{"id":475,"date":"2008-01-12T12:56:58","date_gmt":"2008-01-12T17:56:58","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2008\/01\/12\/changecaseopens-to-nite\/"},"modified":"2008-01-17T01:10:01","modified_gmt":"2008-01-17T06:10:01","slug":"changecaseopens-to-nite","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2008\/01\/12\/changecaseopens-to-nite\/","title":{"rendered":"~CHANGECASE\/CURATED BY STEVEN STEWART &#038; YASHA WALLIN\/opens to-nite"},"content":{"rendered":"<p>CHANGECASE &#8211; CURATED BY STEVEN STEWART &#038; YASHA WALLIN &#8211; OPENS TO-NITE !!<\/p>\n<p>SATURDAY &#8211; JANUARY 12, 2008 &#8211; 7-10 PM<br \/>\nTHE SHOW RUNS: JANUARY 12 &#8211; FEBRUARY 10, 2008<br \/>\n94 PRINCE ST &#8211; #2 &#8211; SOHO &#8211; NY &#8211; ABOVE FANELLI&#8217;S BAR !!<br \/>\nHOURS: WEEKENDS ONLY SAT + SUN 12-7PM &#038; BY APPOINTMENT<br \/>\nFOR MORE INFO, CONTACT: steven_adrian_stewart@hotmail.com<\/p>\n<p>FEATURING THE WORK OF:<br \/>\nJAMES BRITTINGHAM, DEVON COSTELLO, MICHAEL GREATHOUSE, JIM LEE, SYLVAN LIONNI<br \/>\n&#038; PETE PEZZIMENTI<\/p>\n<p> <img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changes_Brittingham1.jpg\" width=\"312\" height=\"237\" alt=\"Changes-Brittingham\" class=\"centered\" \/><br \/>\nJAMES BRITTINGHAM\/IMAGE COURTESY: CHANGECASE<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/changes_Greathouse.jpg\" width=\"450\" height=\"389\" alt=\"Changes-GREATHOUSE\" class=\"centered\" \/><br \/>\nMICHAEL GREATHOUSE\/IMAGE COURTESY: CHANGECASE<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changes_Pezzimenti.jpg\" width=\"312\" height=\"234\" alt=\"Changes-Pezzimenti\" class=\"centered\" \/><br \/>\nPETE PEZZIMENTI\/IMAGE COURTESY: CHANGECASE<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changes_Lee.jpg\" width=\"368\" height=\"207\" alt=\"CHANGES - JIm LEE\" class=\"centered\" \/><br \/>\nJIM LEE\/IMAGE COURTESY: CHANGECASE<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changes_Sylvan_Lee.jpg\" width=\"396\" height=\"396\" alt=\"CHANGES SLYVAN LIONNI\" class=\"centered\" \/><br \/>\nSYLVAN LIONNI\/IMAGE COURTESY: CHANGECASE<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changes_Devon_Costello.jpg\" width=\"337\" height=\"450\" alt=\"Changes-Devon Costello\" class=\"centered\" \/><br \/>\nDEVON COSTELLO\/IMAGE COURTESY: CHANGECASE<\/p>\n<p><strong>UP-DATE: SUNDAY, JAN 13, 2008<\/strong><\/p>\n<p>it&#8217;s really interesting to go to the show and see the <em>actual<\/em> sizes of the pieces above. the jpegs were pretty much posted &#8211;  sized as they came in (most likely, web\/formatted by the artists individually) &#8211; and, there are some real surprises.<\/p>\n<p>The JAMES BRITTINGHAM piece is much larger than it appears to be, above. The MICHAEL GREATHOUSE piece is much, much smaller in reality, and the PETE PEZZIMENTI painting, is probably the largest painting in the show !!<\/p>\n<p>The show is hung beautifully, and all things taken into account &#8211; one has to say: there is a definite &#038; dynamic visual and conceptual edge to this show. The rawness of the space and its off-the-beaten track feel &#8211; only add to the almost tangible, yet mysterious and provocative visual experience. <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/YashaSteven__large.jpg\" width=\"450\" height=\"337\" alt=\"Yasha &amp; Steven # 1\" class=\"centered\" \/><br \/>\nINDEPENDENT CURATORS, YASHA WALLIN,  AND STEVEN STEWART, IN A PHOTO TAKEN THE NIGHT BEFORE THEIR &#8216;CHANGECASE&#8217; OPENING, on 27TH ST &#8211; AT THE OPENING OF MIGUEL ANGELO ROCHA AT ATM GALLERY, JAN 10, 2008<br \/>\n(that&#8217;s &#8211; &#8216;Letter #1&#8217; &#8211; by MIGUEL ANGELO ROCHAS ON THE WALL BEHIND THEM)<br \/>\nPHOTO: NANCY SMITH<\/p>\n<p><strong>UP-DATE: WED, JAN 16, 2008 &#8211; PIX FROM THE OPENING !! <\/strong><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/changecase__1.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 1\" class=\"centered\" \/><br \/>\nJAMES BRITTINGHAM, &#8216;Take Your Medicine&#8217;, 2006, acrylic and mylar, 50 x 46 ins.<br \/>\n. . . . as in &#8220;poured acrylic and mylar&#8221; !!<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changecase___2.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 2\" class=\"centered\" \/><br \/>\nJAMES BRITTINGHAM, &#8216;Closing Down&#8217;, 2007, acrylic and mylar, 72 x 58 ins.<br \/>\n. . . . &#8220;The absence of structural support beneath the &#8216;skin&#8217; of these paintings emphasizes the necessity for material invention while charting the periphery of conventional picture making&#8221; &#8211; <em>PRESS RELEASE<\/em><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/changecase___3.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 3\" class=\"centered\" \/><br \/>\nfrom left: JAMES BRITTINGHAM and show co-curator STEVEN STEWART.<br \/>\nJAMES BRITTINGHAM RECENTLY GRADUATED FROM COOPER UNION (BFA 2007)<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/changecase___5_.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 5\" class=\"centered\" \/><br \/>\nMICHAEL GREATHOUSE, &#8216;I think I must have one of those faces you can&#8217;t help believing&#8217; <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changecase___4.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 4\" class=\"centered\" \/><br \/>\nMICHAEL GREATHOUSE with his &#8216;I think I must have one of those faces you can&#8217;t help believing&#8217;, 2006, painted plywood and MDF<br \/>\n&#8220;MICHAEL GREATHOUSE includes two of his sculpted paintings that contain an unabashed allegiance to three-dimension, narrowly before that of surface. Machine-like fragments rendered with machine-like exactness virtually obliterate any trace of the artists&#8217;s hand, which (in fact)<br \/>\nthe sculptures are wholly generated by.&#8221; &#8211; <em>PRESS RELEASE<\/em><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changecase___4c.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 4\" class=\"centered\" \/><br \/>\nMICHAEL GREATHOUSE, &#8216;The beauty of the dream vanished, and breathless horror and disgust filled my heart&#8217;, 2005, painted plywood and MDF <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changecase___6.jpg\" width=\"450\" height=\"337\" alt=\"Changcase # 6\" class=\"centered\" \/><br \/>\na view of PETE PEZZIMENT&#8217;S LARGE PAINTING &#8211; &#8216;Untitled&#8217; 2007, oil and acrylic on <em>carpet<\/em>, 72 x 72 ins<br \/>\n(wow, that&#8217;s a great deal, see the price at the show &#8211; <em>artlovers !!<\/em>)<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changecase___7.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 7\" class=\"centered\" \/><br \/>\nCHANGECASE CO-CURATOR YASHA WALLIN, with MICHAEL SCHUR of METHOD+CONSTRUCTION,<br \/>\nin front of PETE PEZZIMENTI&#8217;S LARGE PAINTING.<\/p>\n<p>we missed catching a photo of PETE at the opening &#8211; he had to run off early, his band,  THE RAMBLERS, (he&#8217;s the drummer), had a gig the same nite,<br \/>\nbut &#8211; here&#8217;s: <a href=\"http:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2007\/05\/30\/peter-pezzimentiman-in-the-middle\/\"><br \/>\nPETE<\/a> at BRIAN BELOTT&#8217;S STUDIO,  and, here&#8217;s a link to pix from his:  <a href=\"http:\/\/www.artloversnewyork.com\/artlovers\/report\/2007-05-30.html\">MAY 17, 2007 &#8216;Kings Don&#8217;t Mean A Thing&#8217;<\/a> opening, last year at MONYA ROWE.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changecase___8A.jpg\" width=\"450\" height=\"337\" alt=\"Change case # 8\" class=\"centered\" \/><br \/>\nanother view of PETE PEZZIMENTI&#8217;S PAINTING AT THE CHANGECASE OPENING.<br \/>\n&#8220;PETE PEZZIMENTI&#8217;S ability to locate a common denominator within dichotomous artistic vantage points is demonstrated by his contribution of a coy, blocky painting on carpet which muses on high and low brows of modernism. This cobbling together of grandfather influences along with  his ripe brand of folk formalism continues to generate his unique visual vernacular.&#8221; &#8211;<em> PRESS RELEASE <\/em><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changecase___8.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 8A\" class=\"centered\" \/><br \/>\non the left, PETE PEZZIMENI, &#8216;Untitled&#8217;, and then, JIM LEE&#8217;S white canvas &#8220;sort of free-standing&#8221; &#8216;Untitled (Nimbus)&#8217;, 2007, acrylic on canvas over wood with pin, and his smaller piece, JIM LEE, &#8216;Foam Noir&#8217;, 2007, oil on linen, carpet foam, corrugated cardboard and latex on wood, 6-3\/4 x 11 x 3 ins. <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changecase___9.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 9\" class=\"centered\" \/><br \/>\nat the opening, performance artist, JENNIFER SULLIVAN, with JIM LEE&#8217;S &#8216;Foam Noir&#8217; behind her.<br \/>\ncheck out: <a href=\"http:\/\/www.jennifersullivan.org\">JENNIFER SULLIVAN&#8217;S website !!<\/a><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Change_case___10.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 10\" class=\"centered\" \/><br \/>\nfrom left: JIM LEE and ARTHUR COHEN &#8211; both are currently teaching in the FINE ARTS PROGRAM AT QUEEN&#8217;S COLLEGE, in FLUSHING, QUEEN&#8217;S<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changecase___13.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 13\" class=\"centered\" \/><br \/>\nDEVON COSTELLO, the &#8216;hanging&#8217; green piece, &#8216;Untitled&#8217;, 2007, oil on canvas, 25 x 19-1\/4 x 3\/4 ins.<br \/>\nsee: <a href=\"http:\/\/www.artloversnewyork.com\/artlovers\/report\/2008-01-09.html\">photos of DEVON COSTELLO &#038; his recent show at SPENGEMANN &#038; TAXTER<br \/>\n<\/a><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/Changecase__11.jpg\" width=\"450\" height=\"337\" alt=\"Changecase # 11\" class=\"centered\" \/><br \/>\na view of SLYVAN LIONNI&#8217;S &#8216;Isolation&#8217;, 2008, acrylic on aluminum with screws, 54 x 90 ins. &#8211; on the opening night.<br \/>\nOPENING PHOTOS: NANCY SMITH, JAN 12, 2008<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CHANGECASE &#8211; CURATED BY STEVEN STEWART &#038; YASHA WALLIN &#8211; OPENS TO-NITE !! SATURDAY &#8211; JANUARY 12, 2008 &#8211; 7-10 PM THE SHOW RUNS: JANUARY 12 &#8211; FEBRUARY 10, 2008 94 PRINCE ST &#8211; #2 &#8211; SOHO &#8211; NY &#8211; ABOVE FANELLI&#8217;S BAR !! HOURS: WEEKENDS ONLY SAT + SUN 12-7PM &#038; BY APPOINTMENT FOR [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/475"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=475"}],"version-history":[{"count":0,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/475\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}