{"id":14338,"date":"2012-10-07T08:31:24","date_gmt":"2012-10-07T13:31:24","guid":{"rendered":"http:\/\/www.artloversnewyork.com\/zine\/?p=14338"},"modified":"2012-10-07T09:26:47","modified_gmt":"2012-10-07T14:26:47","slug":"josh","status":"publish","type":"post","link":"https:\/\/www.artloversnewyork.com\/zine\/the-bomb\/2012\/10\/07\/josh\/","title":{"rendered":"~JOSH . . ."},"content":{"rendered":"<p>could have been  . . . an art director.<\/p>\n<p>JOSH . . . <\/p>\n<p>had a lot of sides to him.<br \/>\nhe refracted ideas &#038; creativity  . . . like a prism.<br \/>\nthe shuffle was intense at Pseudo &#8211; keep up, or you were &#8211;  out.<\/p>\n<p>he wanted to be an artist, he <em>was<\/em> an artist &#8211; but he wanted to be &#8216;known&#8217; as an artist. get the diff ?<br \/>\nhis mind worked as an artist, and if you can&#8217;t get that &#8211; I can&#8217;t help you.  <\/p>\n<p>it&#8217;s like the diff between Bill Gates and Steve Jobs &#8211; who were making the key hardware, and software at the time. and we now know . . .  who won that race. vision creates function.<br \/>\nart, design  . . . is all.<\/p>\n<p>what Josh was reaching for, or turns out to be: was the future &#8216;use&#8217; of this nascent technology, aka personal computing  . .  .<br \/>\nwhich is emphatically <em>not<\/em> &#8216;spreadsheets&#8217;, nor &#8216;powerpoint&#8217; presentations. not even desktop publishing, how quaint.<br \/>\nbut, 24\/7 social networking, and instant &#8216;content&#8217; harvesting. think Facebook and google.<br \/>\nin other words &#8211; the web. that infinite wireless weaving in the sky &#8211;  that we all plug into. <\/p>\n<p>he also got, conversely &#8211; the other side of the &#8216;coin&#8217; &#8211;  of the 24\/7  reality game.<br \/>\nit wasn&#8217;t just  . . . &#8216;big brother&#8217; reality live streaming &#8211; from our &#8216;input&#8217;  side.<br \/>\nit was also big brother surveillance from the flip side of the screen . . .  i.e. data &#038; activity tracking. every time you use your smartphone camera, and an instant ping of an incoming email is heard,  chances are it&#8217;s an ad for a camera product, or what.<\/p>\n<p>state of the art, pinpointed to the individual user &#8211;  targeted advertising.<br \/>\nthe infinite reach of the web &#8211; always comes down . . .  to the fine line &#8211; the individual user.<br \/>\nexquisite, or what ?<br \/>\nand the future ramifications are still . . . wide open. <\/p>\n<p>as Josh would say: the Wired City. the Human (industrial) chicken factory. the Matrix. <\/p>\n<p>yep, Josh thought like an artist.<br \/>\nbut he also made his own art, headed up Pseudo&#8217;s . . .  and, he also power-fueled, and threw his piles of dotcom dough at &#8211; some really great art installations, and individual artist projects. I mean could have just been been buying houses, pretty models, and fast cars ?<br \/>\n&#8216;Quiet&#8217; &#8211; the 2 week year 2000 millennium million dollar artist party &#8211; being the apex. WE LIVE In PUBLIC &#8211; being the swan sing.<br \/>\nPseudo was &#8211;  the catch-all umbrella. <\/p>\n<p>the downtown art scene sung &#8211; when Josh ruled.<br \/>\nforget issues like: future sell, white box exhibits, collector shock, and all-in-all dumbing down. if you could keep Josh&#8217;s attention &#8211; you were in !! it was all about the juice.<br \/>\nraw and pure. unadulterated and non-filtered. the mind&#8217;s momentum, the hand skills. future knowledge.<br \/>\nat it&#8217;s most definite &#8211; it was NOT: if I show this &#8211; who will come in the door, and buy it. hello, New York City art world, mainstream.<\/p>\n<p>so, he all he wanted in return was &#8211; a couple of pages in Artforum, damn it. if I had been there earlier I would have told him: hey, just buy a couple of full page ads for your art\/party installations &#8230; in Artforum, and damn straight &#8211; the coverage will follow. ha. <\/p>\n<p>like all natural-born artist, yeah I would know &#8211; damn straight !!  he knew his mind worked outside the box &#8211; and he did his calculations: visually. just as an artist does.<br \/>\nenter LUVVY, his alter ego and the only way for him to express that.<br \/>\nno, he was not just the hipster CEO of a DOTCOM . . . he was multi-media &#8211; personified. future tense.<br \/>\nhe reached for the unknown, and was a catalyst, intuitively &#8211; artist: check, yes.<br \/>\nhe connected the dots, and projected a course forward &#8211; artist: check, yes.<\/p>\n<p>looking back, it&#8217;s only been about 20 years since Josh first hit the pavement running  &#8211; first with Jupiter, and then Pseudo . . . sincerely I&#8217;m thinking,  in all truth &#8211; he was just <em>too<\/em> big an artist for the art world in the 90s, or even now &#8211; to take in  . . . to comprehend.<br \/>\nso leave it to the &#8216;wired&#8217; guys, guys like Andrew Smith &#8211;  to pick up the slack !! <\/p>\n<p>yep, what Josh wanted, and still wants, present !! &#8211;  most of all, is the label that always eludes him: artist.<br \/>\nweb entrepreneur, internet pioneer, social networking visionary, hipster dotcom CEO, $86  mill in the bank  . . . o.k. that&#8217;s alright, but only  . . .  as byproduct.<br \/>\nabove all else . . .  he wanted to be known as an &#8216;artist&#8217;. because in truth, this is what he is at base: a shaman, a creative thinker &#038; a visually-focused producer. <\/p>\n<p>we tried to tell him . . .  Dude, no !!<br \/>\nwe tried to warn him.<br \/>\nno. NO, you do <strong>not<\/strong> want to be an artist . . .  you are the money guy &#8211;  !! but he was hungry to feel on every level &#8211; and all that dough just put him in a cloud.<br \/>\nwell, now that you are a dead-broke artist, how do you like it ?<br \/>\nis all I can say.<\/p>\n<p>what can I say. the art world just ain&#8217;t what it&#8217;s cranked up to be.<\/p>\n<p>and YOU know that too &#8211; or you wouldn&#8217;t be reading these here, artlovers webpages &#8211; would you.<\/p>\n<p><a href=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/10\/Josh-as-art-director.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/10\/Josh-as-art-director.jpg\" alt=\"\" title=\"Josh-as-art-director\" width=\"502\" height=\"379\" class=\"alignnone size-full wp-image-14339\" srcset=\"https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/10\/Josh-as-art-director.jpg 502w, https:\/\/www.artloversnewyork.com\/zine\/wp-content\/uploads\/2012\/10\/Josh-as-art-director-300x226.jpg 300w\" sizes=\"(max-width: 502px) 100vw, 502px\" \/><\/a><\/p>\n<p>JOSH set up all the early photo shoots &#8211; that got him coverage in all the local culture vultures, like NEW YORK MAG, and THE OBSERVER, etc.<\/p>\n<p>being a photographer &#8211; I always thought Josh would have made a brilliant art director, if only &#8211; he hadn&#8217;t been . . . such a thinker. <\/p>\n<p>funny note: check the Pseudo-branded sweatshirt !!<br \/>\nJosh was the original DOTCOM CEO &#8211; in a hoodie. <\/p>\n<p>so, at the time. guys like KOONS or HIRST &#8211; could be recognized as artists, no hesitation. even though they were seriously, only heads, CEOs if you will, of fabrication studios. they make product &#8211; and most if it has interesting concept. but they don&#8217;t track the future.<br \/>\nbefore that, there was Warhol and his factory &#8211; and before that, all those Medieval\/Renaissance painters and their &#8216;schools&#8217;  . . .  but the &#8216;invisible&#8217; web was a brand new medium, as directly opposed to the concept of art, whether it be painting on a cave, or a canvas &#8211; as you could get.<br \/>\nbut, Pseudo and JOSH HARRIS left just as indelible a &#8216;hand print&#8217;.<br \/>\njust the cave wall &#8211; is wireless. digital. infinite. and . . . wide open. vast. way beyond, the beyond.<br \/>\nand, certainly not &#8211; not hard copy.<\/p>\n<p>pathways in the communal mind\/technology &#8211;  is getting close. <\/p>\n<p>smoke signals in the sky . . .   is better.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>could have been . . . an art director. JOSH . . . had a lot of sides to him. he refracted ideas &#038; creativity . . . like a prism. the shuffle was intense at Pseudo &#8211; keep up, or you were &#8211; out. he wanted to be an artist, he was an artist [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/14338"}],"collection":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/comments?post=14338"}],"version-history":[{"count":10,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/14338\/revisions"}],"predecessor-version":[{"id":14341,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/posts\/14338\/revisions\/14341"}],"wp:attachment":[{"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/media?parent=14338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/categories?post=14338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artloversnewyork.com\/zine\/wp-json\/wp\/v2\/tags?post=14338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}