~am I wrong ? nope, porcelain & clay . . rule.
I got so spooked by my over-the-top enthusiasm for the SATAN CERAMICS crew, that that night I had a huge bad dream: my next door neighbor was hurling fleshy just dead pigeons . . into my yard & thus into my head !!
thud, thud, they just kept on coming, the inner body, just behind the thick muscles of those strong pigeon thighs – was evil-looking, juicy and . . red. otherwise, the evil-omen birds were all black and white.
‘death metal’ black, and scary ghostly white.
but then when I awoke, I caught sight of the new LENA DUNHAM as a classical white statue, on the cover of the NEW YORK TIMES CULTURE MAGAZINE !! and, I knew – I was right.
Lena alookin’ like . . porcelain. damn.
plus note: the background is all . . ‘death metal’ BLACK !!
ok, so – it’s marble they were going after, but still it looked pretty antique MEISSEN porcelain to me. same aesthetic, shiny white surface, voluptuous lines, classical.
and what did I tell you – you, Satan is a she-demon !!
yeah, Lena Dunham – that bad / that good.
where they also have a super fun video of the behind-the-scenes . . transformation.
see: A Classics Curator’s Homer Renovation – Wall Street Journal
then, there was this !!
the very same weekend, a huge illustration of an antique ‘mixing bowl’, showing the killing of the Greek King Agamemnon, created around 460 BC. an Athenian vase painting. in the print edition of the Wall Street Journal.
if that wasn’t a dead ringer for MARY FREY’S pieces in the SATAN CERAMICS show – what was it ?
also note: the ‘death metal’ . . black background.
the image was used to highlight a new configuration of classical treasures at the Boston Museum of Fine Arts, incorporating 250 (!!) pieces . . and, this very SATAN CERAMICS piece was chosen out of a most vast & incredible field to stand for hat would attract out attention – the most.
SATAN CERAMICS – rules. it was not just group thrill, it was street smarts as applied to classical ceramics – the ‘scale’ of objects going against the ‘functional’ grain, the individual artists’ vision superseding . . form follows function. it was about fresh raw energy meets dynamic staging, and four authentic artist voices – are set free.
hand-built clay = inspiration / juice & sets the bar, for the art season, fall 2014.
and I still really like the resonance of the youngest member of the group – PAT McCARTHY’s mini concrete cinder block – which holds down his mini pigeon coop – coming across as an homage to the group’s ceramic guru, JJ PEET, and his miniaturized tiny tea cup & one stem flower vases.
as per above, MARY FREY – is right on the cultural dot.
and even TOM SACHS rides in, a hand-built future vision hero, dare I say his NASA branded bowl – equates with cultural icon Lena Dunham ?
it’s a bit of a stretch, bite-the-dust metaphor – BUT, it is there . . . if you look for it !!