~ESTE LEWIS MEETS JAMES MONT: VOILA DESIGN MAGIC !! LAST 3 DAYS !! MORE PIX – GOING LIVE !! RIGHT NOW – WED MAY 4 !!


‘A STEP BACK INTO THE FUTURE’ – JAMES MONT LIVING ROOM c. 1950 with CONTEMPORARY CUSTOM WALLPAPER BY ESTE LEWIS – INSTALLATION SHOT/COURTESY: THE PROPOSITION

LAST DAYS TO CATCH – THIS WONDERFULLY ENGAGING SHOW !! AN TRULY INSPIRED MATCH-UP OF VINTAGE ‘MODERN’ – MEETS CONTEMPORARY CUTTING EDGE DESIGN . . . HEAD-ON.
AND DOES THIS GLASS SLIPPER, FIT. OR WHAT.

SOME TIMES IT’S NOT ABOUT THE FIGHTIN’ – BUT THE CHAMPAGNE BUBBLES !!

THE GOLDEN ERA OF AMERICAN DESIGN – THINK MAD MEN & FRANK SINATRA !! – AMERICA AT ITS – BEST-EST.
YEAH. BRING BACK – THE GLORY DAYS OF MODERN DESIGN !!

‘A STEP BACK INTO THE FUTURE’ – JAMES MONT LIVING ROOM c. 1950 – WITH CUSTOM WALLPAPER BY ESTE LEWIS
MARCH 26 THRU THIS SUNDAY MAY 1, 2011
THE PROPOSITION – 2 EXTRA PLACE – EAST 1st ST OFF THE BOWERY

NOTE: CLOSING PARTY – THIS SUNDAY – MAY 1 / 5-7PM !!
ELIZABETH BUTTERS WILL SING SONGS – FROM HER NEW ALBUM – ‘FOLK BLUES FOR APPALACHIAN DULCIMER and GUITAR’ – so sweet & chic – or what ??!!


at the opening: ESTE LEWIS, her custom wallpaper behind her, and the terrifically slick – JAMES MONT ‘baby grand piano bar’ – in front.
the definition of chic, or what . . .

“back when people smoked cigarettes and drank martinis . . . JAMES MONT was designing outrageous living rooms with sofas covered in exquisite densely textured fabrics and furniture with complex surfaces of tinted lacquers and gold and silver leaf . . .

this exhibit will bring you into a living room of the future set in the past . . . the gallery divided into three segments, all containing arrangements of c. 1950 vintage furniture designed by James Mont – amidst appropriately themed patterned backdrops of custom wallpaper designed by ESTE LEWIS. ”


yo, contemporary edge meets modern sleek – head on: voila, over-the-top design magic. or what !!


detail, ESTE LEWIS CUSTOM WALLPAPER – featuring segments of various condiments commonly found alongside a martini !! – in . . . ZIPLOC BAGS – a 1950s invention – wouldn’t you know.


RONALD SOSINSKI of THE PROPOSITION and graphic design artist ESTE LEWIS, lounging at the bar !! – how more ‘tres chic’ – can you get ?
this wonderful confluence of vintage ‘modern’ and contemporary ‘cutting edge’ – was Mr. Sosinki’s curatorial brainchild. always known to have a unique take on the art scene – when Ronald saw Este’s designs a few spare months ago – a light went off in his head – and, hand me another martini, or two. is all I can say.

MORE PIX – FROM THE OPENING – COMING UP – LATER TO-NITE !!

OK – TIME TO POST JUST A FEW – TEASERS !!
ESTE LEWIS & JAMES MONT – BRING OUT THE MODERN DAY – RAT PACK !! NYC-STYLE.
SINATRA AIN’T GOT NOTHING – ON YOU, HESH.
HESH – YOU THE MAN.


Este’s little sis SARAH LEWIS, Este’s bro, HESH aka HASH HALPER, art mover and groover of the underground moment. sealin’ deals with real copper pennies, for sure – with artlovers’ KATE CERIGO . . .
talk about a NEW YORK MINUTE. (and happening now. not a decade ago.)


kick back – on the 1950 JAMES MONT couch with the fab ESTE LEWIS golden ‘sponge’ wallpaper – shimmering and tapped down opaque, all at the same time . . . happening to great effect – behind them.

between the furniture and the wallpaper – faux, faux and more faux. give me that fab hi-end design faux surface – any day. but esp with freely running hot sake bubbling away in a big pot – on a hot plate !! – in the gallery office.
hey, sometimes its all about – the groove.
Americana ? – you, bet !! a big slice, the golden age of American modern design !! and yo. pass that sake cup. here’s to Este, James and Ronald: the golden age of Vegas and the Sinatra rat pack, right up to, and past the glory days of the MAD MEN ad era – may you live on for ev-ah !!
but wait, there is such an evil side to this silver lining, it’s like the reverse. a cloud in every golden moment ?
read on.


ok, so the exhibit began like this: romantic, or what !!
THE PROPOSITION has re-located to their best space ev-ah. a window-encased storefront ground floor jewel of a space – just at the intersection where the hip Lower East Side meets the gritty Chinatown byway – head on.


JAMES MONT made the lamp, Este Lewis made the custom wallpaper . . . butterflies on gold ‘leaf’ . . . “using gold foil from chocolate bars and butterfly stickers” . . a sweet meet of forward and backwards-looking ‘faux’ . . . if I ever did see one.


detail, ESTE LEWIS custom wallpaper.


JAMES MONT (center) in a vintage photo – from 1937, his wedding day. he is flanked by, his best man, no less than, yes !! a young BOB HOPE, and, his lovely (as in tres chic) new bride.

it’s fun to google him !! JAMES MONT designer, 1904-1978. born in Istanbul as DEMETRIOS PECINTOGLU.
omg – he had a temper, and apparently was as violent as his designs were wicked – as in wicked sleek . . . cutting edge.
apparently according to the most rudimentary web search – yeah I do – my homework – he had a very fiery temper !! no say !!

in 1940 he was sentenced to, and served 5 years !! yes, 5 long years in SING SING for “savagely thrashing” lampshade designer DOROTHY BURNS. (!!).
see: Remembering James Mont/Unbeige !!

OMG X 100,000 !!

it gets worse !! what a scoundrel – is NOT the word. oh my, RONALD SOSINSKI – !! – you sure do love em, bad as bad can be.
apparently that’s 25 yr. old Korean-American actress HELEN JIM – he is marrying in the photo above.
a short 29 days later, she was found dead !! in their Park Ave apt – ruled a suicide, but – whoa. who believed that.
in this next amazing post, you also get the low down on the DOROTHY BURNS episode.
apparently he invited her over, “lured” is the word they use. and when she resisted, he attacked her. poor lady, she felt so humiliated – she actually hung herself during the trial !! apparently he emerged from prison reformed.
oh my, see: JAMES MONT: SHOWMANSHIP & FANTASY/ANTIQUES

now – that’s what I call – a good rainy day read !!

makes the match with Este’s wallpaper – even the more fascinating.
as in: eye candy meets brute sleek and what the hell – just happened. ya gotta love it. you just can’t make that up.


a JAMES MONT living room.
there are several coffee table books on hand to browse . . .


RONALD SOSINSKI and ESTE LEWIS – relax on the fab fab JAMES MONT couch – Este’s wallpaper behind.
you can check out more on ESTE LEWIS: here, at SOY ESTE !!
bye the way, apparently the vintage James Mont furniture comes from Ronald’s own collection.
fab . . .


the art crew of the moment – on the couch !!
from right: JOSH HARRIS, TIMOXA, MS. BLAZE, HESH/HASH HALPER, and GERRIT FLORATOS.
a New York minute, if I ever did see one – the underground art world spins on a dime.


artist and web guru JOSH HARRIS, reliving the glory days – with, artist TIMOXA and friend: MS. BLAZE.


yo, TIMOXA !!


here’s a detail of that golden ‘natural sponge’ wallpaper.


Este had her wallpaper designs arrayed in beautiful full color large scale sample books.
this offering – looks to be composed of plastic toy gun – caps . . .


ESTE LEWIS wallpaper – all the designs derive from common objects – albeit with the colors maximized, usually arrayed in simple grid-like repeating patterns – scaled to an effect that rises above – their everyday roots.


ESTE LEWIS wallpaper: eye – candy !!


this is the sample for the golden ‘sponge’ design – above the couch. it almost looks like cork.


as ESTE LEWIS holds court inside . . .


new faces arrive.
our first encounter with GERRIT FLORATOS. wait til you see – his portraits. hyper real meets cutting edge and never stops.


GERRIT FLORATOS fooling around with artist TRISTAN REGINATO – who looks like he just came from the welding shop !!
in fact his dad is PETER REGINATO, known for his painted abstract steel welding works, see: PETER REGINATO.


photographer BARRON CLAIBORNE with HESH.
check him out: BARRON CLAIBORNE.
and for some real fun on a rainy day: google him.


RAUZAR ALEXANDER – independent filmmaker. check out: HOMINID GROUP . . .


RAUZAR ALEXANDER & HOMINID GROUP FILMS – wow, is all that comes to mind.


a couple of last shots, of the installation . . .


JAMES MONT meets ESTE LEWIS, a most thrilling encounter. – ‘A STEP BACK INTO THE FUTURE’.
full-length mirror, sofa, end table, and coffee table by JAMES MONT. on the wall, custom natural sponge wallpaper by ESTE LEWIS.
faux, fab and glam . . . what else could you say ?


and then. it’s back into the nite !!

PHOTOS: NANCY SMITH




~KARA WALKER sings the blues

or: angry young woman Black & White. and blues. finds her inner heart & stills down that vicious hatred.
a long time acomin’ . . .

KARA WALKER – ‘Fall Frum Grace, Miss Pipi’s Blue Tale’
APRIL 21 – June 4, 2011
LEHMANN MAUPIN GALLERY – 210 CHRYSTIE ST – at HOUSTON.


KARA WALKER, Fall Frum Grace, Miss Pipi’s Blue Tale, (video still detail), 2011.
single channel video. dimensions variable. edition of 3.
IMAGE COURTESY/ILEHMANN MAUPIN GALLERY


KARA WALKER, Fall Frum Grace, Miss Pipi’s Blue Tale, (video still detail), 2011.
IMAGE COURTESY/LEHMANN MAUPIN GALLERY


KARA WALKER, Fall Frum Grace, Miss Pipi’s Blue Tale, (video still detail), 2011
IMAGE COURTESY/LEHMANN MAUPIN GALLERY


KARA WALKER, at the show’s opening, Thurs April 21, 2011
PHOTO: NANCY SMITH


usually when you walk into a KARA WALKER show – it is all cut paper on paper collage. or deep powerful drawing. very strident, very serious. very soulful and sorrowful and mean and angry. cutting. brutally witty. with a dry, deep down in-your-face America roaring back at ya, with over-the-top black face satire. explicit, raunchy. sharp elbow jabs – in the ribs of the county’s consciousness. a visceral one-two punch at America’s meanest streak.
no words necessary . . .


this show – was a whole other sensory experience – a revelation. as different as a sheet of black construction paper is from the digital dance of video projection . . . from dry to radiant. from static to fluid and flittering.

an all-film, all moving-image, paper puppet show. the thin black paper cut-out profiles of the past – animated by human hands using sticks & strings – riffs off of Indonesian shadow puppet theater. with animated backgrounds as liquid as moving – water . . . and as dramatic as full-blown sunsets . . . absolutely enchanting. unspeakable gorgeous. profoundly expressive. swift. violent. but not as hateful as that simple piece of cutting-edge cut paper can be in Ms. Walker’s skillful hands. is illuminating the word. more illuminating than accusing ?
the light of digital projection, softly, sensually exploding – like a small shower of fireworks.
a patchwork quilt in motion. a spin of images.
how to express it . . . a hard message – that got lifted by the song of film ?


the narrative still told how fucked-over the blacks were . . . but somehow the tragedy of the tale became more hauntingly like an old melody of sorrow – rather than a kick to the stomach. when you aren’t looking.


you still thought about things. don’t get me wrong.but you marveled too, you moved to the sweep of the drama, unfolding before you. no words. . you know: the magic – of storytelling. one of our oldest, living traditions – for a reason: can be spellbinding. and definite a show I want to wander into again, and again. and just let it wash right over me.


upstairs, in a small screening room, towards the front of the gallery as it faces the street – don’t miss it !!!
is a different kind of film experience . . . a brief video loop of Ms. Walker – unmasked !!
how strange and wonderous to be allowed to see this usually very up-tight, formal and academic presence revealing her inner wild child – half undressed and stripped down in more ways than one. , singing the blues . . she radiates joy and enchantment, almost like a small child on running with delight with a kite on a cliff. no hatred here. no mean streak name calling. no scores to settle. in-your-face self-portrait – finding the solace of soul – in the blues.


KARA WALKER . . . . with her on the right: ELLIE BRONSON.


KARA WALKER . . . as cute, and as smart as a (black) pearl button – think she finally really found herself . . .
her inner radiant child. grabbed that inner song, let down her hair. caught that that deep-set vibe that could carry her past the aggregate hurt and passed-down resentment. the scars of decades of ill-mistreatment.
in a nutshell: the story of the American blacks – thru the blues.

and so all the more lucky we are – that she shared that little gem of a self portrait video clip with us, and pretty amazing too that she did – because she tends to be a very guarded person in public.

we might go thru the looking glass, narratively speaking, to find ourselves – but the blacks went thru blues. and think about it: does America not rock, now or what ? this country is just one big walking sound track. it’s one of the best things about this country . . . it’s music culture.
music: from the fast fiddles of the Appalachians to the wide open guitar wails of the delta. the great American melting pot jump-start – to a better place.

PHOTOS: NANCY SMITH




~JANE KAUFMAN/unmasked . . .

DEDICATED TO NYC MAYOR BLOOMBERG: who declared yesterday, according to the NEW YORK POST. PAGE 3, APRIL 19, 2011 – that he presides over the edgiest city in the world, a claim once made by London.
“New York has become the edgy city of the world. We’ve taken that title away from London” . . . the mayor said at a groundbreaking for an apartment building in Williamsburg. (!!)


JANE KAUFMAN – invited us by her studio a few weeks ago. to see her new work.


yes, she made the veil. she calls it, the ‘Evening Wear Burka’ . . .
don’t think they’d like, even these more fashionable ones – in France, or anywhere else.


Jane does all the fabrication – all the beading, all the embroidery, all the embellishing – all the sequins – herself.
by hand. she learnt her ‘domestic’ skills, ha. double ha. as a young child from her grandmother – who hand-beaded costumes for the Russian circus, before the family immigrated to the US of A.


Jane is an equal opportunity disser – esp of organized religion.
‘Mother Mary’s Immaculate Confections. The Cherry is Intact.’


inside the (faux) chocolate box . . .
the echo of the stained glass window – is a super sweet detail . . .


the clits are Mother Mary – faces.
hey, just saying . . . if you can’t take the heat, stay out of the art kitchen.
or, friggin keep things honest. that’s what they really say.


‘So Many Christians, So Few Lions’. get it ?
all hand-embroidered.


‘Intelligent Design’.
yeah, even before ‘advanced’ organized religion – men were – boneheads.


all hand-embroidered. gorgeous, just gorgeous. no studio fabricators, here.


that gold chord – is actually piles upon miles of tiny golden beads.
Jane says she can bead like nobody’s business – we believe her.


folk art, yeah. right.
‘Abstinence Makes the Church Grow Fondlers.’


absolutely gorgeous detailed handiwork.
talent runs – where them Fighting words call out. who said that ? again . . . (moi).
Michelle Williams, and all the other pioneer ladies in ‘Meeker’s Cutoff’ – eat your heart out.


there’s that silky shimmering pain-stakingly strung together golden beaded chord again – spewing out: CHANGE !!
TWISTED CHORD = TWISTED WARNING. well, really RIGHTEOUS WARNING – twisted actions.
. . . bad history.


not your mother’s handiwork – that’s for sure.


can you guess what’s coming.


unfrocked, not your backyard swing, either.


JANE KAUFMAN: incredible, awesome hand-skills meet a whip-sharp mind, with a social conscience.
no wonder these girls were masked, back in the day.


hello, JANE KAUFMAN – unmasked. thanks for letting me in. you’re as good as it gets – Americana.
artist artisan activist. the big American – triple AAA. Land of the free – Home of the brave.
now you know where New York City – gets its edge.

PHOTOS: NANCY SMITH. JANE KAUFMAN STUDIO, CHELSEA. NYC. WITH HER NEWEST WORK. FEB 11, 2011.




~JANE KAUFMAN: GUERRILLA GIRL

FILE UNDER: THEM BE FIGHTING WORDS !!


ran into JANE KAUFMAN on the street – the other day . . . she was wearing her (real) fighter jacket.

JANE KAUFMAN, an artist in her own right, is also an original founding member of the GUERRILLA GIRLS – an all-female – give me that F word !! – activist group that sprung up in gritty NEW YORK CITY in 1985.

a collection of spirited, damn serious politically-radical not-to-mention passionate in-your-face women, it operates as an anonymous collective that wears gorilla masks in public, and uses the names of dead woman artists – when speaking in public. KATHE KOLOWITZ and FRIDA KHALO, anybody listening. you bet.

they retained their anonymity I’m told until just recently. April 2009, when they all came out at a big party the GETTY MUSEUM gave them – to honor the museum’s purchase of their archive.


Jane’s fighter jacket.
actually no joke. it was a gorgeous vintage US AIR FORCE FIGHTER PILOT – JACKET.


made back in the day – when Indian head logos – were NOT – politically incorrect.
oh, yeah. that’s some real Americana.


AF SEP 1941 – JUNE 1953 . . . . the SECOND WORLD WAR.
righteous.

PHOTOS: NANCY SMITH, NYC MARCH 25, 2011

see: GUERRILLA GIRLS/wiki

see: GETTY ACQUIRES ARCHIVE/GUERRILLA GIRLS

see: GUERRILLA GIRLS – THE OFFICIAL WEBSITE/WHICH HAS A GREAT SLIDE SHOW ON THE HOME PAGE & AN ARCHIVE OF THEIR PERFORMANCES & POSTERS !!


image: screen grab from their website: GUERILLA GIRLS
one of their more famous posters:
“Do women have to get be naked to get into the Met. Museum ? less than 5% of the artists in the Modern Art sections are women but 85% of the nudes are female.”
GUERRILLA GIRLS – CONSCIENCE OF THE ART WORLD.
(I guess so.)


image: screen grab from their website
GUERRILLA GIRLS – GUEST LECTURE.
(love this photo – cause it reminds me of PLANET APE !! and I mean that in a good way.)


image: screengrab from their website
FRIDA KAHLO. damn, you go – girl !!
take back that letter ‘F’ – for FRIDA !!
take back that letter ‘F’ for “female” and “feminism” – and you know, rock n’roll ’em with that other great letter ‘F’ word – the one that rhymes with – duck !! heavy lift-ing happening. they did, and still do rock the art world boat . . . and, apparently they still need to. even the young dudes don’t get it.

item: only 2 women artists in that recent ‘PANTHEON – HISTORY OF STREET ART IN NEW YORK CITY’ SURVEY.
where was PINK ? where was AIKO – aka THE BRICK LADIES OF NEW YORK – just to mention 2.
just saying.
AD HOC got it right in 2008.

see: LADY PINK & AIKO OPEN TO-NITE !!

see: LADY PINK & AIKO – THE BRICK LADIES OF NEW YORK – OPENING NITE PIX – A WHOLE SLEW OF THEM !! GREAT, GREAT SHOW – ONE OF MY ALL-TIME FAVES

and, if you checked out that fab fab red & white quilt show – a week back – you know, it was all – by: anonymous.
yo, like they say: anonymous was a woman.
we’re about to strip the veil – on this one !!
next up: we visit Jane at home & see her new work.
talent runs – where fighter words roar.




~SOFIA COPPOLA: VIRGIN SUICIDE GIRL

THE VIRGIN SUICIDES (1999) – DIRECTED BY SOPHIA COPPOLA
REVIEWED BY NANCY SMITH. APRIL 19, 2011

I had a lot more fun, (as opposed to having just seen MEEK’S CUTOFF !!) – the next night, watching SOFIA COPPOLA’S – THE VIRGIN SUICIDES’ (1999) – which has has just popped up on: NETFLIX – INSTANTS !!

now there is a narrative, and a real slice of the American pie – which even though its story is hyper-fantastic – rings true all the way through. even to getting dumped on the football field – after the big prom nite . . .

JAMES WOODS takes the cake as the dad. A young JOSH HARTNETT, in a midnight blue velvet suit !! – is to die for. (apparently, literally) . . .
and a young KIRSTEN DUNST – oh la la. pioneer American rose in the blooming.


the LISBON girls: THERESE, LUX (KIRSTEN DUNST), MARY and BONNIE.
at first there were five . .
PHOTO: imdb media


JOSH HARTNETT as TRIP FONTAINE !!
PHOTO: imdb media


JOSH HARTNETT – at the RON TRUBKOVICH OPENING/FEB 15, 2008.
PHOTO BY: NANCY SMITH / first posted on artlovers/FEB 16, 2008


SOFIA COPPOLA – PHOTOGRAPHED at the GBE/ELIZABETH PEYTON OPENING, APRIL 17, 2004
PHOTO BY: NANCY SMITH – first published in artnet/APRIL 2004


‘THE VIRGIN SUICIDES’ – WRITTEN & DIRECTED BY – SOFIA COPPOLA – 1999

YO !! . . . . . WATCH THE ORIGINAL TRAILER – on YouTube !! !!


CECILIA – the first to go – the dying Elm tree in their suburban front yard – was the tip-off !!




~MICHELLE WILLIAMS: PIONEER GIRL

MEEK’S CUTOFF – DIRECTED BY KELLY REICHARDT
REVIEW & PHOTOS BY NANCY SMITH. APRIL 19, 2011


MICHELLE WILLIAMS in the lobby of the FILM FORUM, SAT APRIL 16, 2011
PHOTO: NANCY SMITH

. . . after my downright enchanting, mind-freeing, soul-reviving, box-breaking – brain-power revving – not to forget, tangy-soup eating – rainy day excursion at RIRKRIT TIRAVANIJA’S – ‘FEAR EATS THE SOUL’, I wandered over to the FILM FORUM to catch MICHELLE WILLIAMS’ latest flick – ‘MEEK’S CUTOFF’ – DIRECTED & EDITED BY KELLY REICHARDT – where my koda-chrome photo luck continued !!

lucky timing or what – MICHELLE WILLIAMS was there in the lobby on some private p.r. mission – and flashed me a really nice killer smile.
damn, if I didn’t die and go to paparazzi heaven right then, and there.
it took me at least 2 hrs to recover my equilibrium . . .

lucky I had that rush – because I can’t really recommend the film, except to die-hard MICHELLE WILLIAMS fans. what a dud. slow as molasses, with none of the sweet return.

even die-hard history buffs are gonna be disappointed. the film just never lifts off. never becomes authentic, even for the trying. you have a better shot on PBS. item: trying hard to get over on ya – EMILY TETHEROW, Ms. Williams’ character – loading a real black powder muzzle loading (Baker?) rifle, damn those things were heavy, solid steel.
(the best part of the movie – when her skinny arms recoiled from the actual strain). and took forever to fire. or seeing her grinding coffee. with a museum-worthy rusty squeaky handle-cranked bean grinder. the knitting scenes were the worst. yeah, those girls were really knitting, but silly scarves. in the desert. I don’t think so. they would have been patchin’ or crashin’.

and forget dramatic. all the men were cinematic duds. ole man Meek was a windbag – annoying – but not annoying enough – though you couldn’t get over the beautiful almond shape of his eyes over all that beard. and he had a great fringed leather costume. the Indian was ok. at least he seemed to sing soulful Indian, ok. but I would have preferred something really racy between him and Emily . . . Emily Tetherow, (Michelle) and SHIRLEY HENDERSON, as Mrs. GLORY WHITE – were captivating, cinematically, any time they got screen time – which was most of the time. no wonder. none of the others had any chemistry with the camera, let alone the script. maybe that was a kind of deliberate shaded-into-nothing form of casting ? is all I can think.

and when the film finally ended, with no plot in sight – let alone water – I wasn’t the only one who stood up, uttering those dread audience words aloud: a small chorus of . . . what the fuck was that ??

ya’ll know I am all for Americana – so, sorry for the busted review. but that’s how the dust settled.

interestingly enough, they had 2 actual costumes on hand – from the movie – displayed in the FILM FORUM LOBBY,
where you can still see the embedded desert dirt in the presumably laundered duds.
well, they weren’t all smelly and perspiration-stained. the (neck) ties of the bonnets took the biggest beating.


ORIGINAL PERIOD GARMENTS from the film by costume designer VICKI FARRELL.
materials: calico, muslim, cotton cording & Oregon desert dust.
left: MRS. EMILY TETHEROW – worn by MICHELLE WILLIAMS.
RIGHT: MRS. MILLIE GATELY – worn by ZOE KAZAN.


EMILY TETHEROW’S BONNET.


MILLIE GATELY’S BONNET.


detail, MILLIE GATELY sleeve.

PHOTOS: NANCY SMITH. FILM FORUM – 209 WEST HOUSTON ST, APRIL 16, 2011.

see: ‘MEEK’S CUTOFF’ – THE OFFICIAL WEBSITE




~THEM BE FIGHTING WORDS . . . THAI STYLE

up and close and personal – for RIRKRIT !!

see: THAKSIN SHINAWATRA – CORRUPT AS THEY COME – THE BIGGER THEY ARE, THE HARDER THEY FALL.

and that’s all have I say on: the lame controversy of – if showing ‘Graffiti Art’ is promoting vandalism. say what ?
give me more ‘vandalism’ . . . give me more art. and give me more soup.
down with the pols, the big corps, and all the other financial ‘wizards’ of the universe.
up with the ‘wizards’ of the street.

Charlie Finch – how did you miss that one. or, just egging me on as usual, wanting the nancy crackdown.
smackdown.
you know what they say. behind every great fortune – is a thief.
behind every trust fund baby – is a robber baron.
so, who’s your daddy ?

it’s way good those elitist walls are coming down, and the juice is jumping to the beat of the street.
anyways – it’s all about the art. not the daddy. not the street. may the kid with the best art – win.

DEDICATED TO: RIRKRIT TIRAVANIJA – ‘FEAR’ just blows me away.
if the shoe – fits – wear it !!

PHOTO: NANCY SMITH
T-SHIRT NO T-SHIRT SHOP.




~RAINY DAY SOUP


took the day off to do what I’ve been wanting to do – the most . . .


visit FEAR !!
. . . EATS THE SOUL – all alone and solitary.


soak it in – before it comes down.
get myself a bowl of soup – on a rainy day.


they were filling online orders in the T SHIRT SHOP.


everything in the ‘ATM’ gallery – was just as great – as I remembered.
chrome. koda-chrome. oh, yeah.


OMG – my dream come true – I turned the corner into that little ‘back’ office – and YES !! there was GAVIN – at work.
in my dreams, or what !!
a vision fulfilled. forever. smackdown, crackdown Nancy !! and the photo to prove it.


F-E-A-R !!


YES. BE BE BE VERY A-FRAID !!


ok. cold weather. . . . hard gritty city corner.


HOT SOUP.


MARIA – who works freelance (design and production. architectural background) for the TIRAVANIJA STUDIO – dishes.


the kitchen feels third worldly. beachy ? definite – not new Yorky.


the sound system contributed to the Eurotrash ambience – or is that RIO ? some small touristy spot in Mexico . . . Malaysia ? I dunno. another galaxy. the alternate universe 7-11 ? you name it.


where the locals – can come put up – their art !!


SWEENEY, put your red dress, on.


SPENCER SWEENEY, sucking up to the boss ?
portrait of DUCHAMP as GAVIN, and back !!


yeah, was I the only one – who had resist the strong urge – to shop lift ? I bet no.
who else wanted to suck on that. raise your hand.
the soup was delicious. apparently Rirkrit makes it himself, and he is really into it.
oh yeah. rainy day, New York City. it didn’t feel like New York City. but it was in New York City.
and that’s what counts. April 2011.

PHOTOS: NANCY SMITH.
RIRKRIT TIRAVANIJA – ‘FEAR EATS THE SOUL’.
GAVIN BROWN’S enterprise. APRIL 16, 2011.




~ABE LINCOLN JR. vs PETER BRANT

ABE LINCOLN Jr. vs. THE WORLD !!

sorry, guys please forgive me !! – I just couldn’t resist the . . . . bait !!
I really do like Peter Brant. at least he’s out there.

or, FILE UNDER: the Emperor who wore no clothes ca. NYC 2011.

ABE LINCOLN Jr. – ‘your moms went to chelsea and all you got was a shitty abstract’, 2011
in PANTHEON – a history of art from the streets of NYC, APRIL 2-17, 2011

DEDICATED TO PETER BRANT . . . the New York painter Josh Smith might have cause to call Mr. Brant “the guy with the eye” – but I bet I’m not the only one thinking – hell, no: he’s just the guy with the money !!

and sometimes he is on the money – but we’ll give Abe Lincoln Jr. the the final word, on this one.

hey. its a rough world, you wanna be in the art world – buckle up !!

you don’t like the heat – stay out of the kitchen. it’s called “art criticism 101”.

see: JOSH SMITH in VENICE & CONNECTICUT by CAROL VOGEL, INSIDE ART, THE NEW YORK TIMES, FRI APRIL 15, 2011.

oh, yeah.




~PANTHEON/art from the streets of NYC

PANTHEON – A HISTORY OF ART FROM THE STREETS OF NYC
24 HR. ACCESS – WINDOW EXHIBITION SURVEY
CURATED BY: DANIEL FERAL & JOYCE MANALO
at the FORMER DONNELL – NYC PUBLIC LIBRARY BLDG – OPPOSITE MoMA
20 WEST 53rd STREET – BET 5th & 6th AVENUES
the show runs APRIL 2 -17, 2011

NOTE: THE SHOW HAS BEEN EXTENDED – THRU MAY 1st !! & IS ON VIEW 24/7.

see: pantheonnyc.com

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the show’s card – a show-stopping map of graph work, font style, code, design, and direction . . . of a complex many-leveled evolution that pretty much sums up GRAFFITI and STREET ART, COMMERCIAL ART, OUTSIDER ART & ART HISTORY . . . the card was designed by one of the show’s curators, DANIEL FERAL. one tough cookie.


the show has a great touristy location, right in the heart of the – enemy – opposite the (mostly) staid MoMA.
the up-side: its open 24/7. the downside: its coming down this weekend – so, make it or break it.


the first window as you approach is by the 907 CREW – and it completely takes away any fears that the window format – will dampen the fires. my biggest fear going into the gig.


the 907 CREW WINDOW – a super smart collaborative effort that broke the box – on window display.
and everybody’s art having to fit “the format”. the far-out but skillful display and inter-artist banter – made a real great & def fun, first impression as you approach. the 3-D approach was wild. and elegant. go figure.
the big white eyeball alien spray paint gobbling monster is by Sadue . . .


907 CREW: DROID, GOYA, gen2, Oze 108, Sadue and UFO.


SADUE . . . sweet and smart, or what.


907 CREW throws the dog, a bone.


well-o !! 907 CREW, oh yeah.


eat the trees – NYC !! – 907 CREW.


NohJColey. ‘Pre-Columbus’, 2011.


detail, NohJColey.


JORDAN SEILER, ‘What It Means To Be A Priest’, 2010. mixed media in stolen phone booth frame.


QUEL BEAST, ‘Love Fist’, 2011.


top row, center: CAKE, ‘Portrait of Emily With Birds’, 2011.


classic ROYCE BANNON.


ABE LINCOLN, Jr. in fine form – as usual !!
ABE LINCOLN Jr. – ‘your moms went to chelsea and all you got a was a shitty abstract’, 2011.


STIKMAN, ‘Hanging Around Beyond the Edge of August’, 2011.


JOHN FEKNER and DON LEIGHT.


inside the box, it says: ‘WORK’ on the top, and ‘SWEAT’ – on the bottom.


MATT SIREN, ‘Skankar Medley’, 2011.


ELLIS GALLAGHER, ‘Bowery Crate’, 2009.


FREEDOM (CHRIS PAPE), ‘Self-Portrait’, 2010.
amen . . . that is righteous, bro.


LSD-Om, ‘Coming Down’. 2011.


on the wall, at left: RIGABERTO TORRES, ‘Firefighter’, 1990 . . .
at the right: RICHARD HAMBLETON, ‘Fountain of Youth’, 1982.


on the bike, LINUS CORAGGIO. beside him, the indie curator JOHNNY V.
LINUS CORAGGIO currently has work up in a two-man show with GARY JACKETTI, at the SKYLIGHT GALLERY, NYC.


JORDAN SEILER catches a smoke . . .
his PUBLIC AD CAMPAIGN is conducting a “participatory project titled: Producing the Streets: Public opinion on unauthorized public practices, that engages passersby with a question relating to notions of public space that is similar to the survey aspect of HANS HAACKE’S MoMA Poll, 1970 that was on view at MoMA/THE MUSEUM OF MODERN ART” – thru the run of the show.


JORDAN SEILER’S 2006 exhibit – ‘REMOVAL SATISFIES THE CONDITION’, at the former 1134NYC/CANAL CHAPTER – is still one of my all time faves . . .
see: JORDAN SEILER/THE CANAL CHAPTER
see: JORDAN SEILER/THE EXHIBIT – OPENING PIX !! – SCROLL DOWN !!


from left: JOYCE MANALO, one of the show’s curators; DEBRA ANDERSON of CULTURE SHOCK MARKETING/CSM; and DANIEL FERAL, the other of the show’s curators. MR. Feral is also the designer of the awesome card, and reportedly the man behind the tone, look and design of the show. in total, nice job.
and nice last name, dude.
the guy doesn’t crack a smile ever. just saying. guess it takes a tough man to do a tough job – well.


oh oh. why am I surprised ?
a BLACK LABEL NEW YORK – BICYCLE CLUB jacket . . . as in hardcore TALL BIKE club.
you know: BIKE KILL and all.


it’s IAN – I shoulda known !!


GREG. I think.


Tony. you go – boya !!


CAKE. getting married this summer. best wishes.


AILEEN McNALLY. I first met Aileen at the recent MARK ENGER MEMORIAL. turns out she was one of three drummers in the Lower East Side-based ENGER BROS. band – THE WAR HIPPIES (1994).


LSD-Om, (at left) – with JAMES.


STEVE HARRINGTON of BROOKLYN STREET ART.


GERRIT and HESH . . Gerrit can draw one mean-streak portrait – just you wait and see !!


HESH and LINUS CORAGGIO.
Hesh has something to do with that afore-mentioned CORAGGIO & JACKETTI show at SKYLIGHT GALLERY, NYC.
Apparently Hesh has something to do, with a lot of things. usually, all for the good.
Linus calls his circle: THE RIVINGTON SCHOOL – oops. you guys better open up the school – and let more Rivington St. come on over. as in me, NANCY S, and SIMON CERIGO. both long-time artist denizens of 5 RIVINGTON St. – EAST STOREFRONT, 1987-1995.


JASON, far-out hat, dude !!


CONRAD CARLSON, or as we like to call him, because he is . . . EL PRESIDENTE of the BLACK LABEL TALL BIKE CLUB NEW YORK. and a great artist. to boot. and obviously a guy with a great sense of humor . . . its a hardcore crew that he rules, talk about feral and all. well, really maybe ‘extreme artist/artisan’ – is the word.


after the opening reception, we went back for one more look.
don’t look back, yes !!
SADUE of the notorious 907 CREW made this eye-balled body spray-can eating 3-eyed alien monster . . .


the 907 CREW . . . or . . . as they seem to prefer: GRUNTS 907.
oh yeah. beautiful flow.


and their, last laugh.


FARO, ‘Wake up call’, 2011.


VuDu, ‘Untitled’, 2011. media: bike parts & misc. metal.


TOOFLY, the only other woman artist, besides CAKE, to be included in the show.


they did a real nice design & signage job . . . real smart, but cool, as in touristy – full of info & info graphics . .


across the street – we watch BLACK LABEL – unhitch their bikes.


now, this is a BLACK LABEL NEW YORK – BIKE CLUB – TALL BIKE – and with that, let’s leave the evening on a high note. great show, dudes. and dudettes. an interesting selection from a vast scene, for sure. it might not be MOCA – but it did hit home, at the heart. street life NYC style.

PHOTOS: NANCY SMITH. MIDTOWN NYC, APRIL 2, 2011.