{"id":44998,"date":"2022-04-06T12:55:25","date_gmt":"2022-04-06T17:55:25","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/?p=44998"},"modified":"2022-04-06T13:20:45","modified_gmt":"2022-04-06T18:20:45","slug":"peggy-chiang-big-country-hyacinth-up-thru-sun-april-17","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2022\/04\/06\/peggy-chiang-big-country-hyacinth-up-thru-sun-april-17\/","title":{"rendered":"~PEGGY CHIANG . . ‘BIG COUNTRY’ \/ HYACINTH \/ up thru SUN APRIL 17"},"content":{"rendered":"

of course, if<\/strong> there’s . . . ‘creative vernacular’,
\nsurely as night follows day, we will find the: ‘FAUX – VERNACULAR’ . . . !!!!!!
\nin this case,
\nit’s that transparent \/ resin-cast, common utility pail . . . think again !!
\nthat tips – the vernacular reality game, in Peggy Chiang’s ‘Big Country’ – striking contribution.<\/p>\n

PEGGY CHIANG, ‘Untitled (Ox) ‘ . . in:<\/p>\n

‘BIG COUNTRY’ – a really cool, frosty cool, but def cutting-edge emotional \/ 5 person group show.<\/p>\n

HYACINTH GALLERY<\/a> – up through . . . SUN APRIL 17 !!!
\n179 Canal 4B, NYC NY 10013 \/ where the eastern-most edge of Chinatown, intersects with the Lower East Side
\nHRS: FRI, SAT & SUN \/ 12 – 6 PM or by Appointment<\/p>\n

\"\"<\/a>
\nPEGGY CHIANG, ‘Untitled (ox),
\nsolid cast urethane resin.
\nimage via Instagram @hyacinthgallery <\/a><\/p>\n

note:<\/strong> the plant is a reproduction of a water caltrop (Trapa Natans),
\nan edible aquatic plant similar to water chestnuts, native in Asia & invasive in the USA.
\nIt was introduced to a botanical garden at Harvard in 1877.
\n~PEGGY CHIANG, gallery note.<\/p>\n

\"\"<\/a>
\ncheck out:<\/strong> PEGGY CHIANG on Instagram @peggy_wendy<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

of course, if there’s . . . ‘creative vernacular’, surely as night follows day, we will find the: ‘FAUX – VERNACULAR’ . . . !!!!!! in this case, it’s that transparent \/ resin-cast, common utility pail . . . think again !! that tips – the vernacular reality game, in Peggy Chiang’s ‘Big Country’ – […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/44998"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=44998"}],"version-history":[{"count":9,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/44998\/revisions"}],"predecessor-version":[{"id":45009,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/44998\/revisions\/45009"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=44998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=44998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=44998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}