{"id":21516,"date":"2014-05-10T09:08:30","date_gmt":"2014-05-10T14:08:30","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/?p=21516"},"modified":"2014-05-10T10:02:42","modified_gmt":"2014-05-10T15:02:42","slug":"erik-den-breejen-pix-from-the-opening","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2014\/05\/10\/erik-den-breejen-pix-from-the-opening\/","title":{"rendered":"~ERIK DEN BREEJEN . . PIX FROM THE OPENING"},"content":{"rendered":"

ERIK DEN BREJEN – ‘THERE’S A RIOT GOIN’ ON’
\nOPENED MAY 1, 2014
\nthe show runs thru JUNE 7, 2014
\nFREIGHT+VOLUME<\/a> – 530 WEST 24 St, CHELSEA, NYC<\/p>\n

\"\"<\/a>
\nERIK DEN BREEJEN . . at the opening.<\/p>\n

this is his 4th solo show at FREIGHT+VOLUME, and the relationship has been a very happy one, if you can call these things, just from seeing the work, which has gone though several stages of experimentation over the years – to the full stride & depth of this show.<\/p>\n

\"\"<\/a>
\nERIK DEN BREEJEN, ‘Nilsson Schmilsson’, 2013. acrylic on linen. 90 x 68 in.
\n(SOLD)<\/p>\n

this show is not<\/strong> what it seems, and back again !!
\nthe portraits, strange icons of 70s revolution all on their own, disappear into absolute abstract fields, in physical reality, i.e. real time viewing . . only the “down-sizing” scale effect of photography, and seeing the work through a camera lens – is keeping the subjects in focus, on this page . . in the gallery they are . . ‘puzzles’.
\nand then the pure abstraction and color field platform – is itself broken down in the other direction, as opposed to portraiture, you have colorful handwritten building blocks of text, songs and words that exert their own magic, and power.<\/p>\n

\"\"<\/a>
\ndetail: ‘Nilsson Schmilsson’.
\nso there’s a lot going on !!
\nand it is . . kind of riot, in and of itself.<\/p>\n

\"\"<\/a>
\ndetail: ‘Nilsson Schmilsson’.
\nit’s like these paintings have . . no beginning and no ending.
\na concept all the more interesting to consider, since they are all based on hyper real portraits of actual people, composed of small building blocks of ‘word\/text’ units.
\nthe best thing I could say, is go experience this for yourself.
\nphotography is not<\/strong> going to be the key to opening up this . . Pandora’s box of painterly tools.<\/p>\n

\"\"<\/a>
\nERIK DEN BREEJEN, ‘Harry Nilsson – All My Life’, 2013.
\nacrylic on linen, 47 x 45 in.
\n($10,000)<\/p>\n

the disappearing face, brings to the front, the very musical use of pure vibrant . . and, unpredictable COLOR. from a distance the text ‘slugs’ do not even factor in.<\/p>\n

\"\"<\/a>
\ndetail, ‘Harry Nilsoon’
\nthis would be the face . . as you approach the ‘text’ elements, you can easily see from how the color is patterned and distributed, compositionally – that the words are very, very loaded. actually song lyrics – it’s like looking into a shimmering pool of . . . ‘thought’ water.<\/p>\n

\"\"<\/a>
\ndetail, ‘Harry Nilsson’.<\/p>\n

if you haven’t read . . .
\nthe very colorful<\/em>press release<\/a> . . that accompanies this show, you should.<\/p>\n

not only will it shed a lot of understanding on these paintings, and expand on their evolution and background – but it is ‘hands-down’ one of the best press releases ever put out there. it becomes instantly clear how a complex formalist painter like ERIK DEN BREEJEN has came to produce such a focused, emotionally deep – exhibit that touches upon many many issues, both visual and conceptual. it is<\/strong> really striving to capture – the big picture \/ the culture in flux – the 70’s.<\/p>\n

what I mean is, I’m thinking . . one cannot underestimate the impact on an artist, when his home base, gallery – is so clued into his ‘journey’, and is able to articulate it so well – and bring it alive . . to disparate viewers.<\/p>\n

\"\"<\/a>
\ndetail, “Harry Nilsson’.
\nI guess that’s called . . sharing the love !!
\nand these paintings are definitely about . . sharing.<\/p>\n

from the press release:<\/p>\n

“There’s a riot Goin’ On takes a commanding look back at the early 70’s and specifically
\n explores the lives and works of creative revolutionaries such as RICHARD PRYOR, HARRY NILSSON, MARVIN GAYE, JOAN BAEZ, and ALLEN GINSBERG, among others. Den Breejen investigates the role of the artist as messenger <\/strong> from another state of consciousness. These artists, comedians, musicians, poets, and rock stars channeled their inspiration to confront the rules and norms of their time . . .
\nHis portraits revisit and transform their observations. His recent paintings tell a history that has been recorded, portrayed, lived and felt by these people. In this sense, his technique can be seen as a kind of time travel.”<\/p>\n

\"\"<\/a>
\nERIK DEN BREEJEN, ‘Billie Holiday (God Bless the Child)’, 2013.
\nacrylic on panel, 24 x 20 in.
\n($4,500)<\/p>\n

this might be the first show in the history of art, where you actually have to have your friends view to the work through your iPhone camera, to see what’s really . . goin’ on !! <\/p>\n

\"\"<\/a>
\ndetail, “Billie Holiday’.
\nthis photo approach – is more approximate to how the paintings come across – in actual ‘physicality’.<\/p>\n

\"\"<\/a>
\nERIK DEN BREEJEN, ‘Marvin Gaye (What’s Goin On)’, 2014
\nacrylic on linen, 90 x 50 in.
\n($17,000)<\/p>\n

what can I say, gonna give the last word to . . MARVIN GAYE !!<\/p>\n

\"\"<\/a>
\nERIK DEN BREEJEN and NICK LAWRENCE at the opening.
\nNick is the hands-on owner\/director of FREIGHT+VOLUME, he’s been bringing the scene some pretty awesome art shows, and it’s he – who penned that awesome press release. <\/p>\n

go see the show.
\nit’s a one-of-a-kind, hands-on eyes – kinda of last word, information graphics doesn’t scratch the surface – kind of art, word, people culture revolution . . game on, dish that paint, kind of thing . .
\nwhere the poetry of ‘song’ meets the poetry of pure ‘plastic’ formalism . . head on.
\nno explanations, or art history required.<\/p>\n

PHOTOS: NANCY SMITH<\/p>\n","protected":false},"excerpt":{"rendered":"

ERIK DEN BREJEN – ‘THERE’S A RIOT GOIN’ ON’ OPENED MAY 1, 2014 the show runs thru JUNE 7, 2014 FREIGHT+VOLUME – 530 WEST 24 St, CHELSEA, NYC ERIK DEN BREEJEN . . at the opening. this is his 4th solo show at FREIGHT+VOLUME, and the relationship has been a very happy one, if you […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/21516"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=21516"}],"version-history":[{"count":9,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/21516\/revisions"}],"predecessor-version":[{"id":21524,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/21516\/revisions\/21524"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=21516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=21516"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=21516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}