{"id":45163,"date":"2022-05-03T08:07:39","date_gmt":"2022-05-03T13:07:39","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/?p=45163"},"modified":"2022-05-03T09:29:21","modified_gmt":"2022-05-03T14:29:21","slug":"joe-bradley-then-now","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2022\/05\/03\/joe-bradley-then-now\/","title":{"rendered":"~JOE BRADLEY . . . THEN &#038; NOW  !!"},"content":{"rendered":"<p>CONGRATS !!<br \/>\nTO JOE BRADLEY . .  for the great, rave review &#8211; his recent show at PETZEL,<br \/>\nscored in the NEW YORK TIMES:<\/p>\n<p>&#8220;at 46, the well-known painter changes direction, emphasizing intuition over concept to make the most riveting paintings of his career.&#8221;<br \/>\n~ROBERTA SMITH, NYT <\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-New-York-Times-2022.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-New-York-Times-2022.jpg\" alt=\"\" width=\"513\" height=\"684\" class=\"alignnone size-full wp-image-45167\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-New-York-Times-2022.jpg 513w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-New-York-Times-2022-225x300.jpg 225w\" sizes=\"(max-width: 513px) 100vw, 513px\" \/><\/a><\/p>\n<p><strong>see:<\/strong> <a href=\"https:\/\/www.nytimes.com\/2022\/04\/14\/arts\/design\/joe-bradley-begins-again.html\">&#8216;JOE BRADLEY BEGINS AGAIN&#8217;, NEW YORK TIMES, APRIL 14, 2022<\/a><\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-painting-Petzel-gallery-2022.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-painting-Petzel-gallery-2022.jpg\" alt=\"\" width=\"331\" height=\"301\" class=\"alignnone size-full wp-image-45170\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-painting-Petzel-gallery-2022.jpg 331w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-painting-Petzel-gallery-2022-300x273.jpg 300w\" sizes=\"(max-width: 331px) 100vw, 331px\" \/><\/a><br \/>\nJOE BRADLEY, installation shot via<a href=\"https:\/\/www.petzel.com\/exhibitions\/joe-bradley\"> PETZEL GALLERY <\/a><br \/>\nthe show being reviewed &#8211; last month&#8217;s:<br \/>\nJOE BRADLEY, &#8216;Bhoga Marga&#8217;, March 3 &#8211; April 30, 2022 at PETZEL, 456 W 18th St.<br \/>\n<strong>see: <\/strong> JOE BRADLEY, <a href=\"https:\/\/www.petzel.com\/exhibitions\/joe-bradley\">&#8216;Bhoga Marga&#8217; &#8211; PETZEL WEBSITE<\/a><\/p>\n<p>I&#8217;ve been following JOE, since early 2000. <\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-2003.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-2003.jpg\" alt=\"\" width=\"684\" height=\"500\" class=\"alignnone size-full wp-image-45174\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-2003.jpg 684w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-2003-300x219.jpg 300w\" sizes=\"(max-width: 684px) 100vw, 684px\" \/><\/a><br \/>\nJOE BRADLEY, with his art band, Cheeseburger \/ downtown NYC, JULY 24, 2003.<br \/>\nfrom left: JOE BRADLEY, LUKE CROTTY, &#038; CHRISTY KARACAS.<br \/>\nARCHIVAL PHOTO &#038; COPYRIGHT: NANCY SMITH <\/p>\n<p>I <strong>was<\/strong> the first to write up his debut early shows &#8211; at CANADA,<br \/>\nincluding <strong>my<\/strong> fav, &#8216;Shmagoo Paintings&#8217;, at Canada \/ which ran Oct 25 &#8211; Dec 3, 2008,<br \/>\nand, which features prominently &#8211; in that recent NYT article.<\/p>\n<p>&#8220;The best of these bare minimum works was a series of enormous <strong>raw<\/strong> canvases that boasted a single motif outlined in black oil crayon.<br \/>\nWhile monumental, they had the intimacy of doodles, and were drawn all at once without adjustments,<br \/>\nwhich was impressive.&#8221;<br \/>\n~ROBERT SMITH \/<a href=\"https:\/\/www.nytimes.com\/2022\/04\/14\/arts\/design\/joe-bradley-begins-again.html\">  NYT APRIL, 14, 2022<\/a><\/p>\n<p><strong>here&#8217;s some flashback photos from that opening: <\/strong><\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Shmagoo-Paintings-invite-card.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Shmagoo-Paintings-invite-card.jpg\" alt=\"\" width=\"450\" height=\"361\" class=\"alignnone size-full wp-image-45179\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Shmagoo-Paintings-invite-card.jpg 450w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Shmagoo-Paintings-invite-card-300x241.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\nJOE BRADLEY, &#8216;Shmagoo Paintings&#8217;, Sat Oct 25 &#8211; Dec 3, 2008 \/ CANADA, CHINATOWN NYC<br \/>\nthe invite CARD . . . !!!!!<br \/>\nprinted on hardstock, (4 x 5 in.) the exhibit details, were on the reverse.  <\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-and-Dash-Snow-by-NANCY-SMITH.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-and-Dash-Snow-by-NANCY-SMITH.jpg\" alt=\"\" width=\"450\" height=\"337\" class=\"alignnone size-full wp-image-45182\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-and-Dash-Snow-by-NANCY-SMITH.jpg 450w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-and-Dash-Snow-by-NANCY-SMITH-300x225.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\nJOE BRADLEY, and DASH SNOW (!!) &#8211; at the opening . . . !!!<br \/>\n&#8216;Shmagoo Paintings&#8217;, CANADA, SAT OCT 25, 2008<br \/>\nArchival photo &#038; copyright: NANCY SMITH <\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Canada-2008.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Canada-2008.jpg\" alt=\"\" width=\"450\" height=\"337\" class=\"alignnone size-full wp-image-45184\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Canada-2008.jpg 450w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Canada-2008-300x225.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\nJOE BRADLEY, &#8216;On the Cross&#8217;, 2008.<br \/>\nGrease pencil on raw canvas.<br \/>\nArchival photo &#038; copyright: NANCY SMITH<\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Superman-Canada-2008.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Superman-Canada-2008.jpg\" alt=\"\" width=\"450\" height=\"337\" class=\"alignnone size-full wp-image-45185\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Superman-Canada-2008.jpg 450w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-Superman-Canada-2008-300x225.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\nJOE BRADLEY, &#8216;Superman&#8217;, 2008.<br \/>\nGrease pencil on raw canvas.<br \/>\nArchival photo &#038; copyright: NANCY SMITH<\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-at-CANADA-2008.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-at-CANADA-2008.jpg\" alt=\"\" width=\"450\" height=\"337\" class=\"alignnone size-full wp-image-45187\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-at-CANADA-2008.jpg 450w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Joe-Bradley-at-CANADA-2008-300x225.jpg 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\nJOE BRADLEY, &#8216;Manmade Dirigible&#8217;, 2008.<br \/>\nGrease pencil on raw canvas.<br \/>\nArchival photo &#038; copyright: NANCY SMITH <\/p>\n<p><strong>note:<\/strong> these are all 35mm format photos. <\/p>\n<p><strong>check out:<\/strong> <a href=\"http:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2008\/10\/25\/joe-bradleycanadato-nite\/\">the original post . . &#8216;JOE BRADLEY at CANADA, OCT 25, 2008&#8217; \/ artloversnewyork<\/a><\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Mr-Magoo-wiki.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2022\/05\/Mr-Magoo-wiki.jpg\" alt=\"\" width=\"220\" height=\"168\" class=\"alignnone size-full wp-image-45189\" \/><\/a><\/p>\n<p><strong>check out: <\/strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/Mr._Magoo\"> Mr. Magoo . . !!<\/a><br \/>\nan animated &#038; very beloved children&#8217;s media figure, created in 1949, by MILLARD KAUFMAN,<br \/>\nMr. Magoo,  &#8220;was an elderly, wealthy, short statured retiree who gets into a series of comical<br \/>\nsituations as a result of his short-sightedness, compounded by his stubborn refusal to admit the problem.&#8221; <\/p>\n","protected":false},"excerpt":{"rendered":"<p>CONGRATS !! TO JOE BRADLEY . . for the great, rave review &#8211; his recent show at PETZEL, scored in the NEW YORK TIMES: &#8220;at 46, the well-known painter changes direction, emphasizing intuition over concept to make the most riveting paintings of his career.&#8221; ~ROBERTA SMITH, NYT see: &#8216;JOE BRADLEY BEGINS AGAIN&#8217;, NEW YORK TIMES, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/45163"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=45163"}],"version-history":[{"count":19,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/45163\/revisions"}],"predecessor-version":[{"id":45194,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/45163\/revisions\/45194"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=45163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=45163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=45163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}