{"id":45133,"date":"2022-04-30T13:22:08","date_gmt":"2022-04-30T18:22:08","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/?p=45133"},"modified":"2022-05-03T07:49:42","modified_gmt":"2022-05-03T12:49:42","slug":"caslon-bevington-duping-false-landscapes-curated-by-dana-notine-ki-smith-gallery-up-thru-may-8","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2022\/04\/30\/caslon-bevington-duping-false-landscapes-curated-by-dana-notine-ki-smith-gallery-up-thru-may-8\/","title":{"rendered":"~CASLON BEVINGTON . . ‘DUPING FALSE LANDSCAPES’ \/ CURATED by DANA NOTINE \/ KI SMITH GALLERY \/ up thru MAY 8"},"content":{"rendered":"

CASLON BEVINGTON: ‘DUPING FALSE LANDSCAPES’ . . .
\nCURATED BY DANA NOTINE<\/p>\n

‘DUPING FALSE LANDSCAPES’ . . “Presents the artist’s most recent inquiries into the space between digital<\/strong> and the natural<\/strong>, the artificial<\/strong> and the physical <\/strong>, all while questioning the role and existence of painting in a post-internet landscape.”
\n~KI SMITH Gallery Press Release<\/p>\n

APRIL 1 – 24, 2022 \/ at the 311 E. 3rd St., Lower East Side, NY 10009 location \/ now down
\n-&-
\nAPRIL 1 – MAY 8, 2022 \/ at the 197 E. 4th St., Lower East Side, NY 10009 location \/ is still running !!
\nKI SMITH GALLERY<\/a>
\nnote:<\/strong> 197 E. 4th St. .. HRS: WED-SUN \/ 12:30 – 6:30 PM
\n& by app’t.<\/p>\n

see: <\/strong>CASLON BEVINGTON text & install photos – KI SMITH GALLERY<\/a><\/p>\n

\"\"<\/a>
\nCASLON BEVINGTON, ‘ERROR II’, 2022.
\nacrylic on panel, wooden frame \/ 16 x 20 in.
\nimage via KI SMITH GALLERY <\/a><\/p>\n

KI SMITH GALLERY, a recent start-up – now has 2 locations, about a block apart.
\nKI (pronounced KEY), a very likable, yet ambitious young dealer – grew up in the East Village, so his roots go deep. The E. 4th St. location seems to be the main gallery base, while the more recent E. 3rd St. branch seems to be more of a project, or event \/ meeting space.<\/p>\n

I was lucky enough – to catch Caslon’s showing \/ at the E. 4th St. closing party \/ celebration,
\nlast weekend, Sat April 23rd, 2022.
\nnote:<\/strong> the main co-exhibit on 4th St. – runs on thru . . next weekend \/ SUN MAY 8, 2022.<\/p>\n

\"\"<\/a>
\nfrom left:
\nCASLON BEVINGTON, KI SMITH, and DANA NOTINE,
\nKI SMITH GALLERY, 3rd St. Location, SAT APRIL 23, 2022.<\/p>\n

\"\"<\/a>
\nCASLON BEVINGTON, ‘Sunstorm (Expanded)’, 2022
\nacrylic on canvas \/ 39 x 49 in.
\n($8,100)<\/p>\n

CASLON BEVINGTON: (b. 1992), is a multimedia artist, living & working in NYC \/ whose work “aims at
\nvisualizing the slippery<\/strong> relationship between physical & non-physical materiality.”
\n(gallery)<\/p>\n

DANA NOTINE: (b. 1993), the curator of the show, and Ki Smith gallery admin associate \/ is an independent curator based in Brooklyn. “Her scholarship focuses on art’s relationship to the internet.”
\n(gallery)
\nwhich makes sense<\/strong> to me – on a greater personal level . . .
\nDana and I having just recently connected, through her Master’s Thesis (MFA HUNTER, NYC) & ongoing interest . . in & regarding the JOSH HARRIS \/ ‘WE LIVE IN PUBLIC’, bio-documentary, 2009 \/ directed by ONDIE TIMONER.
\nthe very wild, underground \/ art-driven . . . and, yet intensely prophetic film, won the Sundance 2009, Grand Jury Documentary award. <\/p>\n

\"\"<\/a>
\nin fact, my first impression of this 3rd St., storefront . . ‘art viewing \/ social space’ was that it reminded me of ‘Quiet’ \/ the multi-million dollar week-long New Years Eve 2000 art party, which Josh threw to welcome in the new millennial century – and, which was to be the ‘mother’ of the ‘WE LIVE IN PUBLIC’ film \/ where art & social hosting (!!) meet on the floors of 2 empty warehouse buildings in downtown Tribeca \/ more than 20 years ago (!!) to great effect, and, where – as here . . . ‘futurist’ architecture – played a big big role \/ in setting the tone. <\/p>\n

\"\"<\/a>
\nKIYOMI QUINN TAYLOR, a textile\/painter . . who shows with the gallery.<\/p>\n

\"\"<\/a>
\nmore CASLON BEVINGTON paintings – along the back wall.<\/p>\n

“BEVINGTON’S subjects are sourced from digitally produced images often taken on cell phones or now antiquated digital cameras. The images, archived and unintentionally aged, are printed, transferred, corroded, copied over time; resulting in semi-abstract paintings which pose metaphysica inquiries of reality, memory, and perception.”
\n(gallery, and written in fact by Dana.) <\/p>\n

PHOTOS: NANCY SMITH \/ unless otherwise noted<\/p>\n

\"\"<\/a>
\ncheck out:<\/strong> KI SMITH Gallery on Instagram @kismithgalery<\/a><\/p>\n

\"\"<\/a>
\ncheck out:<\/strong> CASLON BEVINGTON on Instagram @cas10n<\/a><\/p>\n

\"\"<\/a>
\ncheck out: <\/strong> DANA NOTINE on Instagram @dananotine<\/a><\/p>\n

\"\"<\/a>
\ncheck out: <\/strong> KIYOMI QUINN TAYLOR on Instagram @kiyomitay<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

CASLON BEVINGTON: ‘DUPING FALSE LANDSCAPES’ . . . CURATED BY DANA NOTINE ‘DUPING FALSE LANDSCAPES’ . . “Presents the artist’s most recent inquiries into the space between digital and the natural, the artificial and the physical , all while questioning the role and existence of painting in a post-internet landscape.” ~KI SMITH Gallery Press Release […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/45133"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=45133"}],"version-history":[{"count":18,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/45133\/revisions"}],"predecessor-version":[{"id":45162,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/45133\/revisions\/45162"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=45133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=45133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=45133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}