted in The Bomb | By Nancy Smith | December 25th, 2009, 12:14pm
ok. this being NYC, I recently had occasion to drop by a doctor’s office on the Lower East Side, and being such, instead of PEOPLE MAGAZINE lying around for bored waiting clients – the mag of choice was – INKED !! a tattoo chronicle.
with nothing better to do – and bored out of my mind – I flipped through and what do I see on page 30 – the Ghost of Xmas Past !!
a young Dash Snow. no mistaking the face – nor – the DAY OF THE DEAD ink.
it was used as a ‘stock’ photo in an ad – for tooth cleaning utensils for hipsters !!
the good people of INKED were totally clueless as to who they had in the photo.
there was no name, there wasn’t even a photo credit. Dash must have sat for some ink photog who sold his image – I guess without permission – duh – to shill electric toothbrushes. or maybe they just lifted it off the net.
watch out – maybe your Facebook photo will be – ‘orphaned’ – next.
he is wearing a grill set – get it ?
of course the ink – is the best drawing ever seen on skin, no doubt.
but one good thing, he is face-to-face – in mag world ghost life – with a hot babe – forever.
it’s on page 30 – someone else can dig for the dirt.
it was more than – enough, to stumble upon the ghost, for me.
though if the DIA FOUNDATION ancestors actually set their high-priced lawyers on the trail – yeah – I’d like a finder’s fee. duh.
kind of like Dash’s way – of supporting the site – from afar. fat chance. but you never know – so I’m putting it in writing.
they actually asked for my archival pix – for use – for free. another stingy story. what else is new.
see: INKEDMAG.COM !!
it was just sitting there. waiting to be set free.
INKED JUNE/JULY 2009.
and, then a little further on, at the corner of BOWERY & SPRING, this new tag work – has to be for DASH.
D.S. R.I.P. 09
and, what’s that . . .
IRAK IRAK
NEW YORK NEW YORK.
PHOTOS: NANCY SMITH – DEC 4, 2009
LOWER EAST SIDE, NYC.
read more about: IRAK & DASH & SNOW & DEATH/GAWKER !!
GAWKER has a bad habit – of not posting photo credits.
so, sorry no can do, as well. dudes, that’s how you end up with ‘orphaned’ pix – shilling electric toothbrushes,
down the road.
funny. how they think electric toothbrushes will go down well with ink aficionados !! must be that drill sound.
want more pix – IRAK – the website – has been co-opted, but this is still a good link.
see: ALEX SINS – Fuck what ya heard! – DASH SNOW
MERRY CHRISTMAS & HAPPY NEW YEAR.
and, dudes. don’t eat the snow. white or yellow. bad fer ya.
~THE GHOST OF XMAS PAST: DASH SNOW |
Posted in The Bomb | By Nancy Smith | December 24th, 2009, 10:24am
also caught this poster at the BROOKLYN COMICS AND GRAPHICS FESTIVAL !!
Coming Spring 2010 from Fantagraphics:
A BRAND NEW COLLECTION – FROM KIM DEITCH !
‘The Search For Smilin’ Ed !’
KEEP YOUR EYES PEELED!
More Kim Deitch books available from FANTAGRAPHICS:
ALL WALDO COMICS, BEYOND THE PALE, and DEITCH’S PICTORAMA !!
KIM DEITCH at the artist book signing of KRAMER’S ERGOT 7. DESERT ISLAND, BROOKLYN. Dec 6, 2008
PHOTO: NANCY SMITH
see: the complete report !!
you can read a brief, but really fascinating artist bio on KIM DEITCH, on the FANTAGRAPHICS website, here !!
and if you scroll down just a tiny bit, you can hit links to his books, including a large image of each cover, but even more fun, each book comes with a really cool – video tour – of the pages !!
for example, check out this tour of: ‘DEITCH’S PICTORAMA’ !!
‘DEITCH’S PICTORAMA’ !!
~KIM DEITCH & HIS WORLD |
Posted in The Bomb | By Nancy Smith | December 23rd, 2009, 1:36pm
FILE THIS UNDER: sometimes in the tiniest of books – resides the biggest magic.
RON REGE Jr. at the first ever BROOKLYN COMICS AND GRAPHICS FESTIVAL. WILLIAMSBURG.
Dec 5, 2009.
apart from his hardcover DRAWN AND QUARTERLY books – Ron Rege Jr. had some arresting black and white sheets.
these turned out to be studies from his – DIY mini books !!
they were in a limited editions of 100 and sold for $1 apiece – of, course I scored one – and here is Ron signing it !!
it is about 4 in. square !! well, 1/4 in. more on the width, 1/4 in. less on the height !!
held together with one staple in the center – it is 3 sheets or 6 pages altogether.
this is the cover.
is is dated 4.29.09 and the title says: ‘WHAT IS NOW WHAT IS NEW WHAT IS IT ???
believe, that block to the left – is his name – logo.
what really drew me to the book – apart from its DIY: little book – big excursion into the world. of thought.
not to mention the sub-texts of graphic art & design !! and, did we mention, charm.
was the cross-over into graff.
at first – the message seems to be the opposite of Noah Lyons ???
the first page states: ‘A SWEET, GENTLE TIME IS OURS A SIMPLE CLEAR QUIET PRACTICE NOW IS NOW PERFECT EASY ALWAYS NOW ……’
except you’ll note that that message – is in the shape of a hand gun !!
the right hand side says:
RAY OF LIGHT WANTS TO SHINE ON YOU!
EVERYTHING IS TEMPORARY
IS THIS THE GREATEST LESSON
OF LIFE – IN PREPARATION FOR DEATH?
ONLY LOVE IS ETERNAL
he also exposes some of his own polar opposite – issues !! incl. stylististic !!
the right hand page says:
THERE IS EVIDENCE TO SUGGEST THAT OUR UNIVERSE AND EVERYTHING IN IT ARE GHOSTLY IMAGES, PROJECTIONS FROM A LEVEL OF REALITY SO BEYOND OUR OWN IT IS LITERALY BEYOND BOTH SPACE AND TIME.
my sentiments, exactly !!
here’s that last page – writ large !!
[he is referring to science]
“MAGIC IS NEITHER WHITE NOR BLACK, FOR NATURE HAS NO MASTER” – PARACELSUS
the back cover – with the RON REGE JR logo – name block.
PHOTOS: NANCY SMITH
SCANS from: RON REGE JR – 4.29.09 / WHAT IS NOW WHAT IS NEW WHAT IS US ???
~RON REGE JR |
Posted in The Bomb | By Nancy Smith | December 15th, 2009, 11:08am
NYC-based NOAH LYON – aka RETARD RIOT – had a booth at the recent BROOKLYN COMICS and GRAPHICS FESTIVAL.
Sat, Dec 5, 2009. Williamsburg.
he makes tiny hand-made, very low-fi black and white comic books – but he presents them in a very arresting way – in plexiglass boxes !! Noah is someone who straddles that fine line between fine artist and comic book artist.
he also makes T-shirts – that speak for themselves, duh.
all of his work – is a commentary.
he also makes buttons. tons of them.
his most recent publication is a collaboration with MATT LEINES – this is very interesting. for 2 reasons.
one: they both straddle that fine line between art and comics.
two: they are almost polar opposites !! Matt is very detail-oriented and obsessive, whereas Noah is: scribble it out, turn it upside and tear the world apart. Matt Leines never uses words and Noah is pretty much all about words, or at least thoughts.
Matt is introspective and Noah is extroverted. Matt cannot abide to have his photo taken, and Noah loves to grandstand !!
in this front cover, the face is pretty much all Matt Leines, the guest. but. the curly multi-eyeballs forehead – is all Noah !!
by the way the book is all of 2-1/2 x 4 in. !!
8 pages altogether including the cover. LOW-FI – YES !! DIY – YES !!
small package – big message – great art – YES !!
little creative acts add up. little creative acts can be very revealing. little books can tell big stories.
if only little creative acts could change the world.
and yes, Noah was sweet enough to inscribe this one to me . . .
so can you tell the NOAH from the MATT ?!!
hint: any Matt Leines fan – could tell you in a nanosecond – the tale of the tiger is Matt.
the polar opposite clash and mesh !! – is all Noah.
Noah’s messages are always – right on point !!
unfortunately for where we are all heading, or is that beheading ?!!
plus – I also like long knives !!
so this is the back cover.
so clueless – where’s MATT ?
it’s all in the eyes.
PHOTOS: NANCY SMITH
pictorial scans from NOAH LYON – RETARD RIOT ISSUE twenty eight.
Printed in BROOKLYN SEPT. 2009
yeah, check out: RETARD RIOT !!
just make sure you – come back out !!
~NOAH LYON/MATT LEINES/LITTLE BOOK/BIG WORLD |
Posted in The Bomb | By Nancy Smith | December 10th, 2009, 10:38am
