{"id":40,"date":"2006-01-23T13:07:32","date_gmt":"2006-01-23T18:07:32","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2006\/01\/23\/jim-orourke\/"},"modified":"2006-07-18T15:31:02","modified_gmt":"2006-07-18T20:31:02","slug":"jim-orourke","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2006\/01\/23\/jim-orourke\/","title":{"rendered":"~Jim  O&#8217;Rourke"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/photos\/jim_orourke.jpg\" width=\"280\" height=\"430\" alt=\"Jim O&#39;Rourke\" class=\"centered\" \/><\/p>\n<p>JIM O&#8217;ROURKE back in the news, receiving acclaim for his role in the new BETH ORTON  CD &#8211; &#8216;COMFORT OF STRANGERS&#8217; &#8211; which he not only produced &#8211; but on which he also plays bass &#038; keyboards. <\/p>\n<p>Ben Ratliff of the New York Times calls it her best album ever &#8211; with a &#8220;live-in-the-studio sound&#8221;   &#8230;.&#8221;achieved with mostly only three people: Ms. Orton; Jim O&#8217;Rourke, the record&#8217;s producer, on bass and keyboards; and Tim Barnes on drums.  Unlike her previous records, there are no echoey, whooshing noises, no twinkling samples. Instead there is just natural fidelity, the sound of the room, a handclap, an organ chord in the corner of a song&#8230;..it has found perfection in its reduced gestures. It&#8217;s a beautiful record, and basically antichic.&#8221; &#8211; Ben Ratliff, The New York Times, The Sunday Arts &#038; Leisure Section, January 15, 2006<\/p>\n<p>above photo &#8211; JIM O&#8217;ROURKE at the opening of the TAYLOR McKIMENS curated &#8216;STRANGER TOWN&#8217; exhibit, last Jan 27th, 2005 at DINTER FINE ART.<br \/>\nphoto: Nancy Smith<\/p>\n<p><strong>TAYLOR McKIMENS &#8211; &#8216;STRANGER TOWN&#8217; &#8211;<\/strong><strong>  <a href=\"http:\/\/www.artloversnewyork.com\/artlovers\/report\/2005-06-13.html\">photos<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>JIM O&#8217;ROURKE back in the news, receiving acclaim for his role in the new BETH ORTON CD &#8211; &#8216;COMFORT OF STRANGERS&#8217; &#8211; which he not only produced &#8211; but on which he also plays bass &#038; keyboards. Ben Ratliff of the New York Times calls it her best album ever &#8211; with a &#8220;live-in-the-studio sound&#8221; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/40"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=40"}],"version-history":[{"count":0,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/40\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=40"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=40"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}