![\"\"](\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2020\/12\/Blinn-and-Lambert-CMYK.jpg\")
<\/a><\/p>\nBLINN and Lambert . . . NICHOLAS STEINDORF & KYLE WILLIAMS CMYK: Cyan-Magenta-Yellow-Black RGB on the other-hand . . “is the color scheme that is associated with electronic displays, such as CRT, LCD monitors, digital cameras and scanners. It is an additive <\/strong> type of color mode that combines the primary colors red, green, and blue, in various degrees to create a variety of different colors. When all 3 of the colors are combined and displayed to their full extent, the result is pure white<\/strong>. When all 3 colors are combined to the lowest degree, or value, the result is black.” well . . . glass: stained glass, hand-blown glass, molded glass, melted glass, etc . . is an old old art form, with both artisanal & artistic values. using ‘light’ as your medium of expression is an ultra-contemporary art form, dependent on technical, and digital knowledge. you can put your hand through light, but you cannot . . put your hand through glass.<\/p>\n","protected":false},"excerpt":{"rendered":" as surely as . . night follows day, light . . follows glass. or: ‘light’ . . as the artists’ medium. BLINN and Lambert . . . NICHOLAS STEINDORF & KYLE WILLIAMS ‘CMYK’, NOV 2020 \/ studio photo. Photo: via Instagram @blinn_and_lambert CMYK: Cyan-Magenta-Yellow-Black “if printers are using a digital printing method, they would print […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/42556"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=42556"}],"version-history":[{"count":6,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/42556\/revisions"}],"predecessor-version":[{"id":42563,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/42556\/revisions\/42563"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=42556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=42556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=42556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n‘CMYK’, NOV 2020 \/ studio photo.
\nPhoto:<\/strong> via Instagram @blinn_and_lambert<\/p>\n
\n“if printers are using a digital printing method, they would print color on paper using CMYK colors. This is a 4 color mode that utilizes the colors cyan, magenta, yellow, & black . . in various amounts to create all of the necessary colors when printing images. It is subtractive <\/strong>process, which means that each additional unique color means more light is removed, or absorbed, to create colors.
\nWhen the first 3 colors are added together, the result is not pure black, but rather a very dark brown.
\nThe K color, or black, is used to completely remove light from the printed picture, which is why the eye perceives the color as black.”<\/p>\n
\nsource & more info: AshworthCreative.com <\/a><\/p>\n
\napart from the obvious technical properties of ‘light’ vs ‘glass’ as art mediums . . both require decision-making \/ that become in effect: hands-on projects.<\/p>\n
\nthough the ‘light’ effects \/ being produced by the final outcome . . is dependent on exterior light sources playing on the glass surface. glass artworks are absolute tangible, but their light reflections and colors, . . are ambient \/ and very much dependent on where they are being displayed, and how they have been made . . . and most importantly: as to whether natural or artificial light is animating their surface, and of course, the degree of transparency with which the piece has been made.<\/p>\n
\nit usually requires darkened rooms, projection, and often computerized . . ‘animation’.<\/p>\n