{"id":5225,"date":"2011-04-14T21:45:08","date_gmt":"2011-04-15T02:45:08","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/?p=5225"},"modified":"2011-04-20T09:25:30","modified_gmt":"2011-04-20T14:25:30","slug":"pantheonart-from-the-streets-of-nyc","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2011\/04\/14\/pantheonart-from-the-streets-of-nyc\/","title":{"rendered":"~PANTHEON\/art from the streets of NYC"},"content":{"rendered":"

PANTHEON – A HISTORY OF ART FROM THE STREETS OF NYC
\n24 HR. ACCESS – WINDOW EXHIBITION SURVEY
\nCURATED BY: DANIEL FERAL & JOYCE MANALO
\nat the FORMER DONNELL – NYC PUBLIC LIBRARY BLDG – OPPOSITE MoMA
\n20 WEST 53rd STREET – BET 5th & 6th AVENUES
\nthe show runs APRIL 2 -17, 2011<\/p>\n

NOTE: THE SHOW HAS BEEN EXTENDED – THRU MAY 1st !! & IS ON VIEW 24\/7.<\/strong><\/p>\n

see: pantheonnyc.com<\/a><\/p>\n

\"\"<\/a>\\
\nthe show’s card – a show-stopping map of graph work, font style, code, design, and direction . . . of a complex many-leveled evolution that pretty much sums up GRAFFITI and STREET ART, COMMERCIAL ART, OUTSIDER ART & ART HISTORY . . . the card was designed by one of the show’s curators, DANIEL FERAL. one tough cookie. <\/p>\n

\"\"<\/a>
\nthe show has a great touristy location, right in the heart of the – enemy – opposite the (mostly) staid MoMA.
\nthe up-side: its open 24\/7. the downside: its coming down this weekend – so, make it or break it.<\/p>\n

\"\"<\/a>
\nthe first window as you approach is by the 907 CREW – and it completely takes away any fears that the window format – will dampen the fires. my biggest fear going into the gig.<\/p>\n

\"\"<\/a>
\nthe 907 CREW WINDOW – a super smart collaborative effort that broke the box – on window display.
\nand everybody’s art having to fit “the format”. the far-out but skillful display and inter-artist banter – made a real great & def fun, first impression as you approach. the 3-D approach was wild. and elegant. go figure.
\nthe big white eyeball alien spray paint gobbling monster is by Sadue . . . <\/p>\n

\"\"<\/a>
\n907 CREW: DROID, GOYA, gen2, Oze 108, Sadue and UFO.<\/p>\n

\"\"<\/a>
\nSADUE . . . sweet and smart, or what.<\/p>\n

\"\"<\/a>
\n907 CREW throws the dog, a bone.<\/p>\n

\"\"<\/a>
\nwell-o !! 907 CREW, oh yeah.<\/p>\n

\"\"<\/a>
\neat the trees – NYC !! – 907 CREW.<\/p>\n

\"\"<\/a>
\nNohJColey. ‘Pre-Columbus’, 2011.<\/p>\n

\"\"<\/a>
\ndetail, NohJColey.<\/p>\n

\"\"<\/a>
\nJORDAN SEILER, ‘What It Means To Be A Priest’, 2010. mixed media in stolen phone booth frame.<\/p>\n

\"\"<\/a>
\nQUEL BEAST, ‘Love Fist’, 2011.<\/p>\n

\"\"<\/a>
\ntop row, center: CAKE, ‘Portrait of Emily With Birds’, 2011.<\/p>\n

\"\"<\/a>
\nclassic ROYCE BANNON.<\/p>\n

\"\"<\/a>
\nABE LINCOLN, Jr. in fine form – as usual !!
\nABE LINCOLN Jr. – ‘your moms went to chelsea and all you got a was a shitty abstract’, 2011.<\/p>\n

\"\"<\/a>
\nSTIKMAN, ‘Hanging Around Beyond the Edge of August’, 2011.<\/p>\n

\"\"<\/a>
\nJOHN FEKNER and DON LEIGHT.<\/p>\n

\"\"<\/a>
\ninside the box, it says: ‘WORK’ on the top, and ‘SWEAT’ – on the bottom.<\/p>\n

\"\"<\/a>
\nMATT SIREN, ‘Skankar Medley’, 2011.<\/p>\n

\"\"<\/a>
\nELLIS GALLAGHER, ‘Bowery Crate’, 2009.<\/p>\n

\"\"<\/a>
\nFREEDOM (CHRIS PAPE), ‘Self-Portrait’, 2010.
\namen . . . that is righteous, bro.<\/p>\n

\"\"<\/a>
\nLSD-Om, ‘Coming Down’. 2011.<\/p>\n

\"\"<\/a>
\non the wall, at left: RIGABERTO TORRES, ‘Firefighter’, 1990 . . .
\nat the right: RICHARD HAMBLETON, ‘Fountain of Youth’, 1982.<\/p>\n

\"\"<\/a>
\non the bike, LINUS CORAGGIO. beside him, the indie curator JOHNNY V.
\nLINUS CORAGGIO currently has work up in a two-man show with GARY JACKETTI, at the SKYLIGHT GALLERY, NYC.<\/a><\/p>\n

\"\"<\/a>
\nJORDAN SEILER catches a smoke . . .
\nhis PUBLIC AD CAMPAIGN is conducting a “participatory project titled: Producing the Streets: Public opinion on unauthorized public practices, <\/em> that engages passersby with a question relating to notions of public space that is similar to the survey aspect of HANS HAACKE’S MoMA Poll, 1970<\/em> that was on view at MoMA\/THE MUSEUM OF MODERN ART” – thru the run of the show. <\/p>\n

\"\"<\/a>
\nJORDAN SEILER’S 2006 exhibit – ‘REMOVAL SATISFIES THE CONDITION’, at the former 1134NYC\/CANAL CHAPTER – is still one of my all time faves . . .
\nsee: JORDAN SEILER\/THE CANAL CHAPTER<\/a>
\nsee: JORDAN SEILER\/THE EXHIBIT – OPENING PIX !! – SCROLL DOWN !!<\/a><\/p>\n

\"\"<\/a>
\nfrom left: JOYCE MANALO, one of the show’s curators; DEBRA ANDERSON of CULTURE SHOCK MARKETING\/CSM; and DANIEL FERAL, the other of the show’s curators. MR. Feral is also the designer of the awesome card, and reportedly the man behind the tone, look and design of the show. in total, nice job.
\nand nice last name, dude.
\nthe guy doesn’t crack a smile ever. just saying. guess it takes a tough man to do a tough job – well. <\/p>\n

\"\"<\/a>
\noh oh. why am I surprised ?
\na BLACK LABEL NEW YORK – BICYCLE CLUB jacket . . . as in hardcore TALL BIKE club.
\nyou know: BIKE KILL and all. <\/p>\n

\"\"<\/a>
\nit’s IAN – I shoulda known !! <\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a>
\nGREG. I think.<\/p>\n

\"\"<\/a>
\nTony. you go – boya !!<\/p>\n

\"\"<\/a>
\nCAKE. getting married this summer. best wishes.<\/p>\n

\"\"<\/a>
\nAILEEN McNALLY. I first met Aileen at the recent MARK ENGER MEMORIAL. turns out she was one of three drummers in the Lower East Side-based ENGER BROS. band – THE WAR HIPPIES (1994).<\/p>\n

\"\"<\/a>
\nLSD-Om, (at left) – with JAMES.<\/p>\n

\"\"<\/a>
\nSTEVE HARRINGTON of BROOKLYN STREET ART.<\/a><\/p>\n

\"\"<\/a>
\nGERRIT and HESH . . Gerrit can draw one mean-streak portrait – just you wait and see !! <\/p>\n

\"\"<\/a>
\nHESH and LINUS CORAGGIO.
\nHesh has something to do with that afore-mentioned CORAGGIO & JACKETTI show at SKYLIGHT GALLERY, NYC.
\nApparently Hesh has something to do, with a lot of things. usually, all for the good.
\nLinus calls his circle: THE RIVINGTON SCHOOL – oops. you guys better open up the school – and let more Rivington St. come on over. as in me, NANCY S, and SIMON CERIGO. both long-time artist denizens of 5 RIVINGTON St. – EAST STOREFRONT, 1987-1995. <\/p>\n

\"\"<\/a>
\nJASON, far-out hat, dude !! <\/p>\n

\"\"<\/a>
\nCONRAD CARLSON, or as we like to call him, because he is . . . EL PRESIDENTE of the BLACK LABEL TALL BIKE CLUB NEW YORK. and a great artist. to boot. and obviously a guy with a great sense of humor . . . its a hardcore crew that he rules, talk about feral and all. well, really maybe ‘extreme artist\/artisan’ – is the word.<\/p>\n

\"\"<\/a>
\nafter the opening reception, we went back for one more look.
\ndon’t look back, yes !!
\nSADUE of the notorious 907 CREW made this eye-balled body spray-can eating 3-eyed alien monster . . . <\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a>
\nthe 907 CREW . . . or . . . as they seem to prefer: GRUNTS 907.
\noh yeah. beautiful flow.<\/p>\n

\"\"<\/a>
\nand their, last laugh. <\/p>\n

\"\"<\/a>
\nFARO, ‘Wake up call’, 2011.<\/p>\n

\"\"<\/a>
\nVuDu, ‘Untitled’, 2011. media: bike parts & misc. metal.<\/p>\n

\"\"<\/a>
\nTOOFLY, the only other woman artist, besides CAKE, to be included in the show.<\/p>\n

\"\"<\/a><\/p>\n

\"\"<\/a>
\nthey did a real nice design & signage job . . . real smart, but cool, as in touristy – full of info & info graphics . . <\/p>\n

\"\"<\/a>
\nacross the street – we watch BLACK LABEL – unhitch their bikes.<\/p>\n

\"\"<\/a>
\nnow, this is a BLACK LABEL NEW YORK – BIKE CLUB – TALL BIKE – and with that, let’s leave the evening on a high note. great show, dudes. and dudettes. an interesting selection from a vast scene, for sure. it might not be MOCA – but it did hit home, at the heart. street life NYC style. <\/p>\n

PHOTOS: NANCY SMITH. MIDTOWN NYC, APRIL 2, 2011.<\/p>\n","protected":false},"excerpt":{"rendered":"

PANTHEON – A HISTORY OF ART FROM THE STREETS OF NYC 24 HR. ACCESS – WINDOW EXHIBITION SURVEY CURATED BY: DANIEL FERAL & JOYCE MANALO at the FORMER DONNELL – NYC PUBLIC LIBRARY BLDG – OPPOSITE MoMA 20 WEST 53rd STREET – BET 5th & 6th AVENUES the show runs APRIL 2 -17, 2011 NOTE: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/5225"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=5225"}],"version-history":[{"count":36,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/5225\/revisions"}],"predecessor-version":[{"id":5228,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/5225\/revisions\/5228"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=5225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=5225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=5225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}