{"id":439,"date":"2007-11-14T14:13:38","date_gmt":"2007-11-14T19:13:38","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2007\/11\/14\/michael-williamscacunedmakes-new-yorker\/"},"modified":"2007-11-14T14:51:37","modified_gmt":"2007-11-14T19:51:37","slug":"michael-williamscacunedmakes-new-yorker","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2007\/11\/14\/michael-williamscacunedmakes-new-yorker\/","title":{"rendered":"MICHAEL WILLIAMS\/CANCUNED\/MAKES NEW YORKER"},"content":{"rendered":"

\"Michael<\/p>\n

the card for: <\/p>\n

MICHAEL WILLIAMS – ‘Cancuned and Other Paintings from 2007’
\nOCTOBER 11 – NOVEMBER 18, 2007 – last WEEK !!!
\nCANADA – 55 CHRYSTIE ST – LOWER EAST SIDE – NYC<\/p>\n

the show got a really upbeat mention in this week’s (NOV. 12, 2007) NEW YORKER,
\nDOWNTOWN SECTION:<\/p>\n

“MICHAEL WILLIAMS
\nImagine the Post-Impressionists transplanted to the future, and high on hallucinogens. Williams uses Pointillism, acid-electric colors, distorted perspectives, and visionary subject matter. In lieu of portraits of Breton peasant women or views of the artist’s bedroom, Williams offers a tiny bearded face emerging from a stick of deodorant, and an anthropomorphic Heineken bottle writhing on a tropical deck. There’s another crucial distinction between Williams and the Post-Impressionists: there’s little anxiety here. The world, shown through his paintbrush, is just happily and wildly weird. Through Nov. 18. (Canada, 55 Chrystie St. 212-925-4631)”<\/p>\n

see opening night pix: 2007-11-06\/SPIRITUAL, AND OTHER GEOGRAPHY<\/a><\/p>\n

check out: MICHAEL WILLIAMS\/STUDIO VISIT\/2006-05-07<\/a><\/p>\n

visit: CANADA<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

the card for: MICHAEL WILLIAMS – ‘Cancuned and Other Paintings from 2007’ OCTOBER 11 – NOVEMBER 18, 2007 – last WEEK !!! CANADA – 55 CHRYSTIE ST – LOWER EAST SIDE – NYC the show got a really upbeat mention in this week’s (NOV. 12, 2007) NEW YORKER, DOWNTOWN SECTION: “MICHAEL WILLIAMS Imagine the Post-Impressionists […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/439"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=439"}],"version-history":[{"count":0,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/439\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}