{"id":773,"date":"2009-01-06T11:33:39","date_gmt":"2009-01-06T16:33:39","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2009\/01\/06\/hester-diamondjim-walrod\/"},"modified":"2009-01-07T02:55:31","modified_gmt":"2009-01-07T07:55:31","slug":"hester-diamondjim-walrod","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2009\/01\/06\/hester-diamondjim-walrod\/","title":{"rendered":"~HESTER DIAMOND\/JIM WALROD\/TOM SACHS !!"},"content":{"rendered":"<p>ok. this is about the BEST MAGAZINE ARTICLE, artworld or otherwise of:  2008 !!<\/p>\n<p>here&#8217;s a little pre-post scoop: it&#8217;s about HESTER DIAMOND, now 79,  a legendary NYC collector,  with an amazing, well, brilliant &#8211; truly one-of-a-kind artistic vision, who just happens to be MIKE D&#8217;s mom.<br \/>\n . . .  JIM WALROD is like the biggest secret unsung rock hero-like guru of cutting edge design, for the super coolest people &#8230; in this town. NYC !! rock on. <\/p>\n<p>looking for JIM WALROD&#8217;S photo in my archives &#8211; way back !!! when Walter Robinson at artnet wouldn&#8217;t publish it, because, &#8220;who is that guy ? who cares ?&#8221; &#8211; cut.<\/p>\n<p>in the meantime, check out :<\/p>\n<p>see: <a href=\"http:\/\/www.beastiemania.com\/qa\/beastieparents.php\">BEASTIEMANIA !!<\/a><\/p>\n<p>see: <a href=\"http:\/\/en.wikipedia.org\/wiki\/Jim_Walrod\">JIM WALROD\/WIKIPEDIA !!<\/a><\/p>\n<p>unbelievable, great or what !!! ? that&#8217;s just the beginning !!<\/p>\n<p>the BEST MAGAZINE ARTICLE, art world or not &#8211; hands down, no doubt, of 2008 !!! is: <\/p>\n<p>&#8216;POP GOES THE VERONESE&#8217; &#8211; &#8216;A MODERN MEDICI WORSHIPS AT THE ALTAR OF 21ST-CENTURY DESIGN \/ MAURA EGAN VISITS HESTER DIAMOND&#8217;S UPTOWN PALAZZO&#8217;.<br \/>\nTEXT BY MAURA EGAN. PHOTOS BY JASON SCHMIDT &#8211;  THE NEW YORK TIMES MAGAZINE  &#8211; WOMEN&#8217;S FALL FASHION 2008.<\/p>\n<p>here&#8217;s the opening line: &#8221; &#8216;What do you do  when your 79-year-old mom  is coller than you, and you happen to be a Beastie Boy?&#8217; asks the interior designer Jim Walrod &#8230;&#8221;<\/p>\n<p>it was really fun to come across it, real time &#8211; when it came out hard copy &#8211; with its beautiful photos, tucked into what is usually a nice enough casual read with lunch &#8211; but  surprise, way in the back &#8211; a very startling, informative read. The photos are drop-dead gorgeous right off the bat. But that&#8217;s also because the HESTER DIAMOND home is drop-dead gorgeous, way way beyond cutting edge,  &#038; the art is past defining &#8211; esp in the context of the ultra modern furnishings. Ms. Diamond has done the exact reverse route of most upscale collectors. Instead of a house full of antique furniture and modern art &#8211; she has the inverse &#8211; !!! &#8211; the most edgiest contemporary furniture paired with Renaissance paintings, make that Renaissance gems. Museum quality. The custom paint job on the walls takes the habitat to a whole other level. <\/p>\n<p>the other interesting part of the story, was the collecting angle. from the article:<br \/>\n&#8220;Diamond and her husband, Harold, started collecting art in the &#8217;50s when she was a social worker and he was a public school teacher &#8230;. &#8216;Back then you could put stuff on layaway for $25. We had payments all over town,&#8217; Diamond says. She and her husband amassed a staggering collection of Legers, Picassos and Kandinskys; he once traded a Pontiac two-door for several paintings from his friend Willem de Kooning. &#8216;Harold had to become a dealer to support our habit.&#8217; While Harold did consulting work for titans like Joesph Hirshhorn, Hester tried her hand at decorating, eventually building up a roster of blue-chip clients &#8230;&#8221;  Both became outstandingly successful in their fields.<br \/>\nMs. Diamond made millions when she traded in <em>some<\/em> of her modern art masterpieces at Sotheby&#8217;s in 2004, so she could pursue her new Renaissance paintings.<br \/>\nartlovers is gonna live out the New Year in the spirit of this quote of her&#8217;s &#8211;  after her some of her early collected works realized that big pay-out at auction. &#8220;I&#8217;m a great believer in following your luck.&#8221;, and how about: &#8220;I used to have neo-Classical furniture with my Renaissance paintings, but they were  saying nothing to each other ..&#8221;  if only !! but, we know what she means. that&#8217;s how we separate our books on bookshelves, they have to talk to each other !! (you either get it, or you don&#8217;t. what can I say.  I always thought everybody could hear &#8211; those kind of voices.) and, on second thought &#8211; my TAYLOR McKIMENS, PETE PEZZIMENTI, JUSTIN SAMSON, not to mention my newly acquired SARAH BRAMAN and CHRIS STAIN pieces &#8211; <em>do<\/em> just sing in glorious chorus with my totally &#8216;found&#8217;  trappings. not to mention my ANDREW GUENTHER clock &#8211; which can cozy up to any room, plain white walls, and all &#8211; being battery-run and total portable  !!  <\/p>\n<p>read the article for yourself:  <a href=\"http:\/\/www.nytimes.com\/indexes\/2008\/08\/17\/style\/t\/index.html#pageName=17interiorw\">it&#8217;s online !! \/ NYT-POP GOES VERONESE\/HESTER DIAMOND !!<\/a><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Hester_Diamond.jpg\" width=\"263\" height=\"330\" alt=\"hester # 1\" class=\"centered\" \/><br \/>\nHESTER DIAMOND, in front of MOROTTO DA BRESCIA&#8217;S &#8216;VESTAL VIRGIN TUCCIA AS AN ALLEGORY OF CHASTITY&#8217;\/PHOTO BY JASON SCHMIDT\/<a href=\"http:\/\/www.nytimes.com\/indexes\/2008\/08\/17\/style\/t\/index.html#pageName=17interiorw\">COURTESY: NEW YORK TIMES<\/a><\/p>\n<p> <img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Hester_Diamond___2.jpg\" width=\"263\" height=\"327\" alt=\"hester # 2\" class=\"centered\" \/><br \/>\nin HESTER DIAMOND&#8217;S HOME, MARCEL WANDERS&#8217; MOROSA print sofas &#038; a coffeee table by NICK DINE, sit beneath  VERONESE&#8217;S &#8216;VENUS AND CUPID&#8217;\/PHOTO BY JASON SCHMIDT\/COURTESY:<a href=\"http:\/\/www.nytimes.com\/indexes\/2008\/08\/17\/style\/t\/index.html#pageName=17interiorw\"> NEW YORK TIMES<\/a><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Hester___3.jpg\" width=\"265\" height=\"329\" alt=\"hester # 3\" class=\"centered\" \/><br \/>\nURQUIOL&#8217;S B&#038;B ITALIA CHAIRS and GHIBERTI and STUDIO&#8217;S &#8216;VIRGIN AND CHILD&#8217; in the DIAMOND  DINING ROOM\/PHOTO BY JASON SCHMIDT\/COURTESY: <a href=\"http:\/\/www.nytimes.com\/indexes\/2008\/08\/17\/style\/t\/index.html#pageName=17interiorw\">NEW YORK TIMES<\/a><\/p>\n<p>back to looking for JIM WALROD !!! stay tuned !!<\/p>\n<p>2:14 PM &#8211; OMG !! found the photos !! looking through shoeboxes of old 35 mm photos, is <em>so<\/em>  fun. saw some <em>really<\/em> early pix of TAYLOR McKIMENS &#038; even, JOE BRADLEY performing with CHEESEBURGER way back in 2002 &#8211; even a shot of JOHN HODANY and BRIAN BELOTT. should I put them up, . . . maybe !!<\/p>\n<p>. . .  but, back to the present !! <\/p>\n<p>caught JIM WALROD, PETER COFFIN and CYNTHIA ROWLEY; as well as DAVID BYRNE, KEANU REEVES &#038; TOM SACHS himself, at &#8216;NUTSY&#8217;S &#8211; the TOM SACHS mini-racing car installation at the BOHEN FOUNDATION, NOV 14, 2002-FEB 14, 2003. This Tom Sachs show was the inaugural exhibit for the foundation&#8217;s new home on 14th St., in the quote unquote &#8220;meatpacking district&#8221;, below 10th Ave, in what artworld denizens more commonly refer to as: Chelsea.<\/p>\n<p>only, KEANU REEVES, DAVID BYRNE, and of course TOM SACHS, made the artnet cut !!<br \/>\nsee: <a href=\"http:\/\/www.artnet.com\/Magazine\/people\/smith\/smith11-15-02.asp\">artnet FALL 2002<\/a><\/p>\n<p>so, from the ARTLOVERS ARCHIVAL SHOEBOXES, some previously unseen photos:<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/nutsys___1.jpg\" width=\"450\" height=\"295\" alt=\"NUTSYS # 1\" class=\"centered\" \/><br \/>\nread more about: <a href=\"http:\/\/www.speronewestwater.com\/cgi-bin\/iowa\/exhibits\/record.html?record=149\">TOM SACHS\/NUTSY&#8217;S<\/a><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/nutsys___2.jpg\" width=\"286\" height=\"432\" alt=\"nutsys # 2\" class=\"centered\" \/><br \/>\nTOM SACHS racing a remote-controlled car. The race track dominated the exhibit and there were actual formal contests, but anybody who visited could get their hands on a car &#038; a hand held controller. <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Nutsys___3___Jim_Walrod.jpg\" width=\"280\" height=\"426\" alt=\"Jim\" class=\"centered\" \/><br \/>\nJIM WALROD, at TOM SACHS\/NUTSY&#8217;S, BOHEN FOUNDATION, NYC. JAN 21, 2003<br \/>\nPHOTO: NANCY SMITH<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/NUTSYS___4.jpg\" width=\"282\" height=\"426\" alt=\"nutsys # 4\" class=\"centered\" \/><br \/>\nCYNTHIA ROWLEY<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/NUTSYS___5.jpg\" width=\"281\" height=\"426\" alt=\"nutsys # 5\" class=\"centered\" \/><br \/>\nHERVE DESCOTTES, with his wife NATHALIE. at the time M. DESCOTTES was a lighting designer for FRANK GEHRY. maybe he still is, don&#8217;t know.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/NUTSYS___6_PETER_COFFIN.jpg\" width=\"280\" height=\"426\" alt=\"nutsy # 6\" class=\"centered\" \/><br \/>\nPETER COFFIN. TOM SACHS\/NUTSY&#8217;S, BOHEN FOUNDATION, NYC. JAN 21, 2003<br \/>\nPHOTO: NANCY SMITH<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/nutsys___7.jpg\" width=\"424\" height=\"281\" alt=\"NUTSYS # 7\" class=\"centered\" \/><br \/>\nTOM SACHS\/INSTALLATION SHOT\/NUTSY&#8217;S, BOHEN FOUNDATION, NYC.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/NUTSYS___8.jpg\" width=\"282\" height=\"428\" alt=\"NUTSy&quot;s # 8\" class=\"centered\" \/><br \/>\nTOM SACHS\/INSTALLATION SHOT\/NUTSY&#8217;S <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/NUTSYS___9.jpg\" width=\"281\" height=\"426\" alt=\"nutsys # 9\" class=\"centered\" \/><br \/>\nsee the camera. there was also the sub-text of 24 hr. surveillance.<br \/>\non the low-down: a lot of the nitty gritty downtown artists felt SACHS ripped off the JOSH HARRIS  PSEUDO sponsored parties, esp QUIET, which he hung around a lot.. Rumor was he wanted to be in it, but Josh wouldn&#8217;t let !! of course, ALFREDO MARTINEZ, who was an assistant both to TOM SACHS and and JOSH,  was the source for that, so its anybody&#8217;s guess as to the real truth &#8211; but, you know what they say, &#8230; no smoke without fire. definitely the performance part, (they had remote-controlled car races), the open to the public participation, on-site DJs. (no free running booze, though !!) the cameras, the rough and ready, raw &#8216;half-undoneness&#8217; of the site &#8211;  was undeniable influenced by Josh &#038; QUIET.. as well, like with Josh, one could say of TOM SACHS, <em>only<\/em> as brilliant as their most current super-talented no-bucks no-name on-the-street artist hanger-ons and\/or assistants !!<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/NUTSYS___6.jpg\" width=\"282\" height=\"426\" alt=\"nutsy # 6\" class=\"centered\" \/><br \/>\nan in-house NUTSY camera crew member. paralleled on a very very small scale &#8211; the in-house artist &#038; camera crew scene at QUIET.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/NUTSYS___12.jpg\" width=\"281\" height=\"429\" alt=\"nutsy # 13\" class=\"centered\" \/><br \/>\nthe NUTSY in-house crew wore &#8216;homemade&#8217; work uniforms, just like at QUIET. <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/NUTSYS___10.jpg\" width=\"282\" height=\"426\" alt=\"Nutsy # 13\" class=\"centered\" \/><br \/>\na lot of cash was flashed, esp. by the go-fers, except here it was $5 dollar bills, at QUIET we were running around with $100&#8217;s !! if not $1,000&#8217;s.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/NUTSYS___13.jpg\" width=\"428\" height=\"282\" alt=\"Nutsy # 13\" class=\"centered\" \/><br \/>\nthe races !! were the best part. well, come on !! the small scale models of the city were the best !! they <em>were<\/em> great !! and,  NOT influenced by JOSH HARRIS !! <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/NUTSYS___14.jpg\" width=\"281\" height=\"426\" alt=\"nutsys # 14\" class=\"centered\" \/><br \/>\none of the remote-controlled cars. reality scale ratio 1:25<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/NUTSYS___16.jpg\" width=\"280\" height=\"429\" alt=\"# 16\" class=\"centered\" \/><br \/>\nthe racers were not rigged, if you were good you had a chance. if you won, you got a hand-made TOM SACHS trophy, which looking back, if you didn&#8217;t toss it in disgust &#8211; might be worth more now, than the accompanying bag of cash, which looks impressive, but was only full of one&#8217;s. yeah, I checked. not more than $20 altogether !!<br \/>\nno big deal to a QUIET ex-patriot !!<\/p>\n<p>PHOTOS: NANCY SMITH &#8211; UNLESS OTHERWISE NOTED !!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ok. this is about the BEST MAGAZINE ARTICLE, artworld or otherwise of: 2008 !! here&#8217;s a little pre-post scoop: it&#8217;s about HESTER DIAMOND, now 79, a legendary NYC collector, with an amazing, well, brilliant &#8211; truly one-of-a-kind artistic vision, who just happens to be MIKE D&#8217;s mom. . . . JIM WALROD is like the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/773"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=773"}],"version-history":[{"count":0,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/773\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}