{"id":62,"date":"2006-03-21T19:41:52","date_gmt":"2006-03-22T00:41:52","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2006\/03\/21\/matthew-day-jackson\/"},"modified":"2006-07-18T15:05:25","modified_gmt":"2006-07-18T20:05:25","slug":"matthew-day-jackson","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2006\/03\/21\/matthew-day-jackson\/","title":{"rendered":"~MATTHEW DAY JACKSON\/Fortunate Son"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/M_Day_Jackson.jpg\" width=\"450\" height=\"365\" alt=\"Matthew Day Jackson\" class=\"centered\" \/><\/p>\n<p>the card for MATTHEW DAY JACKSON &#8211; &#8216;FORTUNATE SON&#8217; &#8211; his first major one man show which ran from Nov 5 &#8211; Dec 22, 2005, at PERRY RUBENSTEIN GALLERY.  As American as they get, the imagery included Native American iconography and made use of such materials as: inlaid needlepoint,  scorched wood, woodburned drawing, mother of pearl, abalone, yarn, tooled leather, skull beads,  and even, sculpey!<\/p>\n<p>The show&#8217;s card, with its dramatic photograph of the artist beside a huge bonfire,  is one of the best uses of the newest rage in NYC show card\/invites, which is to use hard, very heavy,  in fact, impossible-to-fold ultra heavy card stock,  and often the larger the better.  At a relatively large, but still reasonable  8 x 10&#8243;,  and with its beautiful imagery, it is just the right size to still make it  into a commercial plastic protector sleeve,  and is one of the few (high production) cards which really does rate being kept as a collector&#8217;s item, in itself.<\/p>\n<p>  <a href=\"http:\/\/www.artloversnewyork.com\/artlovers\/report\/2006-02-04.html\">MATTHEW DAY JACKSON &#8211; &#8216;Fortunate Son&#8217;<br \/>\n <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>the card for MATTHEW DAY JACKSON &#8211; &#8216;FORTUNATE SON&#8217; &#8211; his first major one man show which ran from Nov 5 &#8211; Dec 22, 2005, at PERRY RUBENSTEIN GALLERY. As American as they get, the imagery included Native American iconography and made use of such materials as: inlaid needlepoint, scorched wood, woodburned drawing, mother of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/62"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=62"}],"version-history":[{"count":0,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/62\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=62"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=62"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=62"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}