WAITING for the OTHER SHOE, to drop . . .
a lot of people are writing really nice tributes to Simon.
our very fav is – ‘SIMON SAYS’ by DAVE DORSEY posted FEB 24, 2012. about a year ago.
to his blog: represent – the painting life.
yep, for sure, check out: ‘SIMON SAYS’ by DAVE DORSEY – a very true portrait, that for sure.
of course, though best remembered for his artistic brilliance – I’m waiting for the day when someone has the chutzpah to write: I PARTIED DOWN HARD – WITH SIMON. I mean I might want to burn it, and more so, strangle the author and the players, but . . . still. fact is fact.
I hear ANTHONY HADEN-GUEST has a particularly … colorful chapter. put it this way: Simon loved attention. and let’s leave it – at that.
you do know . . . me and Simon were the battlin’ tragedy caught on tape in . . . WE LIVE IN PUBLIC. there was a lot of jealousy & competition, too. going through his stuff, I just came across a birthday card from that year (2000) to Simon, from Theo. it’s inscribed: good luck with the rest of your life, and with Nancy.
of course, the other show waiting to drop as well, would finally be some well-deserved and long time in the coming – recognition of Simon’s own body of art. back in the day, when he had a small gallery, SIMON CERIGO GALLERY on AVE A, in the East Village, from 1985 & for a few years onward – creative people were not ‘allowed’ to wear so many different ‘hats’, as they are today. and that in a nutshell, is one of the BIGGEST and, BEST evolutions . . I can relate from the 60s, 70s, even 80s – til now.
of course not forgetting the BIGGIE: the freedom we have today to self-publish – on the web. the aggregate democratic street-up vibrancy of contemporary art criticism.
Simon was a stubborn truly indie gallerist, a gifted curator, a talent scout supreme, a ‘frontier’ mentality collector, and a hands-on artist. He followed nobodies trends – but his own.
His first major serious formal collecting began in his teens – he started off buying photography. all the greats, you name someone – he had it. from the complete ROBERT FRANK ‘Flower’ Portfolio of 1975 – to the EDWARD CURTIS classics of the west . . he also had started collecting comics, very seriously . . at a very very early age, and when I met him – he had several treasure chests in his childhood bedroom, full of pristine comics.
and then, there was the record collection, talk about golden vinyl.
in fact, it was like everything he touched – turned to gold. in art school – we used to call him . . . the Midas man. he liked to play cards, and buy art. go figure, nothing ever changes.
and, you didn’t have to be in a gallery, the work just had to catch his eye. he was the first person to ever buy my work.
SIMON CERIGO, ‘HE WAS TEA VICTIM OF HIS OWN KREATION’, ca 1986. NYC.
acrylic paint, oil stick, t-shirt . . and objects on canvas, 4-3/4 ft. by 5 ft.
SIMON CERIGO, detail
though he looked like a ‘messy’ expressionistic painter, at first glance, don’t let that fool you. he had real draftsman-type skills. he used to get into my watercolors every now and then, and I’d be, damn . . . beginner’s luck !!
SIMON CERIGO, detail, oil stick
He was also influenced by DAN ASHER. and he loved modernism. in literature, too.
SIMON CERIGO, detail . . .
vinyl … “love like Anthrax”, GANG OF FOUR – EMC (?!!!)
love like anthrax – that bout sums it up, love can really do you, in.
SIMON CERIGO, detail . . .
JOY DIVISION t-shirt
SIMON CERIGO, detail . . .
the comic book influence.
SIMON CERIGO, detail . . .
the ram’s head. yeah, I’m Aires. right-to-the-wall, and put your hands, up Aires. the ram.
Simon was a crab, Cancer. and thus a flamin’ huge conflict was aborn of . . . great passion.
SIMON CERIGO, detail.
that looks like something I would have bought for Kate, in Chinatown.
NANCY SMITH, acrylic paint on canvas . . . ca. 1986. NYC.
I’m guessing 7 ft. by 8 ft. ?
just in case you were wondering what I was doing then.
damn. but wood, for large stretchers was dirt cheap then. so was a huge roll of cotton duck / canvas. loft space was still pretty ok – cheap. nobody considered that storage space might become … a problematic issue – just 10 short years later. we were living on Franklin St. in Tribeca at that point.
you can see my growing interest in quilt patterns surfacing. just 10 short years late, I had given up the brush, and taken up . . . the needle.
and so it goes . . .
damn, I’m feeling like . . . James Joyce.
come to think of it, it was Simon who turned me onto Joyce. although I had read The Dubliners, several years back. I’m just remembering, that he couldn’t believe I made it all the way through, Ulysses and then, even, Finnegans Wake.
dudes, it . . . was a snap.
and so is life: snap. snap. snap. gone.
PHOTOS: NANCY SMITH, NYC.
~SIMON CERIGO: VICTIM of his own KREATION |
Posted in The Bomb | By Nancy Smith | January 30th, 2013, 7:02pm
YOUR WORLD . . . IS JUST BEGINNING . . .
TIME . . . IT AIN’T GOT NOTHING on YOU.
CAT POWER’S new album, ‘SUN’ – was in the works to be Simon Cerigo’s next Music review . . .
SIMON could call the music . . . just as well as he could call the art.
just one look at the artlovers Indie Music page archives – will tell you that.
he was way ahead of the curve – in terms of calling the trends . . . and waves and feelings.
People liked to read his reviews because, although short and very to the point, and ON POINT – he could throw in a relevant reference to times past, the 70s & the 80s mostly. he knew the obscure of history of underground labels like the back of his hand.
his music reviews often garnered a bigger following – then the concurrent art pages, believe it.
in fact . . . I think honestly, for real, the one main reason I married Simon was for his record collection. if you know me at all . . . yes, you could believe it.
when we first started ‘seeing’ each other . . . back in the late 80s – one of the very first bands he turned me onto was JOY DIVISION – and yep, that sealed the deal.
for his part – he never got over that BOB MARLEY’S – NO WOMAN DON’T CRY . . . was the soundtrack to my twenty-something life.
yeah, I turned him onto Reggae, and he turned me onto Indie. 30 year+ relationship – in a nutshell.
CHECK OUT: CAT POWER – Nothin But Time (Featuring IGGY POP)
“I WANNA LIVE – I WANNA GIVE and NOT – BE FORGOTTEN.”
amen. SIMON.
~CAT POWER . . . SUN |
Posted in Indie Music Reviews, The Bomb | By Nancy Smith | January 27th, 2013, 1:19pm
we will be having a . . . MEMORIAL for SIMON on SAT FEB 2, 2013 / 1-4 PM
at TRUE LIGHT LUTHERAN CHURCH – 195 WORTH ST – CHINATOWN, NYC
check out: the snowflakes !!
you need to give them a second or two – to engage.
it’s snowing in the city, for real . . . too.
SIMON CERIGO, ‘Man in the Red Chinese Hat’, aka ‘Moonlight Madness’. 1990.
acrylic paint, t-shirt, plastic action figures, and other various small objects, on canvas.
34 x 40 in. signed & dated on the back
detail, SIMON CERIGO, ‘Man in the Red Chinese Hat’.
detail, SIMON CERIGO, ‘Man in the Red Chinese Hat’.
detail, SIMON CERIGO, ‘Man in the Red Chinese Hat’.
detail, SIMON CERIGO, ‘Man in the Red Chinese Hat’.
dust to dust . . .
PHOTOS: NANCY SMITH
~SIMON CERIGO: TRUE LIGHT LUTHERAN CHURCH |
Posted in The Bomb | By Nancy Smith | January 26th, 2013, 6:58am
we are very sad to tell you that SIMON CERIGO . . . art world maven, artlovers contributor, artist . . . and party crasher supreme – has joined the Dead Artist Club. He passed away yesterday, Sunday Jan 20, 2013 – suddenly, after a brief illness complicated by heart issues. He was 60.
we are gonna miss you. that’s . . . for sure.
but if there is a big party going on up there, we know – you are already – on it !!
SIMON CERIGO, man on the scene, that’s for sure . . . at the CARROLL DUNHAM opening, Dec 28, 2012.
PHOTO: NANCY SMITH, NYC. DEC 28, 2012
SIMON CERIGO, NANCY SMITH, KATE and THEO. 5 Rivington St, Lower East Side, NYC.
PHOTO: SCOTTIE HARRISON, NYC. SPRING 1990.
~SIMON CERIGO, R.I.P. |
Posted in The Bomb | By Nancy Smith | January 21st, 2013, 8:51pm
it’s the last week to catch BEN BERLOW’s seriously crafted, minimalist, and yet wide-open-to-ponder, abstract work at RAWSON PROJECTS . . .
BEN BERLOW – NEW WORKS ON PAPER
DEC 1, 2012 – JAN 27, 2013
RAWSON PROJECTS – 223 FRANKLIN ST – BROOKLYN
check out: there is an interesting dialog with the artist – on the gallery website
artist BEN BERLOW, in Chelsea, just before Hurricane Sandy hit.
BEN is the Executor of the DAN ASHER estate, and was very close to Dan in the last years. it’s interesting to note the affinities, and differences – of dialog in their respective work, and that both were not ‘formally’ schooled in the arts . . .
PHOTO: NANCY SMITH. NYC, OCT 22, 2012.
BEN BERLOW, ‘untitled’, 2012
acrylic on paper, 18 x 12 in.
IMAGE: RAWSON PROJECTS
BEN BERLOW, ‘untitled’, 2012
acrylic & graphite on bookleaf. 8 x 5-1/2 in.
IMAGE: RAWSON PROJECTS
~BEN BERLOW … last week |
Posted in The Bomb | By Nancy Smith | January 19th, 2013, 12:06pm
just because life is so exquisitely fragile, funny, and hard.
just because art imitates life and graphics crosses – over !!
and sex – is such a b-b-b BIG part of it, the human condition . . .
I came across this font/website when I did the background research . . . on the recent RICHARD MEHL curated . . . ‘untitled type 5’ show.
like I said, the s’Nice thing bout graphics – is they speak for themselves !!
but I also thought it was funny/interesting . . . to move on from CARROL DUNHAM, and LENA, she doesn’t need her last name anymore (!!) onto this . . .
it’s from ALEX MERTO, a recent graduate of the SVA graphic design program.
yep, check out: ALEX MERTO
XXX – ABC FONT by ALEX MERTO. IMAGE FROM: ALEX MERTO/TYPEFACES
PLEASE show respect . . . and respect HIS COPYRIGHT.
if you like his ideas, contact him – the info is on his website !!
the full XXX – !!
by ALEX MERTO, please see: GRAPHIATRIST/ALEX MERTO.
IF . . . we want to preserve the FREEDOM TO CONNECT – WE’VE GOT TO RESPECT COPYRIGHT.
~ALEX MERTO, anything butt !! |
Posted in The Bomb | By Nancy Smith | January 18th, 2013, 12:02pm
I’m glad everybody is talking about this show – no matter what side of the line “of taste’ they fall on. it was very definitely – one of the most interesting & controversial shows of last year . . . Carroll Dunham’s work sure evokes strong feelings, one way or the other.
him and CATTELAN !!
art world roommates. just joking, NOT !!
I used to dismiss his work completely myself, mostly as being too street-image derived – but I sure got a big eyeball awakening this time around. a 360 switch like that – is always . . . something to rejoice in.
the show is closing this weekend, in fact – this Sat Jan 19, is the last day to catch it – so, don’t blink.
CARROLL DUNHAM / NOV 29, 2012 – JAN 19, 2013
GLADSTONE GALLERY – CHELSEA, NYC
see: artlovers PIX from the OPENING . . . NOV 29, 2012
CARROLL DUNHAM, ‘Next Bathers, five (dive)’, 2012
mixed media on linen, 88-1/4 x 68-1/4 in.
so you got that this was . . . LENA, right ?
the big tattoo, abstracted, apparently Ferdinand the Bull in real life, you go girl !! on her right shoulder is the . . on-the-money give-away.
really, it’s impossible to talk about this show without noting the damn straight unbelievable shooting star success and TALENT of LENA DUNHAM, the artist’s daughter – 26.
esp when you see just how formidable CARROLL DUNHAM is in person, check out those opening pix . . .
let’s face it. c’mon . . be honest. most artist offspring don’t come even a half-candle flicker close to their famous parents – in reality, or in in real talent. but this shooting star off-spring is beyond the beyond . . lumpy body and all.
awkwardness and all. yes, she carved out her ‘space’ – just like these paintings – carve out, hers and . . . theirs.
and omg, what’s with that ‘tickling’ tree fern – to the left. is that a funny metaphor or what.
sense of humor, seems to run in the family.
and yes, all of the above: that’s some of the things that really helped me turn onto this work.
the fact that they are such strict, even severe graphic and highly abstracted … portraits – that took off & flew – of course being the most heartfelt.
. . . as opposed to the ‘realist’ photographic genre – for example.
it’s intensely interesting to contemplate – that out of all this ‘reduced’ abstraction – we got served the real deal. the inner soul, we glimpsed her, Lena’s fantastic journey . . . from her father’s eyes.
CARROLL DUNHAM is reporting on the take-off, her far-out and far-flung foray into the BIG unknowing – as she makes her ‘dive’ into the primal pool – of life. of success, of being . . .
and this is before the 2 Golden Globes.
But hey, her mother, always knew it / ‘Tiny Furniture’ . . .
detail, CARROLL DUNHAM, ‘Next Bathers, five (dive)’, 2012
but I also revered, emotion aside – how ALL the paintings . . . could always break down into smaller elements, of design, of pure graphics, and yet also of … of Feeling, yes: capital F.
elements . . . that could fly on their own. play for play’s sake, alone.
you know – it’s called the art dance. and yeah in a way these hyper contemporary paintings reminded me of you know . . . the Bathers, Cezanne, and the Dancers, Mattise.
in that as a whole, and in their parts – that were just as bold and strident and expressive – as the old masters, it’s called composition, fluid.
craftsmanship, dudes.
draftsmanship.
severe artistic intelligence, dudes.
and while we are it. NO – THESE paintings are NOT about the NUDE . . . DUDE !!
they are about sexuality, and sensuality. and therein lies the (conceptual) prize !!
just as Lena, herself – is not about the beauty of the erotic form, let alone a new expose on the ‘nude’, god, how boring. . . but the beauty of the talent and mind that inhabit, and animate that very human esp twenty-something universe (!!).
so are these paintings finding a new way to map: erotic.
though we SURE could do without that recent god-awful INTERVIEW airbrushed faux glam cover – leave her alone already. just look at the trail of real life pix she has traced, and in such a short time. what a sweet, yet utterly compelling real-life/real-time fast forward trail of real girl – images, or what.
CARROLL DUNHAM, ‘Next Bathers, one (picking flowers)’, 2012.
78-1/4 x 61-1/4 in.
but whether Lena, and I’m thinking this is her youngest sister Grace (/) or no – there is an excitement and boldness to this work, that can only be amplified by the shared father/daughter gene pool . . . (!!)
but, there is also … a special craftsmanship, a unique vision, a bold flat-out vision here, apart from the specific subject matter, though they work to each others benefit no doubt, that attacks you as soon as you enter the show, and does not let go.
and this NOT something to sneer at, it is something to take in … with eyes wide open.
‘taste’, paste. forget trivializing the show – it’s way too awesome, strictly from a formal point of view, if nothing else.
detail, CARROLL DUNHAM, ‘picking flowers’.
and check out – the right hand side.
it’s not all about the – GIRLS !!
the primal sexual tension – is: equal opportunity.
detail, CARROLL DUNHAM, ‘picking flowers’.
yep, for sure, I think – that’s poetic little sis: Grace.
this small square of detail, also points up the richness & originality, the vibrancy of the images, their ‘play’, their give-and-take plasticity – it is never-ending. and breaks down – big time. wonderful.
their consistency, the consistency in the paintings tone and graphics – is also, a very striking factor. add to this: the big gesture of boldness, and bright bold color PALETTE – and Knock-out.
how can a-n-y-b-o-d-y – miss this ?
CARROLL DUNHAM, ‘Large Bather (quicksand)’, 2006-2012
Light. incandescent light – lives in these here, hard-won abstract/proto-representational battle zones . . .
the scale . . . was pretty on-spot too. not too large, no too small. right on.
it’s also interesting to note how the dates of this particular painting (2006-2012) allude to their slow evolution . . .
detail, CARROLL DUNHAM, ‘quicksand’.
and . . . just how ‘dynamic’ as in kinetic . . these paintings are … for being such severe graphic renditions. how much joy and play, play and joy vibrate against the stern compositional head-space and actual plastic – boundaries.
and esp so, since so much of this past year has leaned up against: graphic design.
detail, CARROLL DUNHAM, ‘quicksand’.
portraits aside, even the landscape elements – threw me up against the wall . . . I surrender to your magic.
compacted, carved, painted, primordial, poetic . . . static, and kinetic – all at the same time.
detail, CARROLL DUNHAM, from one of the ‘Tree’ paintings . . .
the last-word deal with these works is, bottom-line you could cut a one foot square from anyone one of these paintings – and have yourself – a feast . . .
down with the mundane – and up with . . . visceral expression.
PHOTOS & COMMENTARY: NANCY SMITH
~CARROLL DUNHAM … last few days . . |
Posted in The Bomb | By Nancy Smith | January 17th, 2013, 11:14am
forget of mice and men … that’s so over. that’s so yesterday.
I guess some people might think talk of ghosts and stars – is ‘mad’ crazy, though maybe not so much, on an ‘art’ site.
I mean artist means shaman, doesn’t it.
artist begins with cavemen. cavemen, in turn looked to the heavens . . . to figure out a way to survive & evolve down here, while they stuck pigment colored palm prints & fleeing bison on walls, and began to weave and bead. to record & communicate through graphics.
creativity begat civilization. and separates us from the animal tribes.
artist means branding, at base: doesn’t it. creating myths, or at least giving them form & flight. power to the people from the ground-up, or, by divine decree. your pick.
you tell me.
artist means … thinking outside the box of ‘reality’. giving form & history .. to magic.
artist means: sharing the magic bus ride, of the mind and soul.
catching the knowledge and clues … and – literally – connecting the dots.
the deal with the internet is just the way information, image-dominated bye the way, & thinking is now put out, i.e. dispersed … and the really far-out way – it is received.
instant web, search, the social network. free to connect is the biggest deal you could think of today. and yeah, I’m still thinking AARON SWARTZ. what a tragedy. what a loss.
it was like chasing down a founding father. we come from a line of rebels – what gives ? has the (American) world forgotten how precious the spark of leadership is ?
today knowledge is like an infinite aggregate, a consciousness greater than we even know. that hopefully anybody can plug into.
you write – it travels, it lands. someone hears it.
you seek info – you find it.
the platform of instant randomness. like they say in all the great philosophies, if you seek, you will find. for all the change, nothing ever really changes. like they say, nothing is really new – under the sun !!
so while it’s funny/interesting to see these topics; stars and ghosts – so in play in the art world over the past year, most recently in the DAN CASSARO FIFTY and FIFTY – THE STATE MOTTOS PROJECT – (!!) – history (ghosts) and a few shooting stars – thrown in for good measure, more on that, to follow . . .
when they, ghosts and stars . . . simultaneously pop up on the WALL STREET JOURNAL – that bastion of the ‘suits’ – you really got to sit up, and wonder.
New Age or what.
ghosts … popping up as our more cynical/straight-shooting (/) Western businessmen are having to understand and interface with the beliefs of global culture.
is there a way to say: ghosts .. in Chinglish ?
or file under:
“Nobody taught me. It’s not my fate or luckiness, but my boldness.” ~ NG GOON LAU
READ: ‘Honk Kong’s Real-Estate Boom Conjures a Scary Development’ . . . Mr. Ng Sees Haunted-House Discount Vanish as Prices Rise ..’ – WALL STREET JOURNAL, TUES JAN 15, 2013
Hong Kong’s “Haunted-House King, NG GOON LAU has bought more than 20 properties with spooky histories … IMAGE: WALL STREET JOURNAL
of course the art world has already taken note that, ironically with the rise of state-of the-art web, esp wireless technology has come an unexpected onslaught of the cult of the ghost, in prtty much all forms, but esp as in G.Host/hacker and ghost/plasm & history. undead websites, etc etc.
THE STARS bit is even weirder. and reflects on the ghost part above, vis a vie … the power of random knowledge, aka keywords & buzz.
just as I struggle, not to lose all art world credibility, to contain my inner thoughts and fierce intuitions – regarding the burning questions of the universe, including random vs greater design/’celestial’ architect … the awesome & enduring ‘branding’ of skies by the early astronomers & astrologers – mathematician and shamans, you name it.
as opposed to the ‘sterile’ effect of our contemporary hi-tech orbital photography !!
I open the WALL STREET JOURNAL this weekend . . .
to read: ‘Outer Space Needs a Serious Makeover’ by JOE QUEENAN. Sat/Sun Jan 12-13, 2013 – THE WALL STREET JOURNAL (!!)
go, JOE !!
JOE QUEENAN, MOVING TARGETS – IMAGE: WALL STREET JOURNAL
and for sure, if nothing else – check out his concluding parapgragh – it’s a keeper !!
bye the light of the silvery moon – indeed !!
though I beg to differ re naming new planets and constellations, Oprah, or KKKKardashian, … kinda lame. Joe. they are heavenly, they are inspiring, they are above and beyond our fully comprehending – as of now anyways – JOE: they should be – ‘mythic’ they should cause pause for thought.
my proposal ?
somebody get a great street crew, or even Dan Cassaro’s crew, damn just get CHUCK CLOSE !! – to make an aggregate constellation/portrait – of all those 461 brand new planets – and call it:
AARON SWARTZ – THE LOST FUTURE – IF OUR GOV’T & ACADEMIC INSTITUTIONS – DON’T FRIGGIN’ WAKE UP !!
AMEN.
‘AMERICAN’ STARS / GRAPHIC DESIGN/ART . . . and GHOSTS / HISTORY.
FIFTY and FIFTY LOGO – BY DAN CASSARO.
FIFTY and FIFTY / THE STATE MOTTOS PROJECT – A CURATED PROJECT BY DAN CASSARO.
SETH NEILSON – EQUAL RIGHTS – WYOMING / IMAGE: 50 and 50
YEAH, BABY !! … THAT’S WHAT I’M … aTALKIN’ – ABOUT !!
PLUS, THIS – JUST IN, FROM:
1. ANNA KUSTERA – ‘MATTIA BIAGI’ – SEE: EXHIBIT INFO
ARTWORK BY MATTIA BIAGI – up thru JAN 26, 2013 – at ANNA KUSTERA . . .
2. SPERONE WESTWATER – WOLFGANG LAIB PRESENTS: ‘WITHOUT BEGINNING and WITHOUT END’ / MARCH 1-30, 2013
ARTWORK BY – WOLFGANG LAIB / IMAGE: SPERONE WESTWATER
“For the artist’s seventh solo show at the gallery, LAIB continues to employ natural materials, such as beeswax and rice, organic elements selected for their purity and symbolic meaning . . . juxtaposed will be 104 brass ships, some mounted on the wall and some posed in mounds of rice on the floor. These ships suggest a journey to another world …” ~ press release
~GHOSTS and STARS . . . !! |
Posted in The Bomb | By Nancy Smith | January 15th, 2013, 2:30pm
DAMN >>> M.I.T.
ghost in the machine, for real, now.
forget about Gary HOST.
now just plain …. G.HOST: AN AMERICAN TRAGEDY
see: DAILY MAIL ONLINE: TRAGIC WEB PIONEER COMMITS SUICIDE at 26 & found dead in NY . . .
BROOKLYN, Crown heights . . . to be exact. Swartz died yesterday, Fri Jan 11, 2013.
it was a heavy day – a lot of people . . . felt the ‘dip’, or fall-off from a week of high creative peak.
see: NEWSDAY/AARON SWARTZ found dead, co-founder of Reddit helped create RSS . . .
so, THIS IS THE MOTTO of the STATE of MASSACHUSETTS . . . THE STATE THAT CHASED AARON SWARTZ DOWN . . .
THINK ON IT . . .
‘BY THE SWORD WE SEEK PEACE / BUT PEACE ONLY UNDER LIBERTY’.
ARTWORK – BY MARK WEAVER
from . . . FIFTY AND FIFTY – THE STATE MOTTOS PROJECT
A CURATED PROJECT – BY DAN CASSARO, NYC.
see: FIFTY and FIFTY
WATCH: AARON SWARTZ gives keynote address: ‘How We Stopped SOPA’ @ F2C: Freedom to Connect 2012, Washington, DC/MAY 21, 2012.
PUBLISHED MAY 22, 2012/YouTube
ps: just for the hardcore.
it was a NEW MOON IN CAPRICORN, yesterday JAN 11, 2013.
how you want to read into it – is up to you. all I’m saying is, can it be possible that . . . just like there is extreme weather now, and just as we have pretty much wrecked our atmosphere – that had protected us from the sun’s strong rays, might not the impulses from the celestial bodies, like the moon, and the planets .. be affecting us more strongly, now too.
esp creative types who are ‘plugged in’.
just saying, but the dumb ‘suits’ that run this country – don’t help.
chalk up a big loss – on our side, today.
amen.
~AARON SWARTZ, GHOST/R.I.P./DAMN MASSACHUSETTS |
Posted in The Bomb | By Nancy Smith | January 12th, 2013, 10:46pm
ART@TEKSERVE PRESENTS:
NYC STREETPOP: FILMS, PHOTOS & OTHER FUN STUFF – by KEN BROWN
OPENING SAT JAN 12, 2013 / 1-3 PM
the show runs thru FEB 24, 2013
there will also be an artist’s talk: WED JAN 23, 2013 at 6:30 PM
TEKSERVE – 119 W. 23 ST – NYC
read more: about KEN BROWN & the show !!
KEN BROWN – CONEY ISLAND GLADIATOR
~KEN BROWN OPENING / TEKSERVE … SAT |
Posted in The Bomb | By Nancy Smith | January 11th, 2013, 10:51am
