{"id":39148,"date":"2019-02-02T13:55:18","date_gmt":"2019-02-02T18:55:18","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/?p=39148"},"modified":"2019-02-02T14:20:17","modified_gmt":"2019-02-02T19:20:17","slug":"luke-todd-fourteen-gears-2-scoops-of-butter","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2019\/02\/02\/luke-todd-fourteen-gears-2-scoops-of-butter\/","title":{"rendered":"~LUKE TODD . . &#8216;FOURTEEN GEARS&#8217; \/ 2 scoops of butter"},"content":{"rendered":"<p>LUKE TODD . . . &#8216;FOURTEEN GEARS&#8217;\/ <a href=\"https:\/\/www.michaelbargo.com\/\">GALERIE MICHAEL BARGO<\/a><\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2019\/02\/Luke-Michael-todd-etch-bath.gif\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2019\/02\/Luke-Michael-todd-etch-bath.gif\" alt=\"\" width=\"1242\" height=\"842\" class=\"alignnone size-full wp-image-39149\" \/><\/a><br \/>\n@lukemichaeltodd: etch bath<\/p>\n<p><strong>watch the clip:<\/strong> <a href=\"https:\/\/www.instagram.com\/p\/Bqce28xH_JV\/\">video via Instagram @lukemichaeltodd<\/a><\/p>\n<p><strong>note:<\/strong> it&#8217;s super fascinating to see beyond an art work&#8217;s final production, esp re: those with technical platforms \/<br \/>\nbut, in this case it&#8217;s also  . . like lifting a veil, and finding pure magic.<br \/>\nthe warm, luminous color,  and the thick liquidity, of the &#8216;etch bath&#8217;, contrasts so brilliantly against the end-product.<br \/>\nthe cold steel, and it&#8217;s hard surface. and then, factor in . . how like honey, the etch bath moves, in deep undulating waves.<br \/>\nwith a rocking, rhythmical chorus &#8211; heavily sloshing back &#038; forth, within the perimeters of the container \/<br \/>\nversus the hard-won, rigid &#038; measured &#8216;turning&#8217; movement of the teeth of the gears.<br \/>\nwith nothing random in that final action, that purrs silently on the wall, plugged into its electric socket.<br \/>\na warm, deep ocean vs. the precise clockwork of a . . large large watch.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LUKE TODD . . . &#8216;FOURTEEN GEARS&#8217;\/ GALERIE MICHAEL BARGO @lukemichaeltodd: etch bath watch the clip: video via Instagram @lukemichaeltodd note: it&#8217;s super fascinating to see beyond an art work&#8217;s final production, esp re: those with technical platforms \/ but, in this case it&#8217;s also . . like lifting a veil, and finding pure magic. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/39148"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=39148"}],"version-history":[{"count":5,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/39148\/revisions"}],"predecessor-version":[{"id":39154,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/39148\/revisions\/39154"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=39148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=39148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=39148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}