{"id":26768,"date":"2015-10-29T10:08:21","date_gmt":"2015-10-29T15:08:21","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/?p=26768"},"modified":"2015-11-07T13:47:28","modified_gmt":"2015-11-07T18:47:28","slug":"surprise-prize-caroline-wells-chandler-nick-payne-james-ulmer","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2015\/10\/29\/surprise-prize-caroline-wells-chandler-nick-payne-james-ulmer\/","title":{"rendered":"~’SURPRISE PRIZE’: CAROLINE WELLS CHANDLER, NICK PAYNE & JAMES ULMER"},"content":{"rendered":"

‘SURPRISE PRIZE’ . . . CAROLINE WELLS CHANDLER, NICK PAYNE & JAMES ULMER
\nopened: FRI OCT 23, 2015
\nthe show runs thru NOV 28, 2015
\nGREENPOINT TERMINAL GALLERY<\/a> – 67 WEST St. #320 – GREENPOINT. BROOKLYN, NYC.<\/p>\n

CAUGHT MANY, GREAT PIX – FROM THE SUPER<\/em> FUN !! OPENING . . . !!<\/p>\n

\"\"<\/a>
\nJAMES ULMER, NICK PAYNE, and CAROLINE WELLS CHANDLER . .
\nthis super ‘anti-hero’ trio, hits a bona-fide . . . home run !! <\/p>\n

\"\"<\/a>
\nBRIAN WILLMONT opened a Pandora’s Box – with this show.
\n3 really diverse artists – hitting the most divergent sweet spots – and<\/em> blowing up !!
\nin a funny visual, musical chairs . . . curatorial game of: who am I, and what’s my world . . .<\/p>\n

touching on human communication in the digital age, self-awareness, self-expression, bio codes, bio behavior codes, bio gender codes. avatars, icons, glyphs. neo-glyphs, and one-touch emojies !!
\nan on-going inter-active list of questions, passions, and . . warning. <\/p>\n

\"\"<\/a>
\nTAYLOR McKIMENS made the opening, fresh off his success with . . ‘STOIC YOUTH’ iconic heads, no bodies !! \/ could be glyphs ?<\/p>\n

\"\"<\/a>
\nJOE GRILLO . . a walking one man enigma . . emoji !!
\nhis show ‘#%@&?!!!’ – is currently up at THE HOLE.
\nfracturing the unconscious and turning the ‘glyph’ into a multi-faceted mirror !!
\nthere is no ONE man, here.
\nwhich is to say, maybe there is – and he’s an outsider ????
\ntell me about it.<\/p>\n

\"\"<\/a>
\nDREW GILLESPIE on the right, with LINDSAY.
\nI first encountered Drew at the very first BOBO, the now defunct Philly art band, performance in NYC. just backed into it. will never forgot the night, thought fer sure the old wooden floors of the forgotten dive bar on the Lower East Side, were going to give way any moment, what with the mad, throbbing, thrashing jumping crowd. the 3 person band were all dressed as . . newspaper boys !!
\nyou can catch up with Drew, now NYC-based, at CONNOTATION CHUMP<\/a> !!<\/p>\n

\"\"<\/a>
\nJUSTIN SAMSON has also moved back from . . PHILLY, and has been Brooklyn-based for a while, now.
\nwonder what happened, to PETE . . his old roommate ?<\/p>\n

\"\"<\/a>
\nANTOINE KONST. with a big event happening in Paris this upcoming December 2015.
\nthe newest wave of Young Turks, were on hand as well.<\/p>\n

\"\"<\/a>
\nCHRIS WATTS, another Young Turk. this is what happens . . in the ‘no photo zone’ !!
\nso, don’t listen to Nicholas Steindorf, unless you want to come across as a street artist !!!!
\njust joking !!
\nmy old apple keyboard don’t have single stroke emojis – damn !!
\nand yes, that is in essence, what this<\/strong> show is talking about, expression – in short hand !!<\/p>\n

\"\"<\/a>
\nPIPPA DRUMMOND, photographer from New Zealand, and now Brooklyn-based.<\/p>\n

\"\"<\/a>
\nPIPPA DRUMMOND just returned from back home, down under . . where she had a big photo-based piece in the recent, big ART DEGO project there.
\nshe showed me some of her images – on her iPhone.<\/p>\n

and in fact,
\nthat is also<\/strong> what this show is talking about:
\nSURPRISE: this is who<\/strong> I am, this is what<\/strong> I do. <\/p>\n

\"\"<\/a>
\nJAMES ULMER, ‘Black, White, Red’, 2015.
\nacrylic on canvas, 65 x 65 in.
\n($9,000)<\/p>\n

\"\"<\/a>
\ndetail, JAMES ULMER, ‘Black, White, Red’.
\nboys are such puppies, these days, and James !! that is NOT<\/strong> a DISS !!
\nS.O.S. vs James Brown era.<\/p>\n

\"\"<\/a>
\ndetail, JAMES ULMER, ‘Black, White, Red’.
\nan emoji keyboard ?
\nan ‘inner life’ status – short-coded map ? a game of rapid chess ?
\nglyph code for: status unknown, if not downright: S.O.S. ??!!<\/p>\n

\"\"<\/a>
\ndetail, JAMES ULMER, ‘Black, White, Red’.
\none got the feeling this was a distinctly . . . male world ??
\nan existential. . man cave ?
\nthe Greek drama of life – reduced to a short list of 3 basic & bold colors . . . a comic book genre – gone expressionistic.
\ntaking my temperature, as the world turns, and tossing ya – a ‘sign’, a smoke signal.
\na 9 square glyph grid ?!!
\nyou know, almost Egyptian . . . !!<\/p>\n

\"\"<\/a>
\nJAMES ULMER, ‘I Feel Good About Myself’, 2015
\nacrylic on canvas, 32 x 40 in.
\n($5,500)
\nso, can you see how this<\/strong> black, white and red – road map is . . happier ?
\nin expression. still very introverted, no (obvious) women, or children ? bio-speaking-wise. vs James Brown . . ‘it’s a man’s world … but it would be nothing without a woman or a girl’ ???
\nor: why write a novel, when you can lay it out, in 6 easy steps. hieroglyphs.
\nthe beginning, and end .. of language ?<\/p>\n

\"\"<\/a>
\ndetail, JAMES ULMER, ‘I Feel Good about Myself’
\nbut, it’s sill a . . . man’s world.
\nlisten up, James Brown. <\/p>\n

\"\"<\/a>
\nCAROLINE WELLS CHANDLER, ‘She Wore Blue Velvet’, 2015.
\nhand crocheted assorted fibers, 67 x 68.5 in.
\n($6,000)<\/p>\n

by contrast, Caroline Wells Chandler’s work was all about: gender bender.
\ncut-out shapes vs the stretched canvas square. multi-colored soft fibers vs hard surface acrylic primary color paint. thematically, it was about ‘dancing’ on the edge vs ‘looking inward’.
\nbut: it was still – all about the glyph, the basic symbols that tell . . a story, in short bursts. our<\/strong> story. vs his<\/strong>tory.<\/p>\n

\"\"<\/a>
\nnow, that’s a . . head shot. all warm, and fuzzy, yes it’s a glyph, one that has gone from detached, to . . . all intense with (human) emotion.
\na bio-bearing encoded . . animated popular media cartoon character.
\ngo figure, it’s way too complex & vast a subject – for these brief notes. <\/p>\n

\"\"<\/a>
\nI was really glad I went to see this show in person, just for the opportunity it afforded to get to see the real ‘gist’ technically – of Caroline Wells Chandler’s work.
\npictorial, photographic images alone don’t do it. there is real hard-core skill-set to how the fibers are handled. very consistent, tight. almost more like clay or metal sculpture, or even hard-molded plastic. the surface dynamic is very honed, as opposed to the easy ‘gait’ of . . ‘crafts’. in these pieces, DIY that has most definitely crossed-over – into the ‘artist’ zone.<\/p>\n

\"\"<\/a>
\non the left: CAROLINE WELLS CHANDLER, ‘Super Painter Impersonator’, 2015.
\nhand crocheted assorted fibers, 31 x 33.5 in.
\n($4,000)<\/p>\n

\"\"<\/a>
\ndetail, CAROLINE WELLS CHANDLER, ‘Super Painter Impersonator’.
\nthis iconic Superman logo was exceptionally well done.
\nwas this – the very first: emoji ?
\nsuper hero glyph. a brand-ing.
\nit was also speaking to how comic book artists really inspired us, and influenced the course of our culture. <\/p>\n

\"\"<\/a>
\nCAROLINE WELLS CHANDLER, ‘Friends 4VR: Lil Dennis’, 2015 and, ‘Friends 4VR: Lil Kim’, 2015.
\nhand crocheted assorted wool, each: 30 x 21 in.
\n($1,800 ea)<\/p>\n

like I said . . dancing on the edge. the male \/ female conundrum. the snake that eats its head.
\ncatch me . . if you can.
\ndefine me . . if you can.<\/p>\n

\"\"<\/a>
\nparticularly liked the subtle technical skill in this rendering . . the part where the yellow section – is over-worked, over-stitched: to bring the temple of the head, to life. to model it, make it more 3-D, less flat. but still very much on that . . sharp flat plane.<\/p>\n

\"\"<\/a>
\nNICK PAYNE, ‘Having a Baby That’s Having a baby, That’s Pregnant’, 2015.
\npastel on paper, 24 x 18 in.<\/p>\n

so if, James Ulmer is all about . . simple locked-down primary code, for taking the internal temperature of a ‘man’s world’, and Caroline Wells Chandler is all about the gender bender dance, well I guess NICK PAYNE is .. BIBLICAL ?!!
\nthe great drama, life-force, confusion, outta control, shape-shifting, messy. organic cell splitting world. free-form, wild pastel drawing. gestural, but not bold. per se. not flat.
\n‘in motion’ . . might be the way to say it. splitting cells. with atomic force.<\/p>\n

James Ulmer is defining his world, in as much as he can contain the variables (!!) in a very straight-forward, albeit expression-istic & primal black and white, and (passionate) red way. he’s observing. he’s locking it – down.<\/p>\n

Caroline Wells Chandler is skipping rope between the sexes. and the stereotypes of both the social, and the external world.
\nand how that defines us, if we let ’em !!<\/p>\n

and Nick ?
\nwell, Nick . . is just off the wall !!
\ncaught up in the lust and confusion of the outer forces of the eternal war of the human bio cells, I mean . . sexes !!<\/p>\n

SO, in this strange trio which<\/strong> is the surprise . . prize ?
\nI think it all depends on which corner you’re sitting in. you might think it’s Nick. but actually from James and Caroline’s point of view – he might just represent . . the status quo !!
\nand so it goes, round and round, the room. <\/p>\n

ps: NICK PAYNE was a member of BOBO, too. well I remember him from that night too. he had ashes all over his face, you know: poor boy !! and a newsie cap on.<\/p>\n

\"\"<\/a>
\nNICK PAYNE, ‘Sorry, Still Not Good Enough’, 2015.
\npastel on paper, 24 x 18 in.<\/p>\n

\"\"<\/a>
\nNICK PAYNE, ‘Storyteller’, 2015.
\npastel on paper, 24 x 18 in.<\/p>\n

\"\"<\/a>
\ndetail, NICK PAYNE, ‘Storyteller’.<\/p>\n

and, with a nod to TAYLOR McKIMENS – it’s still<\/strong> about . . . HEADS !!!!!
\nI mean all 3 artists, here are about . . portraiture !!
\nimaginary bio – portraiture.
\nas opposed to landscape, or abstract gestures, or patterns, or color field, or even graphic retro signage.<\/p>\n

\"\"<\/a>
\nNICK PAYNE, ‘Cocktail Hour’, 2015.
\nwatercolor on paper. 24 x 18 in.<\/p>\n

\"\"<\/a>
\nNICK PAYNE, ‘Creaky Door’, 2015.
\npastel on paper, 18 x 24 in.<\/p>\n

PHOTOS: NANCY SMITH<\/p>\n","protected":false},"excerpt":{"rendered":"

‘SURPRISE PRIZE’ . . . CAROLINE WELLS CHANDLER, NICK PAYNE & JAMES ULMER opened: FRI OCT 23, 2015 the show runs thru NOV 28, 2015 GREENPOINT TERMINAL GALLERY – 67 WEST St. #320 – GREENPOINT. BROOKLYN, NYC. CAUGHT MANY, GREAT PIX – FROM THE SUPER FUN !! OPENING . . . !! JAMES ULMER, NICK […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/26768"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=26768"}],"version-history":[{"count":24,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/26768\/revisions"}],"predecessor-version":[{"id":26921,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/26768\/revisions\/26921"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=26768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=26768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=26768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}