{"id":9811,"date":"2012-02-06T15:43:26","date_gmt":"2012-02-06T20:43:26","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/?p=9811"},"modified":"2012-02-06T17:32:04","modified_gmt":"2012-02-06T22:32:04","slug":"william-eggleston","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2012\/02\/06\/william-eggleston\/","title":{"rendered":"~WILLIAM EGGLESTON . . . also in the news, &#038; ALAN LOMAX . ."},"content":{"rendered":"<p>photographer <a href=\"http:\/\/en.wikipedia.org\/wiki\/William_Eggleston\">WILLIAM EGGLESTON, b. July 27, 1939<\/a> &#8211;  also has work in the <a href=\"http:\/\/www.ackland.org\/OnView\/current-exhibitions\/CCM3_027600\">&#8216;Spectacular of the Vernacular&#8217;<\/a> exhibit currently up thru March 18, 2012 &#8211; at the ACKLAND ART MUSEUM in NORTH CAROLINA.<\/p>\n<p>if you checked out that article in the <a href=\"http:\/\/www.indyweek.com\/indyweek\/the-ordinary-becomes-exceptional-in-the-spectacular-of-vernacular-at-the-ackland\/Content?oid=2770434\">INDY WEEK.COM<\/a> you would have noticed his photograph of a vintage black car photographed from behind and covered by vines &#8211; which headlines their review.<\/p>\n<p>but it&#8217;s his color portraits of people, in the vernacular !! that really rock the boat. <\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/EGGLESTON-27VOGEL2-popup.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/EGGLESTON-27VOGEL2-popup.jpg\" alt=\"\" title=\"EGGLESTON-27VOGEL2-popup\" width=\"432\" height=\"673\" class=\"alignnone size-full wp-image-9818\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/EGGLESTON-27VOGEL2-popup.jpg 432w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/EGGLESTON-27VOGEL2-popup-192x300.jpg 192w\" sizes=\"(max-width: 432px) 100vw, 432px\" \/><\/a><br \/>\n1970 COLOR PHOTO PORTRAIT by WILLIAM EGGLESTON.<br \/>\nPHOTO CREDIT: EGGLESTON ARTISTIC TRUST, CHRISTIE&#8217;S IMAGES LTD, 2012\/image courtesy: <a href=\"http:\/\/www.nytimes.com\/2012\/01\/27\/arts\/design\/vermeers-girl-with-a-pearl-earring-to-visit-frick-in-2013.html?_r=1&#038;ref=williameggleston\">THE NEW YORK TIMES<\/a><\/p>\n<p>for example this one !! knock-out or what. talking bout realism, archiving Americana, and just plain ole spectacular vernacular &#8230;  as the Ackland Museum  &#8211; so rightly calls it !!<br \/>\nand, yet another old school-er . . . right on point.<br \/>\ndown to that name-plate golden ankle  &#8211; &#8216;bracelet&#8217; dangling just so &#8211; above her left  foot !! now we&#8217;re talking . . . about the (truly) vernacular.<\/p>\n<p>this image made news last week in an article by CAROL VOGEL. apparently Mr. EGGLESTON, is working  with Christie&#8217;s to bring several of his most famous images to a newer and bigger market, literally.<\/p>\n<p>&#8220;In a rare departure Mr. Eggleston, 72, has blown up this image, [a signature photo of a vintage peaches sign] along with 35 others, from their original 16-by-20 inch sheets  to a new, oversize 44-by-60 inch format.&#8221;<\/p>\n<p>the article goes on to state that &#8220;computer technology&#8221; did not exist (obviously) &#8220;when he took these pictures in and around the Mississippi Delta where he lived.&#8221;<br \/>\nfurther . . .  &#8220;back then color photography was considered cheesy. That was in the 1970s and 80s, when Mr. Eggleston took shots of anything and everything that struck his fancy.&#8221;  <\/p>\n<p>&#8220;On March 12 (2012) Christie&#8217;s will be selling 36 of these works in this new oversize format . . . the sale is expected to total more than $2.7 million, with estimates ranging from $30,000 to $300,000.&#8221;<\/p>\n<p>&#8220;In recent years Mr. Eggleston&#8217;s popularity has soared. In 208, when the Whitney Museum of American Art held &#8220;William Eggleston: Democratic Camera, Photographs and Video, 1961-2008&#8242;, the show drew about 120,000 visitors, making it one of the most highly attended photography exhibits in the museum&#8217;s history.&#8221;<\/p>\n<p>&#8220;I tried to go there one day after it opened,&#8221; Mr. Eggleston said, seeming surprised that people actually  went to the show. &#8220;And it was so crowded even I couldn&#8217;t get in.&#8221; (!!)<\/p>\n<p>read the whole  article: <a href=\"http:\/\/www.nytimes.com\/2012\/01\/27\/arts\/design\/vermeers-girl-with-a-pearl-earring-to-visit-frick-in-2013.html?_r=1&#038;ref=williameggleston\">&#8216;Eggleston Writ Large&#8217; &#8211; Inside Art by CAROL VOGEL, New York Times<\/a><\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/Eggleston-adyn_and_jasper.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/Eggleston-adyn_and_jasper.jpg\" alt=\"\" title=\"Eggleston-adyn_and_jasper\" width=\"500\" height=\"333\" class=\"alignnone size-full wp-image-9821\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/Eggleston-adyn_and_jasper.jpg 500w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/Eggleston-adyn_and_jasper-300x199.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a><br \/>\n&#8216;ADYN and JASPER&#8217; &#8211; COLOR PHOTOGRAPH by WILLIAM EGGLESTON, image courtesy: <a href=\"http:\/\/www.egglestontrust.com\/\">WILLIAM EGGLESTON OFFICIAL WEBSITE<\/a><\/p>\n<p>you can see more of his work: <a href=\"http:\/\/www.egglestontrust.com\/\">the EGGLESTON TRUST &#8211;  WEBSITE !!<\/a><\/p>\n<p>and . . . . <strong>regarding the VERNACULAR !!<\/strong><\/p>\n<p>the term is also in much play, currently &#8211; in the <strong>music<\/strong> world, as well. <\/p>\n<p>case in point: an article on the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Alan_Lomax\">legendary archivist ALAN LOMAX, (July 31, 1915 &#8211; July 19, 2002)<\/a>, titled  &#8216;FOLKLORIST&#8217;S GLOBAL JUKEBOX GOES DIGITAL&#8217;, written by LARRY ROHTER, which just came out in NEW YORK TIMES, JAN 31, 2012.<\/p>\n<p>the key sentence: <\/p>\n<p>starting in the mid-30s, &#8220;At a time when there was a strict divide between high and low in American culture, and <strong>Afro-American<\/strong> and <strong>hillbilly<\/strong> music were scorned, Lomax argued that such <strong>vernacular <\/strong> styles were America&#8217;s greatest contribution to music.&#8221;<\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/LOMAX-articleLarge.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/LOMAX-articleLarge.jpg\" alt=\"\" title=\"LOMAX-articleLarge\" width=\"576\" height=\"346\" class=\"alignnone size-full wp-image-9826\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/LOMAX-articleLarge.jpg 576w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/02\/LOMAX-articleLarge-300x180.jpg 300w\" sizes=\"(max-width: 576px) 100vw, 576px\" \/><\/a><br \/>\nphoto ALAN LOMAX took in a church in Portsmouth, Virginia in 1960. PHOTO CREDIT: ALLAN LOMAX\/ASSOCIATION for CULTURAL EQUITY. image courtesy: <a href=\"http:\/\/www.nytimes.com\/2012\/01\/31\/arts\/music\/the-alan-lomax-collection-from-the-american-folklife-center.html\">NEW YORK TIMES<\/a><br \/>\nsubtitle: &#8216;THE COLLECTION of the FOLKLORIST and ETHNOMUSICOLOGIST ALAN LOMAX is BEING DIGITIZED  for DISSEMINATION.&#8217;<\/p>\n<p><strong>also, interestingly for New Yorkers:<\/strong> The Association for Cultural Equity,  which is overseeing the project is headquartered at <strong>Hunter College<\/strong> in Manhattan, where it is headed by Lomax&#8217;s daughter ANNA LOMAX WOOD. <\/p>\n<p>read the whole article: <a href=\"http:\/\/http:\/\/www.nytimes.com\/2012\/01\/31\/arts\/music\/the-alan-lomax-collection-from-the-american-folklife-center.html\">ALAN LOMAX: FOLKLORIST&#8217;S GLOBAL JUKEBOX GOES DIGITAL<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>photographer WILLIAM EGGLESTON, b. July 27, 1939 &#8211; also has work in the &#8216;Spectacular of the Vernacular&#8217; exhibit currently up thru March 18, 2012 &#8211; at the ACKLAND ART MUSEUM in NORTH CAROLINA. if you checked out that article in the INDY WEEK.COM you would have noticed his photograph of a vintage black car photographed [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/9811"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=9811"}],"version-history":[{"count":28,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/9811\/revisions"}],"predecessor-version":[{"id":9843,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/9811\/revisions\/9843"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=9811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=9811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=9811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}