{"id":489,"date":"2008-02-01T13:10:36","date_gmt":"2008-02-01T18:10:36","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2008\/02\/01\/up-date-larry-clarkken-parkcanal-chapter\/"},"modified":"2008-02-02T00:45:50","modified_gmt":"2008-02-02T05:45:50","slug":"up-date-larry-clarkken-parkcanal-chapter","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2008\/02\/01\/up-date-larry-clarkken-parkcanal-chapter\/","title":{"rendered":"~UP-DATE: LARRY CLARK\/KEN PARK\/CANAL CHAPTER"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Ken___1.jpg\" width=\"450\" height=\"337\" alt=\"Ken Park # 1\" class=\"centered\" \/><br \/>\nFRAME FROM LARRY CLARK\/&#8217;KEN PARK&#8217; (2002)\/CANAL CHAPTER SCREENING<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Ken___2_Tiffany_Limos.jpg\" width=\"450\" height=\"337\" alt=\"Ken # 2\" class=\"centered\" \/><br \/>\nTIFFANY LIMOS in LARRY CLARK&#8217;S &#8216;KEN PARK&#8217; (2002)\/CANAL CHAPTER SCREENING<\/p>\n<p>JUST FOR THE RECORD &#8211; the opening film credits <em>do<\/em> state: DIRECTED BY LARRY CLARK &#038; ED LACHMAN.<\/p>\n<p>In my humble opinion, no offense to Larry, and he probably agrees &#8211; this movie is probably the worst movie I&#8217;ve ever seen. It should be placed into the hole in which it dug itself, and hopefully, never see the light of day, again. buried.<\/p>\n<p>APPARENTLY, that basically <em>is<\/em> its current status &#8211; supposedly, it has never been released in the USA, and our friends at CANAL CHAPTER only got their hands on a copy of it &#8211;  on their recent art tour\/promotional junket in, where else &#8211;  CHINA !! <\/p>\n<p>They told us that &#8211; Larry said it wasn&#8217;t shown here,  because of quote &#8220;some problems with rights to the music&#8221; !!<\/p>\n<p>MORE LIKE some problems with explicit sex scenes involving minors &#8211; that were not <em>only <\/em>real time real play, and, keyed into twisted-out scenarios; they were truly pornographic in the way they let you know &#8211; this action was for real. <\/p>\n<p>The worst example probably being the skinny young kid who has to live with his grandparents &#8211;  ok, so we all know that scenario is depressing, even if the grandparents are kind of sweet &#8211; and harmless. It kind of starts off with the funniest line in the entire movie &#8211;  he calls his 3-legged dog &#8211; &#8220;Legs !!&#8221; &#8211; as in, &#8220;shut up Legs,  I&#8217;m working&#8221; &#8211; but  continues downhill into his explicit auto-erotic self-strangulation, including a gooey, pathetic &#8216;cum&#8217; shot  &#8211; (everybody in the room &#8211; went &#8211; UUGHH, L-A-R-R-Y !!) &#8211; and then he gets up and stabs both grandparents to death while they are asleep in bed. (don&#8217;t attempt to do this at home &#8211; kids). The rest of the movie isn&#8217;t much better. the problem is &#8211; it&#8217;s presented as a documentary &#8211; when it really might have had a better chance as an over-the-top SOUTH PARK episode.<\/p>\n<p>Some of the audience spoke up for the film &#8211; maintaining that they knew &#8216;skaters&#8217; who came from these awful kind of backgrounds, (mostly drunk moron dads, and stupid nympho moms of girlfriends, <em>whatever<\/em>) and that, these stories needed to be told. ok. but then you want your  story told in a compelling film &#8211; with real grit and merit &#8211; not one that is worse than laughable; and can never see the light of day, even if it were to have captured the kind of spark &#8211; Larry can capture with a still frame camera. <\/p>\n<p>In fact the only, and I mean <em>only<\/em>moments of inspiration,  in the entire film &#8211; were the almost throw-away shots of young kids, and I mean the real little ones, under 10,  gravely and gracefully, flitting by, as if they were a nation of wheeled board butterflies &#8211; up and down the parks and streets. <\/p>\n<p>ok. it was kind of interesting to view it, as a kind of what-went-wrong-in Larry&#8217;s world. On the one hand  &#8211; it did (like a rock falling) address the thinking that Larry <em>probably<\/em> traveled, you see these young pre-teen kids so lithe and carefree zooming around on their boards &#8211; and then puberty &#8211; hits. Sexuality and sex organs land full-strength, full-grown on young skinny (not fully grown) bodies &#8211; ill-equipped physically, and emotionally to handle these desperate urges. (if you&#8217;ve ever had a male puppy &#8211; seeing this movie will make you wonder why we just don&#8217;t castrate children and take them out of their misery, too. just joking !!) <\/p>\n<p>On the other hand &#8211; it definitely crossed the line of creative expression, and sexually exploits its young actors. The movie itself &#8211; leaves is no factual doubt of that. Larry was already facing these issues from the community with &#8216;Kids&#8217; (1995). But compared to this movie &#8211; &#8216;KIDS&#8217; &#8211; was, and is, a masterpiece.  You can see &#8216;KIDS&#8217; in museum screenings, albeit with adult content warnings. The thing is with &#8216;KIDS&#8217; &#8211; it all (cinematically) flew and (the storyline) flowed. The sex scenes were relatively healthy ones among like-minded teens. and they were discrete enough, that they left you, and pretty much &#8211; a whole generation &#8211; wondering if they were real or staged.  Though you pretty much guessed when Chloe Sevigny raised her legs straight up in the air &#8211; that it was, pretty much for real, and <em>not<\/em> staged.<br \/>\nAnd just look where Chloe Sevigny is today &#8211; starring in &#8216;BIG LOVE&#8217; &#8211; on TV, and decked out in full-on movie star regalia on glossy magazine covers, whereas Tiffany Limos (to our best knowledge) just sort of meanders through photo-ops with Larry &#8211; sullen and unhappy looking, with not much to say, actually with nothing to say.<\/p>\n<p>Maybe its just a matter of personality &#8211; Chloe having (also) managed to escape unscathed from her explicit, and supposedly exploitive sex scene with Vincent Gallo, in his  &#8216;Brown Bunny&#8217; (2003). <\/p>\n<p>Come to think of it, though, as unwatchable as &#8216;Ken Park&#8217; is &#8211; at least it <em>tried<\/em> to say something &#8211; &#8216;BIG LOVE&#8217; &#8211; is just as unwatchable &#8211; but it masquerades as &#8216;wholesome&#8217; entertainment &#8211; on prime time TV &#8211; which might be saying something even worse about our culture &#8211; than &#8216;Ken Park&#8217; ever did.  <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Ken___3.jpg\" width=\"450\" height=\"337\" alt=\"Ken # 3\" class=\"centered\" \/><br \/>\nVICTOR TIMOFEEV, who oversees SUNDAY MOVIE NIGHT at CANAL CHAPTER, and who cooks most of the food. He says the interview &#038; photo of him, posted below, are from 5 years ago &#8211; its nice to see a young artist\/thinker &#8211;  evolve and grow.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Ken___4.jpg\" width=\"450\" height=\"337\" alt=\"Ken # 4\" class=\"centered\" \/><br \/>\nscreening\/dinner guest ANGEL CLOUTIER, with artist and CANAL CHAPTER CO-FOUNDER, (MIKE) MIKHAIL SOKOVIKOV<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Ken___5.jpg\" width=\"450\" height=\"337\" alt=\"Ken # 5\" class=\"centered\" \/><br \/>\nartist and CANAL CHAPTER CO-FOUNDER, JASON WALL, in serious conversation at  the communal dinner table.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/ken___6.jpg\" width=\"450\" height=\"337\" alt=\"Ken # 6\" class=\"centered\" \/><br \/>\nJASON WALL at the table. the work behind him, the life-size cut-out, is by ADAM KRUEGER. and is part of the art exhibit currently up at CANAL CHAPTER &#8211; ADAM KRUEGER and RON BEACH &#8211; &#8216;BETTER THAN ME&#8217;.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Ken___7.jpg\" width=\"450\" height=\"337\" alt=\"ken # 7\" class=\"centered\" \/><br \/>\nANGEL CLOUTIER brings ADAM KRUEGER&#8217;S cut-out sculpture &#8211; to life !!<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Ken___8.jpg\" width=\"450\" height=\"337\" alt=\"Ken # 8\" class=\"centered\" \/><br \/>\nfrom left: ADAM KRUEGER and RON BEACH. what&#8217;s sort of interesting about their friendship and collaboration &#8211; is that they are kind of yin and yang. Adam went through the school system, undergraduate study at RISDI and Graduate degree from SVA (School of Visual Arts) &#038; (yes, Jerry Saltz was one of his teachers.) While Ron just came to painting recently, in the past few years, though he did take as few photography classes at SVA &#8211; that&#8217;s how they met. This divergence of route: school vs. streets might be more an indication of their individual father&#8217;s income &#8211; more than anything else, as they are both very passionate and proliferate in their artistic output. But while Adam Krueger is a natural realist,  RON BEACH is a natural expressionist.<br \/>\nand ,. . . about that cut-out &#8211; Adam &#8211; is that a self-portrait, in your dreams, or what ?<br \/>\nwell, no matter, its good.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Ken___9.jpg\" width=\"450\" height=\"337\" alt=\"ken # 9\" class=\"centered\" \/><br \/>\na collaboration: ADAM KRUGER did the scientist, RON BEACH did the rest &#8211; it was painted over the CANAL CHAPTER  elevator door.<\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Ken___15.jpg\" target=\"_blank\" title=\"Ken   15\"><img decoding=\"async\" loading=\"lazy\" class=\"centered\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Ken___15.jpg\" width=\"450\" height=\"337\" alt=\"Ken   15\" \/><\/a><br \/>\nRON BEACH painting &#8211; at the CANAL CHAPTER  &#8211; SUNDAY MOVIE NIGHT DINNER<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/__11_01.jpg\" width=\"288\" height=\"384\" alt=\"Skaterdays movie night\" class=\"centered\" \/><br \/>\nDJ SKATERDAYS . . .<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Ken___11.jpg\" width=\"450\" height=\"337\" alt=\"SKATERDAYS 1134 TATTOO\" class=\"centered\" \/><br \/>\na big fan of CANAL CHAPTER &#8211; aka &#8211;  1134 NYC &#8211; !!<\/p>\n<p>PHOTOS: NANCY SMITH, JAN 27, 2008 <\/p>\n<p>* BYE THE WAY &#8211; THEIR <strong>NEXT<\/strong> SCREENING IS &#8211; <strong>THIS SUNDAY<\/strong> &#8211; FEB 3, 2008 &#8211; 8PM *<br \/>\n* FRANCOIS TRUFFAUT&#8217;S &#8216;DAY FOR NIGHT&#8217; (1979) * BRING: FOOD-OR-WINE *<br \/>\n* ADMISSION FREE * ACTUAL SCREENINGS USUALLY START AT 9 PM *<br \/>\n* THE CANAL CHAPTER &#8211; 343 CANAL STREET &#8211; BUZZER : FL 4 *<\/p>\n<p>CHECK OUT: <a href=\"http:\/\/canalchapternyc.com\/news.php\">THE CANAL CHAPTER<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>FRAME FROM LARRY CLARK\/&#8217;KEN PARK&#8217; (2002)\/CANAL CHAPTER SCREENING TIFFANY LIMOS in LARRY CLARK&#8217;S &#8216;KEN PARK&#8217; (2002)\/CANAL CHAPTER SCREENING JUST FOR THE RECORD &#8211; the opening film credits do state: DIRECTED BY LARRY CLARK &#038; ED LACHMAN. In my humble opinion, no offense to Larry, and he probably agrees &#8211; this movie is probably the worst [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/489"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=489"}],"version-history":[{"count":0,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/489\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}