{"id":9914,"date":"2012-02-11T07:51:11","date_gmt":"2012-02-11T12:51:11","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/?p=9914"},"modified":"2012-02-11T10:41:47","modified_gmt":"2012-02-11T15:41:47","slug":"performance-at-canada-to-nite","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2012\/02\/11\/performance-at-canada-to-nite\/","title":{"rendered":"~Performance at CANADA to-nite !!"},"content":{"rendered":"<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/Ferguson_DAG-Choral-Reading.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/Ferguson_DAG-Choral-Reading.jpg\" alt=\"\" title=\"Ferguson_DAG-Choral-Reading\" width=\"446\" height=\"420\" class=\"alignnone size-full wp-image-9916\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/Ferguson_DAG-Choral-Reading.jpg 446w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/Ferguson_DAG-Choral-Reading-300x282.jpg 300w\" sizes=\"(max-width: 446px) 100vw, 446px\" \/><\/a><\/p>\n<p>GERALD FERGUSON&#8217;S &#8211; CHORAL READING  . . . is being presented to-nite at CANADA<br \/>\nSAT, FEB 11, 2012 &#8211; the performance begins at 7 PM  &#038; a reception will follow.<\/p>\n<p>In 1972 GERALD FERGUSON scored a reading of his Standard Corpus of Present Day English Language Usage Arranged By Word Length in 20 units for a chorus of 26 voices. <em>(seriously !!)<\/em><br \/>\nIt was performed at the Nova Scotia College of Art and Design that same year.<br \/>\n. . . Ferguson considered the &#8216;Corpus&#8217; one of his most important works, once describing it as &#8220;a variable serial sculpture through time&#8221;.<br \/>\nread: <a href=\"http:\/\/www.canadanewyork.com\/updates\">the complete GALLERY NOTE <\/a><\/p>\n<p>this performance coincides with the current gallery showing of an on-point survey of Mr. Ferguson&#8217;s works on canvas, &#8216;GERALD FERGUSON. WORK. STENCIL THROUGH FROTTAGE FROM 1968&#8217; &#8211; curated by LUKE MURPHY.<br \/>\nthe show opened on Jan 7, 2012 and runs thru Feb 19, 2012.<\/p>\n<p>see: <a href=\"http:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2012\/01\/10\/pix-from-the-gerald-ferguson-opening\/\">PIX FROM THE GERALD FERGUSON OPENING &#8211; artloversnewyork<\/a><\/p>\n<p>ART FAG CITY\/PADDY JOHNSON has just posted an extensive interview with LUKE MURPHY &#038; PHIL GRAUER regarding the show.<br \/>\nsee: <a href=\"http:\/\/www.artfagcity.com\/2012\/02\/09\/work-ethic-an-interview-with-luke-murphy-and-phil-grauer-on-gerald-ferguson\/\">GERALD FERGUSON&#8217;S BLUE COLLAR CONCEPTUALISM . . . AFC<\/a><\/p>\n<p><strong>p.s<\/strong>. I really like that term,<strong> Blue Collar conceptualism<\/strong>. even though he was an academic, as in teacher (?) it still fits the bill, though it would take a better, or at least more patient scribe than I, to lay it down for ya. maybe I&#8217;ll try to get some thoughts on that &#8211; from the show&#8217;s curator, and long-time Ferguson associate and student, Luke Murphy. (check back later.)<\/p>\n<p><strong>some talking points from the interview: <\/strong><\/p>\n<p>1. &#8220;Some people who went to school in the Maritime provinces have a special bond. The weather is extreme, the landscape rugged, the population poor and hardworking.&#8221; ~ PJ\/PADDY JOHNSON<\/p>\n<p>2. &#8220;Gerry [Gerald Ferguson] showed at MoMA in 1970 in The Information Show, and a lot of his contemporaries of course went on to build what is Conceptual Art .&#8221; ~ PG\/PHIL GRAUER<\/p>\n<p>3. &#8220;Gerry&#8217;s line &#8211; and he said it a couple of times &#8211; was really the &#8216;dematerialization of the Art Object&#8217;. That was really his thing, we&#8217;re going to make something impossible to buy . . .  [we don&#8217;t want you to buy stuff] because all the people that are buying stuff are supporting the Vietnam War.&#8221; (!!) ~ PG<\/p>\n<p>4. &#8220;OCCUPY&#8221;. ~ LM\/LUKE MURPHY<\/p>\n<p>5. &#8220;When JOSEPH BEUYS landed in North America, he landed in Halifax.&#8221; ~ LM<\/p>\n<p>6. &#8220;When [Gerald Ferguson] saw [Lawrence] WEINER . . . go off to [Leo] CASTELLI, he couldn&#8217;t believe it. &#8216;What? You&#8217;re selling out?&#8217; &#8221; ~ LM<\/p>\n<p>7. &#8220;Lawrence Weiner has a much bigger view of the art world in some ways than Gerry.&#8221; ~ LM<\/p>\n<p>8. &#8220;[Gerald Ferguson] stuck to the original plan, which was making conceptual art and resisting the dominant systems.&#8221; ~ LM<br \/>\n<em>nancy: street art &#8211; has some of the same issues.<\/em><\/p>\n<p>9. and that&#8217;s what he did . .  &#8220;until 1990, when he said, &#8220;you know what, maybe I do like painting. I&#8217;m going to start painting again.&#8221; And that&#8217;s what he did.&#8221; ~ LM<\/p>\n<p>10. &#8220;He did a lot of language work . . . he did his &#8216;Standard Corpus&#8217; of the English language [being performed to-nite], organized by word length (!!)I mean, what else are you going to do in your <strong>French<\/strong>village in Nova Scotia &#8211; which is really way <strong>bleak<\/strong>.&#8221; ~ LM <\/p>\n<p>11. &#8220;It&#8217;s funny the work doesn&#8217;t feel all of this was made yesterday . . . &#8221; ~ LM<\/p>\n<p>12. &#8220;. . . like, that <strong>dot<\/strong> painting on the wall&#8221; (!!) ~ PG <\/p>\n<p>13. &#8220;but the paintings don&#8217;t have a good international marketplace &#8211; that&#8217;s the <strong>conundrum<\/strong>. . . &#8221; ~ PG<\/p>\n<p><a href=\"http:\/\/www.canadanewyork.com\">CANADA<\/a> &#8211; 55 CHRYSTIE \/ BTWN HESTER &#038; CANAL &#8211; LOWER EAST SIDE, NYC<\/p>\n","protected":false},"excerpt":{"rendered":"<p>GERALD FERGUSON&#8217;S &#8211; CHORAL READING . . . is being presented to-nite at CANADA SAT, FEB 11, 2012 &#8211; the performance begins at 7 PM &#038; a reception will follow. In 1972 GERALD FERGUSON scored a reading of his Standard Corpus of Present Day English Language Usage Arranged By Word Length in 20 units for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/9914"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=9914"}],"version-history":[{"count":13,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/9914\/revisions"}],"predecessor-version":[{"id":9917,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/9914\/revisions\/9917"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=9914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=9914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=9914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}